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Shock Corridor (Criterion) (n/a Quebec)
 
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Shock Corridor (Criterion) (n/a Quebec)

Peter Breck , Constance Towers , Samuel Fuller    DVD
3.9 out of 5 stars  See all reviews (17 customer reviews)
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Maverick film director Samuel Fuller was doing some of his best work in the late 1950s and early 1960s, and in the years since its release in 1963, Shock Corridor has become a B-movie classic and a prime example of Fuller's gritty tabloid style. Never hesitant to explore the darkened corners of contemporary life, Fuller depicts the chambers of an insane asylum as a microcosm of American society, telling the story of a cynical, ambitious journalist (Peter Breck) whose obsessive quest for a Pulitzer Prize leads him into the depths of madness. To investigate a murder, the reporter goes undercover in a mental hospital, having convinced a psychiatrist that he needs treatment. Once inside the asylum, he pieces together clues to the murder, but his own mind begins to deteriorate until he's trapped in a downward spiral towards insanity. Fuller heightens the melodrama with his aggressive style of filmmaking (his next film, The Naked Kiss, proved even more effective), and his imaginative use of black-and-white cinematography (by noted cameraman Stanley Cortez) fills the movie with raw, emotional power. It's the kind of film one would expect from a rebellious director on the Hollywood fringe, and that's why Shock Corridor remains an enduring low-budget examination of the "rat race" and the consequences of pursuing success at any cost. The Criterion Collection DVD presents the film in its original 1.85:1 aspect ratio, and a rarely seen color dream sequence has been fully restored. --Jeff Shannon

Description

In Shock Corridor, the great American writer-director-producer Samuel Fuller (The Naked Kiss, The Big Red One) masterfully charts the uneasy terrain between sanity and dementia. Seeking a Pulitzer Prize, reporter Johnny Barrett (Peter Breck) has himself committed to a mental hospital to investigate a murder. As he closes in on the killer, madness closes in on him. Constance Towers (The Naked Kiss) costars as Johnny’s coolheaded stripper girlfriend. With its startling commentary on race in sixties America and daring photography by Stanley Cortez (The Night of the Hunter), Shock Corridor is now recognized for its far-reaching influence.

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Customer Reviews

17 Reviews
5 star:
 (6)
4 star:
 (7)
3 star:
 (2)
2 star:
 (1)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
3.9 out of 5 stars (17 customer reviews)
 
 
 
 
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3 of 3 people found the following review helpful
4.0 out of 5 stars One of Sam Fullers most powerful pictures, July 11 2004
By 
BD Ashley "vidiot_y2k" (Otago, New Zealand) - See all my reviews
(REAL NAME)   
This review is from: Shock Corridor (VHS Tape)
This precursor to ONE FLEW OVER THE CUCKOO'S NEST, Written, Produced and Directed by Sam Fuller (THE BIG RED ONE) was originally banned in NZ on its initial release and for some odd reason carries an R18 certificate today (higher than the UK's 15 cert). But even despite the twelve year gap between this and Milos Forman's multi Oscar winning masterpiece, I personally felt that SHOCK CORRIDOR came across as a more subtly unsettling movie.
In this overlooked classic Peter Breck gives a terrific performance as Johnny Barrett, a newspaper reporter who goes undercover as a patient in a mental asylum in order to expose the ill treatment of the inmates. But he soon finds himself fearing for his own sanity when he himself winds up being abused. The situation is not helped when he begins to have disturbing dreams about his stripper girlfriend (Constance Towers) whom he harbours a secret anger against for exposing herself to other men. (The stripping scenes are a special highlight too). However Johnny also gains the unwanted attention of half a dozen attractive-slash-deranged female inmates who want to sexually exploit and degrade him. Who said only women were victims? Unfortunately some of the audio synchronicity in SHOCK CORRIDOR is appalling, especially in this scene and as a result the potential power of this sequence is lessened somewhat. (I viewed the UK videotape so I'll presume this was the work of the Pommie censors and not the intention of Fuller).
As if all this isn't bad enough, among the other inmates is an African American man with a split personality- his alter ego being a white supremacist. This leads to one of the movie's more unnerving moments where he dons a KKK outfit and sets an angry mob upon another Negro patient. This would have been pretty wild stuff for 1963 and the scene still packs a wallop four decades on. It's safe to presume that this wouldn't be allowed in movies today (unless it was being spoofed by the Wayans brothers). It's also of note that several flashback scenes are shot in color- including a brief but effective montage of the movies most powerful incidents during the scene in which Barrett undergoes electroshock therapy.
The combo of b&w photography with a shady atmosphere help to give SHOCK CORRIDOR a chillingly brilliant claustrophobic feel, which is so effective that while watching it you feel that you are incarcerated along with Barrett and suffering with him. Keep your eyes peeled for James Best, later to be better known as Sheriff Roscoe P. Coltrane on THE DUKES OF HAZZARD.
There are also a couple of amusing parts amongst all the despair, most notably the scenes featuring the screaming mad cowboy and a bit where one of the inmates proclaims with pride: "I am impotent and I like it!" Yup, the man is certifiable in my opinion.
SHOCK CORRIDOR is a movie well worth tracking down. Fuller manages to seamlessly blend thriller, psychological drama, social commentary horror, black humor and exploitation into a richly textured and unique viewing experience which retains the power to disturb and challenge viewers today.
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2 of 2 people found the following review helpful
3.0 out of 5 stars Terrific movie, but not a very good DVD, Mar 16 2003
By 
Timothy Hulsey (Charlottesville, VA United States) - See all my reviews
(REAL NAME)   
This review is from: Shock Corridor (Widescreen) (DVD)
Samuel Fuller's low-budget masterpiece _Shock Corridor_ is indisputably one of the greatest American films of the 1960s. Although some elements of the plot feel dated today, Fuller's expose of American racism and militarism has force, passion, and true cinematic technique.

The DVD of the film features an excellent video transfer with a so-so mono audio mix. Because this is an early effort from Criterion, the only extra you'll find here is a rather shabby theatrical trailer. Nowadays this would be disgraceful, but in 1998 (when the disc was first produced), it was about par for the course.

Unless you really, really like this film, consider a rental, not a purchase. Perhaps Criterion could re-issue _Shock Corridor_ with more extensive special features, as they've already done for Truffaut's _The 400 Blows_ and Cocteau's _Beauty and the Beast_.

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1 of 1 people found the following review helpful
4.0 out of 5 stars an interesting film with some unususal scenes, Mar 24 2004
By 
Ted "Ted" (Pennsylvania, USA) - See all my reviews
This review is from: Shock Corridor (Widescreen) (DVD)
This review is for the Criterion Collection edition of the film.

This film first of all has a cery original plot.

A journalist has himself commited to a mental hospital to solve an unsolved murder case which occurred there. The film has interesting scenes of mental hospitals and appears to be well with the time period in which the film was made.

There are two scenes that some may find humorous. In one the main character takes a wrong turn and ends up in the nymphomaniac ward. The depiction of the result seem pretty tame by today's standards though. In the other scene an black patient suffers from the delusion that he is a member of the Ku Klux Klan.

I for one foud the scene somewhat interesting given that this film was made in the early 60's at a time when race relations were beginning to change. I also wonder how they found a black actor willing to do such a scene.

The DVD has only a theactrical trailer for a special feature which is somewhat disappointing for a Criterion Collection release.

Overall this film is good but not very good.

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