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Signet Classics Sons And Lovers
 
 

Signet Classics Sons And Lovers [Mass Market Paperback]

D Lawrence
4.2 out of 5 stars  See all reviews (58 customer reviews)

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Hardcover CDN $15.64  
Paperback CDN $3.93  
Mass Market Paperback CDN $8.75  
Mass Market Paperback, Jan 1 1981 --  
Audio, CD, Audiobook, MP3 Audio, Unabridged CDN $23.69  

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Sons and Lovers was the first modern portrayal of a phenomenon that later, thanks to Freud, became easily recognizable as the Oedipus complex. Never was a son more indentured to his mother's love and full of hatred for his father than Paul Morel, D.H. Lawrence's young protagonist. Never, that is, except perhaps Lawrence himself. In his 1913 novel he grappled with the discordant loves that haunted him all his life--for his spiritual childhood sweetheart, here called Miriam, and for his mother, whom he transformed into Mrs. Morel. It is, by Lawrence's own account, a book aimed at depicting this woman's grasp: "as her sons grow up she selects them as lovers--first the eldest, then the second. These sons are urged into life by their reciprocal love of their mother--urged on and on. But when they come to manhood, they can't love, because their mother is the strongest power in their lives."

Of course, Mrs. Morel takes neither of her two elder sons (the first of whom dies early, which further intensifies her grip on Paul) as a literal lover, but nonetheless her psychological snare is immense. She loathes Paul's Miriam from the start, understanding that the girl's deep love of her son will oust her: "She's not like an ordinary woman, who can leave me my share in him. She wants to absorb him." Meanwhile, Paul plays his part with equal fervor, incapable of committing himself in either direction: "Why did his mother sit at home and suffer?... And why did he hate Miriam, and feel so cruel towards her, at the thought of his mother. If Miriam caused his mother suffering, then he hated her--and he easily hated her." Soon thereafter he even confesses to his mother: "I really don't love her. I talk to her, but I want to come home to you."

The result of all this is that Paul throws Miriam over for a married suffragette, Clara Dawes, who fulfills the sexual component of his ascent to manhood but leaves him, as ever, without a complete relationship to challenge his love for his mother. As Paul voyages from the working-class mining world to the spheres of commerce and art (he has fair success as a painter), he accepts that his own achievements must be equally his mother's. "There was so much to come out of him. Life for her was rich with promise. She was to see herself fulfilled... All his work was hers."

The cycles of Paul's relationships with these three women are terrifying at times, and Lawrence does nothing to dim their intensity. Nor does he shirk in his vivid, sensuous descriptions of the landscape that offers up its blossoms and beasts and "shimmeriness" to Paul's sensitive spirit. Sons and Lovers lays fully bare the souls of men and earth. Few books tell such whole, complicated truths about the permutations of love as resolutely without resolution. It's nothing short of searing to be brushed by humanity in this manner. --Melanie Rehak --This text refers to the Paperback edition.

From AudioFile

Lawrence's first major novel is unstintingly, passionately autobiographical. Set in a Nottinghamshire mining town, it concerns the high-minded wife of a brutal miner who puts all hopes into her artistic son, Paul. Copley brings the workingclass milieu to life. His north country accent enhances the author's regional "sound," which may not be apparent on the page to American readers, but which is a prominent feature of the book's aesthetic. By shaving off a bit too much of the color, the abridgment reinforces the novel's starkness. Therefore, one should hear this recording before, not instead of, reading the full work. Y.R. (c)AudioFile, Portland, Maine --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

58 Reviews
5 star:
 (31)
4 star:
 (15)
3 star:
 (6)
2 star:
 (4)
1 star:
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Average Customer Review
4.2 out of 5 stars (58 customer reviews)
 
 
 
 
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4.0 out of 5 stars Rambling and diffuse, but a classic for its time...., Jan 29 2012
By 
Ronald W. Maron "pilgrim" (Nova Scotia) - See all my reviews
(TOP 100 REVIEWER)    (REAL NAME)   
This review is from: Sons and Lovers (Paperback)
While "Sons and Lovers" would not be a best seller if it was written by a current day author, it was, for its times, quite controversial and forward-leaning and should always be considered one of fiction's classics. On its published date, 1914, the world was enamored with Freud's Oedipal fixation and found itself newly-awoken to the sexual side of humanity. Before this era, sexuality was either repressed or made a separate entity away from emotional caring. D.H. Lawrence relit the 'Oedipal candle' and the mother/son controversy went on. While neither Freud nor Lawrence ever fully understood their own sexuality, let alone that of others, this piece of autobiographical fiction allowed society to continue in its personal understanding of its physical self.

While I fully agree with other critics that the main thrust of this novel is the interaction of mother and son, I also feel there is much more that can be psychosocially understood from its reading. The mother, in today's terminology was a narcissist. All of her actions throughout this tale are directed back towards herself and her own happiness. She married a very handsome and well-built man because she mistakenly thought that he owned the house in which he was living and that he could provide for her in the manner in which she felt she deserved. When this proved false and her plans became futile, she turned her selfish need for personal fulfillment towards her sons. She felt that it was their duty, and not their choice, to make her happy. Throughout the novel Paul, the younger of the two, is left with this onerous and suffacating burden. In very short order he, too, changes his need structure to rely on her for his recognition and fulfillment. But, his mother being a narcissist, she can never provide this in a mature and caring manner. Instead, she does so in a self-devised and incomplete manner making Paul to always wanting more and more and never feeling complete. He, in turn, was never able to fulfill her insatiable needs of attention and personal fulfillment. Neither person took any responsibility for their own actions or their own psyche and, because of that, eventually developed a love/hate relationship with each other. This is dramatically shown in the fact that Paul, while continuing to profess his love and caring for her, actually murders his mother while she lie on her death bed.

In social situations the damage that Paul suffered at the hands of his mother, were generalized into the rest of his life. His work was never fulfilling, his love/hate relationship with his mother translated into an approach/avoidance behavior with women and his ultimate goals in life continued to focus on what would make his mother happy with little or no concern for himself. Because his mother had never equated her sexual life with any type of caring or emotion, Paul, too, made a divide between sex and love and often mistakenly confused one with the other. He never allowed himself to feel both together or, for that matter, had the capability to do so. The women in Paul's life had their own irrational agendas. One sacrificed her life while waiting for Paul to eventually admit his love for her and the other lived her life based solely on her own selfish and ego driven emotions while leaving rational thought unheeded. The author, if this truly is his autobiographical sketch, certainly lived and most probably died a very lonely and disturbed life. He never made the effort nor probably never had the emotional strength to understand himself as an independent being apart from the maternal demands that were continually laid at his feet.

While the subject of this book does merit 5 stars, I only gave it 4 stars because of the rambling and diffuse writing that occurs in the first half of the book. Yes, I understand that the author himself viewed life as a rambling and purposeless process but we, as readers. do not need to re-experience his self-confusion in order to fully understand it. We, too, have our own life experiences from which we can draw and do not need our hands held while we come to understand the author's internal insecurities. Nor do we need to have the various derivatives of the work 'hate' be used in nearly every paragraph in order to understand the love/hate relationship that the author had with everything around him. We, too, have a degree of intelligence that can comprehend intense negative feelings directed towards the world.
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4.0 out of 5 stars Husbands and Mama's Boys, Feb 14 2004
By 
This review is from: Signet Classics Sons And Lovers (Mass Market Paperback)
This story of the Morel family begins with a dramatic portrayal of the effect industrialization has on human lives. Mr. Morel, a coal miner in turn-of-the-century Britain, lives a life of drudgery, anger and desperation. He takes his frustrations out on his wife Gertrude, while the real source of his unhappiness is his own low self-esteem. Gertrude is embittered by his hardness and so looks to her sons to fill all her emotional needs. This constitutes Part One of the novel, which to this reviewer's taste is the more satisfying section. The detailed descriptions of the arguments and even outright fights between the married couple are as powerful as anything in fiction, and bleakly dramatize how poverty can destroy the very hearts and souls of the working classes. Morel is oppressed by his employer, so he in turn oppresses his wife, who emotionally smothers her sons. Fight the power!

All of which is what makes Part Two such a disappointment. The entire second half of the book revolves around the second son, Paul, and how his closeness to his mother makes it impossible for him to engage in satisfactory relationships with other women. Miriam, the milquetoast who yearns for a transcendent, spiritual love, cares for Paul so much that she lets him walk all over her. The much tougher and independent Clara introduces Paul to a more physically satisfying relationship, but neither of them has any real attachment to the other. The weakness of this second half is not just that it all seems to take far too long; it's that over time, the characters become very unsympathetic. None of them have the strength of will to break away from their failing relationships, despite the fact that these failures cast dark shadows across their lives. And there's certainly nothing tragic about these young people mooning about, complaining that their relationships aren't what they'd like them to be; most especially in the context of Part One, which reminds us that there are people in this world who are really suffering.

Readers who are deeply interested in the internal subtleties of male-female relationships (and this probably includes a majority of young women) will love this book. If the two parts were published separately, this reviewer would unhesitatingly give Part One five stars, while grudgingly giving Part Two three and a half. For Mama's boys (and those who've seriously dated them) this book certainly rates five stars, but others will find these characters so annoying that even four stars may seem generous.

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5.0 out of 5 stars A Must-Read!, Nov 18 2003
By A Customer
This review is from: Signet Classics Sons And Lovers (Mass Market Paperback)
'Sons And Lovers' is perhaps the most touching classic by D H Lawrence. The story revolves around the Morel family, a lower-middle class family living on the Nottingham coalfield. Initially, Lawrence vividly describes the hardships faced by Mrs. Morel in raising a family of three sons and a daughter while living from hand to mouth, in face of the frequent beatings delivered by an oft-drunk miner husband. For the larger part, he examines in detail the passionate relationship between Mrs. Morel and her second son, Paul. Disillusioned from her drunkard and temperamental husband and devastated by the death of her elder son, Mrs. Morel has high expectations from her second son, Paul. At the same time, Paul is torn between his duty towards his beloved mother, and his passion for the two other women in his life, Clara and Miriam. It is widely believed that through this novel, Lawrence has addressed the dynamics of his own complicated relationship with his mother, and has depicted the dilemma that faced him. D H Lawrence has masterfully handled the fragile subject of intimate relationships between loved ones. In my view, it is a definite must-read. Also recommended: Waiting by Ha Jin, The Losers' Club by Richard Perez
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