Silent Prey: Lucas Davenport Series, Book 4 and over one million other books are available for Amazon Kindle. Learn more

Vous voulez voir cette page en français ? Cliquez ici.

Alert Me

Want us to e-mail you when this item becomes available?

More Buying Choices
Have one to sell? Sell yours here
Start reading Silent Prey: Lucas Davenport Series, Book 4 on your Kindle in under a minute.

Don't have a Kindle? Get your Kindle here, or download a FREE Kindle Reading App.

Silent Prey [Library Binding]

John Sandford
4.0 out of 5 stars  See all reviews (24 customer reviews)

Sign up to be notified when this item becomes available.


‹  Return to Product Overview

Product Description

From Publishers Weekly

This streamlined thriller is a rematch for Minneapolis homicide cop Lucas Davenport and the insane killer he caught in Sandford's earlier slasher novel, Eyes of Prey. After psychotic pathologist Dr. Mike Bekker escapes from a New York courthouse and begins a killing spree, NYPD Lt. Lily Rothenberg asks Davenport, her former lover, to come to Manhattan and help the investigation. Despite Bekker's ruined face (courtesy of an enraged Davenport), the killer eludes capture and the bodies keep piling up, each with the eyelids cut off so that Bekker could photograph his victims as they died. Rothenberg gives Davenport an additional, undercover assignment--to ferret out the "Robin Hoods," a clandestine police vigilante group responsible for perhaps three dozen deaths, one of which was that of a fellow cop who might have been onto them. Paired with possible Robin Hood Det. Barbara Fell, Davenport taunts Bekker in the media, hoping to goad him into a mistake, but the grisly murders continue. As the momentum gathers, readers will speed through the surprise twists and confrontations of the last chapters. Although the story never drags and Sandford delivers his usual punch, the devices in his winning formula are becoming familiar.
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Kirkus Reviews

Sandford's sixth thriller--including two under his real name of John Camp--since July 1989. It's no surprise, then, that this fourth in his bestselling Prey series shows some stretch and strain, bringing cop-hero Lucas Davenport away from Minneapolis to Manhattan to tangle again with the homicidal maniac of Eyes of Prey (1991). But it's not just drug-crazed pathologist Michael Bekker- -infamous for cutting out his victims' eyelids as he torture-kills them to capture the moment of transition from life to death--that tests Davenport here. Weeks after Bekker escapes from a Minneapolis courthouse in the novel's fierce kickoff, Davenport is visited by old flame Lily Rothenberg of the NYPD (Rules of Prey). Not only is Bekker running amok in N.Y.C., Lily says, but so is a cabal of vigilante cops who've killed perhaps dozens of the Big Apple's most vicious worms. Will Davenport help snare Bekker and at the same time secretly sniff out the bad cops? Davenport's exploration of Gotham's mean streets dramatically points up the metropolis as an inferno of the damned--dealers, fences, junkies--as seen by a small-city cop; but Davenport himself seems less the appealingly brooding, game-playing genius of previous novels than a devious bully with a penchant for extralegal tactics, including intimidation and burglary. Meanwhile, Bekker pops pills and reaps victims under Davenport's nose until a major twist reveals why the killer remains invisible. As Davenport closes in, he also finds himself looking hard at friends old and new as possible vigilantes: Lily, her cop-lover, another top cop, and Davenport's own new bedmate, a feisty ``cowgirl'' cop named Barb Fell. The two cases close out in predictable but tense climaxes fraught with poetic justice. Solid cop-action with well-drawn minor characters, but lacking the high cleverness or suspense of some earlier Preys. And recycled villain Bekker is no Hannibal Lecter. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

Review

"Sleek and nasty...superb!" -- St. Paul Pioneer Press --This text refers to an out of print or unavailable edition of this title.

About the Author

John Sandford is the pseudonym of Pulitzer Prize-winning journalist John Camp. His eight novels featuring Minneapolis detective Lucas Davenport have all been top-ten bestsellers in the USA. --This text refers to the Paperback edition.

Excerpt. © Reprinted by permission. All rights reserved.

1

A thought sparked in the chaos of Bekker’s mind.

The jury.

He caught it, mentally, like a quick hand snatching a fly from midair.

Bekker slumped at the defense table, the center of the circus. His vacant blue eyes rolled back, pale and wide as a plastic baby- doll’s, wandering around the interior of the courtroom, snagging on a light fixture, catching on an electrical outlet, sliding past the staring faces. His hair had been cut jail house short, but they had let him keep the wild blond beard. An act of mercy: The beard disguised the tangled mass of pink scar tissue that crisscrossed his face. In the middle of the beard, his pink rosebud lips opened and closed, like an eel’s, damp and glistening.

Bekker looked at the thought he’d caught: The jury. House wives, retirees, welfare trash. His peers, they called them. A ridiculous concept: He was a doctor of medicine. He stood at the top of his profession. He was respected. Bekker shook his head.

Understand . . . ?

The word tumbled from the judge- crow’s mouth and echoed in his mind. “Do you understand, Mr. Bekker?”

What . . . ?

The idiot flat- faced attorney pulled at Bekker’s sleeve: “Stand up.”

What . . . ?

The prosecutor turned to stare at him, hate in her eyes. The hate touched him, reached him, and he opened his mind and let it flow back. I’d like to have you for five minutes, good sharp scalpel would open you up like a goddamn oyster: zip, zip. Like a goddamn clam.

The prosecutor felt Bekker’s interest. She was a hard woman; she’d put six hundred men and women behind bars. Their petty threats and silly pleas no longer interested her. But she flinched and turned away from Bekker.

What? Standing? Time now?

Bekker struggled back. It was so hard. He’d let himself go during the trial. He had no interest in it. Refused to testify. The outcome was fixed, and he had more serious problems to deal with. Like survival in the cages of the Hennepin County Jail, survival without his medicine.

But now the time had come.

His blood still moved too slowly, oozing through his arteries like strawberry jam. He fought, and simultaneously fought to hide his struggle.

Focus.

And he started, so slowly it was like walking through paste, trudging back to the courtroom. The trial had lasted for twenty- one days, had dominated the papers and the television newscasts. The cameras had ambushed him, morning

and night, hitting him in the face with their intolerable lights, the cameramen scuttling backward as they transferred him, in chains, between the jail and the courtroom.

The courtroom was done in blond laminated wood, with the elevated judge’s bench at the head of the room, the jury box to the right, tables for the prosecution and defense in front of the judge. Behind the tables, a long rail divided the room in two. Forty uncomfortable spectator’s chairs were screwed to the floor behind the rail. The chairs were occupied an hour before arguments began, half of them allotted to the press, the other half given out on a first- come basis. All during the trial, he could hear his name passing through the ranks of spectators: Bekker Bekker Bekker.

The jury filed out. None of them looked at him. They’d be secluded, his peers, and after chatting for a decent interval, they’d come back and report him guilty of multiple counts of first- degree murder. The verdict was inevitable. When it was in, the crow would put him away.

The black asshole in the next cell had said it, in his phony street dialect: “They gon slam yo’ nasty ass into Oak Park, m’man. You live in a motherfuckin’ cage the size of a motherfuckin’ refrigerator wit a TV watching you every move. You wanta take a shit, they watchin’ every move, they makin’ movies of it. Nobody ever git outa Oak Park. It is a true motherfucker.”

But Bekker wasn’t going. The thought set him off again, and he shook, fought to control it.

Focus . . .

He focused on the small parts: the gym shorts biting into the flesh at his waist. The razor head pressed against the back of his balls. The Sox cap, obtained in a trade for cigarettes, tucked under his belt. His feet sweating in the ridiculous running shoes. Running shoes and white socks with his doctor’s pinstripes—he looked a fool and he knew it, hated it. Only a moron would wear white socks with pinstripes, but white socks and running shoes . . . no. People would be laughing at him.

He could have worn his wing tips, one last time—a man is innocent until proven guilty—but he refused. They didn’t understand that. They thought it was another eccentricity, the plastic shoes with the seven- hundred- dollar suit. They didn’t know.

Focus.

Everyone was standing now, the crow- suit staring, the attorney pulling at his sleeve. And here was Raymond Shaltie. . . .

“On your feet,” Shaltie said sharply, leaning over him. Shaltie was a sheriff’s deputy, an overweight time- server in an ill- fitting gray uniform.

“How long?” Bekker asked the attorney, looking up, struggling to get the words out, his tongue thick in his mouth.

“Shhh . . .”

The judge was talking, looking at them: “. . . standing by, and if you leave your numbers with my office, we’ll get in touch as soon as we get word from the jury . . .”

The attorney nodded, looking straight ahead. He wouldn’t meet Bekker’s eyes. Bekker had no chance. In his heart, the attorney didn’t want him to have a chance. Bekker was nuts. Bekker needed prison. Prison forever and several days more.

“How long?” Bekker asked again. The judge had disappeared into her chambers. Like to get her, too.

“Can’t tell. They’ll have to consider the separate counts,” the attorney said. He was court- appointed, needed the money. “We’ll come get you. . . .”

Pig’s eye, they would.

“Let’s go,” said Shaltie. He took Bekker’s elbow, dug his fingertips into the nexus of nerves above Bekker’s elbow, an old jailer’s trick to establish dominance. Unknowingly, Shaltie did Bekker a favor. With the sudden sharp pulse of pain, Bekker snapped all the way back, quick and hard, like a handclap.

His eyes flicked once around the room, his mind cold, its usual chaos squeezed into a high- pressure corner, wild thoughts raging like rats in a cage. Calculating. He put pain in his voice, a childlike plea: “I need to go. . . .”

“Okay.” Shaltie nodded. Ray Shaltie wasn’t a bad man. He’d worked the courts for two de cades, and the experience had mellowed him—allowed him to see the human side of even the worst of men. And Bekker was the worst of men.

But Bekker was nevertheless human, Shaltie believed: He that is without sin among you, let him cast the first stone. . . . Bekker was a man gone wrong, but still a man. And in words that bubbled from his mouth in a whiny singsong, Bekker told Shaltie about his hemorrhoids. Jail food was bad for them, Bekker said. All cheese and bread and pasta. Not enough roughage. He had to go. . . .

He always used the bathroom at noon, all through the twenty- one days of the trial. Raymond Shaltie sympathized: He’d had them himself. Shaltie took Bekker by the arm and led him past the now empty jury box, Bekker shuffling, childlike, eyes unfocused. At the door, Shaltie turned him— docile, quiet, apparently gone to another world—and put on the handcuffs and then the leg chains. Another deputy watched the pro cess, and when Bekker was locked up, drifted away, thinking of lunch.

“Gotta go,” Bekker said. His eyes turned up to Ray Shaltie.

“You’ll be okay, you’ll be okay,” Shaltie said. Shaltie’s tie had soup stains on it, and flakes of dandruff spotted his shoulders: an oaf, Bekker thought. Shaltie led Bekker out of the courtroom, Bekker doing the jail house shuffle, his legs restricted to a thirty- inch stride. Behind the courtroom, a narrow hallway led to an internal stairway, and from there, to a holding cell. But to the left, through a service door, was a tiny employees- only men’s room, with a sink, a urinal, a single stall.

Shaltie followed Bekker into the men’s room. “Now, you’re okay . . .” A warning in his voice. Ray Shaltie was too old to fight.

“Yes,” Bekker said, his pale- blue eyes wandering in their sockets. Behind the wandering eyes, his mind was moving easily now, the adrenaline acting on his brain like a dose of the purest amphetamine. He turned, lifted his arms up and back, thrusting his wrists at Shaltie. Shaltie fitted the key, uncuffed the prisoner: Shaltie was breaking the rules, but a man can’t wipe himself if he’s wearing handcuffs. Besides, where would Bekker go, high up here in the government building, with the leg chains? He couldn’t run. And his wildly bearded face was, for the moment at least, the most recognizable face in the Cities.

Bekker shuffled into the stall, shut the door, dropped his trousers, sat down. Eyes sharp now, focused. They used disposable safety razors in the jail, Bics. He’d broken the handle off one, leaving only the head and a stub, easy to hide during the shakedowns. When he’d had a chance, he’d burned the stub with a match, rounding the edges, to make it more comfortable to wear. This morning he’d taped it under his balls, fix...

--This text refers to the Mass Market Paperback edition.

From AudioFile

John Sanford is back with another psychological thriller in his Prey series. Surgeon, psychopath and serial killer Bekker is on the loose again after the easiest jailbreak in recent memory. Ken Howard's reading moves along with all the brooding energy a reader could want from a suspense book. His narration is deep, clear and well-suited to the gravelly voices of retired detective Lucas Davenport and the other cops. While Howard manages good dialects and shifts in character, his female voices leave a lot to be desired. For the most part, the abridgment gleefully throws logic and characterization overboard in favor of thrills, but the basic flavor of many characters is still fairly well maintained. T.L.M. (c)AudioFile, Portland, Maine --This text refers to an out of print or unavailable edition of this title.
‹  Return to Product Overview