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The Sign of the Weeping Virgin Hardcover – Jan 9 2013

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Product Details

  • Hardcover: 384 pages
  • Publisher: Five Star; 1 edition (Jan. 9 2013)
  • Language: English
  • ISBN-10: 1432826239
  • ISBN-13: 978-1432826239
  • Product Dimensions: 14 x 2.5 x 21.6 cm
  • Shipping Weight: 522 g
  • Amazon Bestsellers Rank: #1,889,899 in Books (See Top 100 in Books)
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Most Helpful Customer Reviews on (beta) 17 reviews
2 of 2 people found the following review helpful
Wit and grace abound in this enjoyable novel Jan. 29 2013
By Mike Coleman - Published on
Format: Hardcover Verified Purchase
Critics are praising Alana White's elegant prose and her skill in weaving a vast amount of historical detail into the plot of this fascinating mystery novel set in Renaissance Florence. I heartily concur, but also must note the considerable wit at work in the book--one of the many qualities that make it such an enjoyable reading experience.

It comes through in dialogue: "God, I've died and gone to heaven," her protagonist Guid'Antonio Vespucci says over a meal of roast pork and fried ravioli. "No, you've come home to Italy," remarks the man's nephew. It comes through in White's cleverly drawn minor characters, especially the all-knowing, sardonic Cesare, Guid'Antonio's manservant. And it comes through in the way White archly points out the parallels between 15th-century Florentine society and our own--the religious zealots whipping the masses into a frenzy of fear and misdirected blame, the deep divide between the haves and have-nots, the very character of Guid'Antonio, as full of angst, including the marital variety, as any male protagonist in contemporary fiction.

I found myself taking an odd sort of comfort in these parallels--the more things change, right? But they also helped deepen my connection to the story, the characters and their way of life so exotic, so different in so many ways from our own.

White takes us everywhere we've ever fantasized about in Renaissance Florence--an upper-class dining room serving up specialties of a fabulous cook, the studiolo of Lorenzo de Medici (where il Magnifico himself is holding forth), even the elegant apartment where Botticelli's Primavera holds pride of place in its original setting, framed and hanging over a daybed. Can you imagine being part of this culture, where so much art was springing up all around you every day? Where you could meet Michelangelo as a resolute little boy holding his father's hand in the marketplace? Where you could share in the suspense among Italians as to which artist would actually be chosen to decorate the Sistine Chapel?

White feeds all the fantasies, and teaches us a great deal about Italian history along the way. I also love the unique mystery that drives the plot. It's not a mere murderer her sleuth Guid'Antonio is trying to catch. No, he must save all of Florence. And that is a cause any lover of the City of Flowers can cheer for.
1 of 1 people found the following review helpful
Very historically detailed mystery Feb. 18 2013
By Erin Al-Mehairi - Published on
Format: Hardcover
The Sign of the Weeping Virgin, by Alana White, is a new novel that brings to life Italian history, specifically in Florence, much of which I had no prior knowledge. Italian history not being one I'm quite as well read or educated on, this book's through research and information circled with a fictional mystery was very enlightening and descriptive.

Most people who enjoy history have heard of Amerigo Vespucci. His uncle was Guid Antonio Vespucci, a lawyer in Florence during the early 1400s, a time when the arts were flourishing and the Medici family was in power. The Vespucci family was also a major family influence in the area and Guid Antonio supported the Medicis and had a close friendship with Lorenzo de Medici, or Lorenzo the Magnificent. This was a time and place ripe with intrigue, political maneuvering, and families sparring for position. White utilizes all this in her book, mixed with the Renaissance players such as artists Sandro Botticelli and Leonardo Da Vinci, while also delighting readers with savory details of lavish meals, affairs, and controversies.

As a protagonist, Guid Antonio was interesting and his conversational thoughts unique. He was at all times seemingly confused, yet also extremely intelligent. Pious, yet also flawed. This made him quite the original detective and his dialogue with supporting characters, like his nephew Amerigo, carried subtle nuances and light humor.

The best part of this book was White's revelatory research and historical presence. Due to this her characters were well detailed and very human. We come to know their passions and vices, their secrets and faults, as well as their documented successes and legacies. It wasn't a fast-paced thriller, but more of an educated and historically detailed mystery.

I am an art history buff, so I really enjoyed the introduction of the major artists of this time and as always, enjoy a good conspiracy where paintings and clues are involved.

I look forward to the next book in White's series of Guid Antonio Vespucci historical mysteries. I highly recommend this book if you love braintwisters that are history-heavy prose combined with beautiful descriptive detail and interesting detective work set in one of the best-loved eras-the Italian Renaissance.
2 of 3 people found the following review helpful
A Stunning Historical Debut Jan. 9 2013
By Lynette E. Ingram - Published on
Format: Hardcover
In her impressive historical novel, The Sign of the Weeping Virgin, Alana White reprises Florence in the 15th Century through her protagonist, Guid' Antonio Vespucci. As the novel opens, Guid Antonio, accompanied by his nephew Amerigo, has returned to Florence after a diplomatic assignment in France.
A respected lawyer and trusted friend of Florence's most prominent citizen, Lorenz di Medici, Guid' Antonio finds some disturbing changes in the city he loves. The city's depleted treasury has created a number of desperately poor citizens. A young woman has disappeared, supposedly abducted by the Turks and sold into slavery. Even more baffling, the painting of the Virgin Mary in the Vespucci family church has begun to weep. This phenomenon is seen by superstitious Florentines as a sign that the city is cursed by God because Lorenzo di Medici refuses to end his war with Pope. As a "Medici man," Guid' Antonio must deal with new and as yet, unidentified enemies: "Whatever the circumstances, Florence, Lorenzo, and Guid'Antonio, the Medicis and the Vespuccis, were one and the same."
As Guid'Antonio and Amerigo set out to unravel these mysteries, they are beset by rumors and whispers, as well as political turmoil which escalates as the Turkish king moves to expand his Islamic empire and the Pope surreptitiously acquires a large tract of land too close to Florence.
In Guid' Antonio Vespucci, Alana White has created an intelligent, compelling protagonist who invites further development in subsequent novels. However, the center of this historical mystery is Renaissance Florence, a vibrant presence painted by the writer in rich lights and shadows, much like the paintings of Sandro Botticelli and Leonardo da Vinci, both of whom appear as characters in the book. From the well-crafted suspense through the political machinations to the domestic details of the Florentines' households, White has painted a luminous and textured portrait of Florence that lingers in the reader's mind long after the novel has ended.
THE SIGN OF THE WEEPING VIRGIN, by Alana White Feb. 27 2013
By Amazon Customer - Published on
Format: Hardcover
If you love Italian history mixed with mystery, then The Sign of The Weeping Virgin is perfect! Author Alana White uses real historical figures in this splendid novel, setting the right mood for a story that feels incredibly real. Set in 15th c. Florence at a time when the city was in danger of Turkish invasion, political enemies, the Church, Guido'Antonio Vespucci and his nephew Amerigo are entangled in discovering the mystery behind a weeping Virgin and the disappearance of a pious woman.

Sponsoring the investigation is Lorenzo de Medici, despised by both the Church and political enemies. Clues are everywhere- the mystery dances through the pages as Guido'Antonio discovers, thanks to the great Leonardo Da Vinci, how it is that the Virgin sheds tears...but who is making her do so? Is the event related to the young woman being kidnapped by the Turks and then sold into slavery?

This is a fascinating story enveloped by breathtaking descriptions of Florence during the Renaissance- Paradise for art history aficionados! This book was a real treat for me -art, history and mystery all meshed into one beautifully written novel- excellent prose. Although, I have to admit that even if I found the beginning to be rather slow, once the mystery picked up the pace and the events unraveled, I just could not put this down. Loved it!

This review first appeared in the February Issue of HISTORICAL NOVELS REVIEW- Editor's Choice
Historical Fiction in Florence (just before the Borgia's) Jan. 4 2014
By Sharon - Published on
Format: Hardcover
The story is set in Florence, Italy during the Renaissance. Although listed as Mystery #1 in a series, I would categorize it as historical fiction or historical mystery. The novel documents the struggle by the Medici family to maintain control of Florence, helped by his good friend Guid'Antonio Vespucci, who is brought in after the murder of Medici's brother. There is the disappearance of a beautiful girl (sold into slavery? murdered? run off with a lover?) that starts Guid'Antonio searching for what has transpired. He is assisted by his young nephew Amerigo Vespucci (yeah, that explorer.) We also have cameos by Leonardo da Vinci and Sandro Botticelli playing bit parts in the story. There is the threat by Rome with Pope Sixtus IV cutting off Florence from the church. There is further the threat of the Pazzi family against the Medici's. This is the era where there are five divided areas of Italy--Rome, Milan, Venice, Naples and Florence--all ripe for invasion by the Turks.

The writing is very detailed and slow to start, having many characters and sometimes requiring a look back to see what happened or who they are. However, the story line catches you about 1/3 of the way through and moves rapidly thereafter.

I enjoyed the story and would like to see a continuation into the next decades hightlighting the life of the Borgias.