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Signals
 
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Signals [Original recording remastered, Import]

Rush Audio CD
4.5 out of 5 stars  See all reviews (123 customer reviews)
Price: CDN$ 12.33 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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Customers Who Bought This Item Also Bought


Product Details


1. Subdivisions
2. The Analog Kid
3. Chemistry
4. Digital Man
5. The Weapon
6. New World Man
7. Losing It
8. Countdown

Product Description

From Amazon.com

Rush had already begun using electronics and synth in their music by the time Signals was released in 1982, so the synth-heavy opener, "Subdivisions" (a song that proves that high-school separatism is older than last year), wasn't that great a departure from their previous material. Signals also contains the single "New World Man," which still gets heavy radio airplay almost 20 years later, as well as groove-heavy, tech-savvy songs like "The Analog Kid" and "Digital Man"--prescient comments on the forthcoming information technology revolution if ever there were any. This was Rush's first studio album following Moving Pictures, which arguably remains their strongest and most well-known effort, after 2112. That's a tough act to follow, and Rush did it in the best possible way--by maintaining their distinctive sound while updating it with 1980s touches. Signals indicates that it was a good move. -- Genevieve Williams

Album Description

Japanese only paper sleeve SHM pressing. The SHM-CD [Super High Material CD] format features enhanced audio quality through the use of a special polycarbonate plastic. Using a process developed by JVC and Universal Music Japan discovered through the joint companies' research into LCD display manufacturing SHM-CDs feature improved transparency on the data side of the disc allowing for more accurate reading of CD data by the CD player laser head. SHM-CD format CDs are fully compatible with standard CD players. Warner. 2009.

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Customer Reviews

123 Reviews
5 star:
 (78)
4 star:
 (36)
3 star:
 (7)
2 star:
 (2)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.5 out of 5 stars (123 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful
4.0 out of 5 stars New influences, new sound, Nov 10 2008
By 
Matthew West "progjam" (Atlantic Canada) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
This review is from: Signals (Audio CD)
'Signals' (often mistakenly called 'Subdivisions' by non-fans) is a continued growth as well as a departure for the band. The influence of the new bands of the day, such as the Police, Ultravox, and Visage, are readily apparent. The times were changing, and Rush was willing and able to change with them. Gone were the Science Fiction and dytopian infused themes, to be replaced by an exploration of humanity and technology.

The album grabs you immendiately. The opening bass notes of "Subdivisions" rivets your attention. Throughout this amazing song, the guitar is a bit back in the mix (this situation is much improved in live releases and performances of the song--especially on the 'Snakes & Arrows Live' set, where Alex brings out his Les Paul to cut through the synths). The bass and drums on this studio version are so tight. They lock in and drive an incredible amount of excitement through the song. The songs seems simpler than their older material, but you will be surprised to discover a high degree of complexity in terms of playing and arrangement. The solo section is one of my favourites on the album. Alex captures an incredible feeling of loneliness and ambition rolled together.

I don't think Rush have done a song this fast up until now. The "Analog Kid" has a very quick tempo. They really rip through this one. The vocal melody is beautiful and dreamy, almost hiding the burning fretwork and quick drums underneath. I love the majestic Genesis-esque chorus, done in a contrasting slow tempo. "Analog Kid" is my anthem. It is all about the hopes and dreams of my youth. Back then it was about desire, but now it is about my regret for a life not lived. The solo says it all: anger, joy, frustration, passion.

"Chemistry" was a hard song to get into at first, especially agter the first two tracks. It is a fast paced blending of styles: Rock, New Wave, Reggae, Ska, and Prog. This song is the progress of the experiments begun on 'Permanent Waves'. The playing is fantastic throughout and leaves you wanting more.

"Digital Man" is a very cool Rock-Reggae inspired song that is slow tempo for rock, but fast temp for Reaage. There is a heavy Police inflence here. Andy Summers and Stewart Copeland might as well be rocking this one. I'm surprised this wasn't released as a single instead of "Countdown". To my mind "Digital Man" has greater "1982-hit" potential than the album closer. Alex blazes through yet another great solo and we are left totally blown away after four heavy rocking and accessible numbers. Rush have proved that they can change with the times and still be Rush.

Side 2 opens with a thumping dance beat that is reminicent of Visage's "Fade to Grey", then the chords switch to the dark sounds of "Witch Hunt". This is almost like what "Witch Hunt" would sound like if it were done by Midge Ure and Steve Strange. "The Weapon" takes us back to the darkness of side 2 of 'Moving Pictures', blending ideas introduced in "The Camera Eye" and "Witch Hunt", and tying them in to the New Wave sounds of bands like Ultravox. Alex delivers one of his coolest solos.

To me, "New World Man" is totally out of place on side 2. It almost would have been better if they had switched places with "Chemistry". This is another Police inspired song, played simply and directly.

"Losing It" provides some much needed relief from the frenetic songs. it is interesting to hear Rush play in sucha a restrained way. They hold back to let the strings and violin carry the mood and emotion of the song. To me, this is the genesis of ideas that were so brilliantly developed for "Mission". Because "Countdown" is one of my least liked Rush songs, "Losing It" is often the album closer for me. It is a great way to end a superb album.

"Countdown"--maybe all this song needs is a little work. It has too many awkward moments in it.
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5.0 out of 5 stars rush signals, Sep 7 2006
This review is from: Signals (Audio CD)
this rush cd is very different as, songs such as subdivision really hit home, especially with the constant growth of citys. When this cd was released, here in winnipeg, st.vital was just starting to grow and expand. now it is grown so much and the truth of the song hits home. that area is just one part of the city that has grown so much. countdown was another enjoyable song especially with the shuttle invovled, along with the people from nasa doing the launch of columbia. this was the start of myself liking rush. new world man was also enjoyable song to listen to. rush is a group that has to be listened to understand. some time the music is so so but the lyrics are the key to understanding rush.
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5.0 out of 5 stars Signals, my favorite cd, May 22 2005
By 
Dynomite (Alberta Canada) - See all my reviews
This review is from: Signals (Audio CD)
If you were to own one rush cd, buy signals. The songs are great from start to finish. The best song on this cd as well as rush's best song ever is Subdivisions. This song begins with a great introduction on synthesizer by Geddy Lee. Neil Peart lays down a great drum track, as well as Alex Lifeson's guitar solo. Geddy Lee's voice is at his best on this cd.
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