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Catching my wistful glance, Portia rose and poured us both glasses of whisky. "Take this, dearest," she urged. "Bellmont is in rare form. He will surely rail at us until supper unless he has an apoplexy first," she finished cheerfully.
Bellmont's already high colour deepened alarmingly. "You may well jest about this, but it is unacceptable for Julia to accept an invitation to stay with Brisbane at his country house. He is an unmarried man, and she is a widow of thirty. Even if you are there to chaperone, Portia, you must admit, it would be a complete violation of propriety."
"Oh, Julia hasn't been invited," Portia responded helpfully. "I was. Julia rather invited herself."
Bellmont clicked his teeth together and drew in a deep breath, his nostrils going white at the edges. "If that is supposed to offer me comfort, it is a cold one, I assure you."
Portia shrugged and sipped at her whisky. Bellmont turned to me, deliberately softening his tone. At more than forty years of age and heir to our father's earldom, he had long since grown accustomed to having his own way. It was only with his eccentric family that his success was mixed. With a cunning blend of sternness, cajolery, and logic, he was sometimes able to bend us to his will, but just as often he found himself not speaking to more than one of his nine siblings. Now he attempted an appeal to my reason.
"Julia, I understand you were quite bereft when Edward died. You were very young to be a widow, and I am sympathetic to the fact that you felt compelled to search out your husband's murderer." I raised my brows. He had not been so sympathetic at the time. When I had unmasked my husband's killer in a dramatic scene during which my town-house was burned down and I nearly lost my life, Bellmont had actually stopped speaking to me for two months. Apparently, murder is a failing of the middle classes only. Aristocrats are supposed to be above such unpleasantness.
He went on. "I realise your connection with Mr. Brisbane was a necessary evil at the time. He has proved himself a thoroughly capable inquiry agent and, mercifully, a discreet one. But your association with this man cannot continue. I do not know what Father was thinking to invite him to Bellmont Abbey at Christmas, but it was badly done, and it has given you ideas."
"And God knows women mustn't have ideas," Portia murmured into her glass. Bellmont did not even bother to look at her. We were well-accustomed to Portia's pointed asides.
I looked helplessly at Father, who merely shrugged and poured himself a glass of whisky. If Bellmont continued on we should become a family of inebriates.
"Monty," I began, deliberately sweetening my tone, "I do appreciate your concern. But Father has already explained to you Brisbane was there to pursue an investigation. He left before the family arrived for Christmas. You did not even see him. I have never invited him to accompany me to your home, nor have I ever foisted him upon you in any social situation, although he would not be entirely out of place. His great-uncle is the Duke of Aberdour, you know."
Bellmont rubbed a hand over his face, smoothing the furrows that marked his handsome brow. "My dear, his antecedents are quite immaterial. He is in trade. He is a half-Gypsy vagabond who makes his living by dealing in the sordid miseries of others. His exploits are fodder for the newspapers, and we have been dragged through those rather enough at present," he finished, shooting Father a look that was ripe with bitterness.
Father waved an indolent hand. "Do not blame me, boy. I did my best to sweep the entire matter under the carpet, as did Brisbane." That much was true. The newspapers, through Father's influence and Brisbane's connections, had taken little enough notice of the events at Bellmont Abbey, although a few rather distasteful morsels had found their way into print.
Bellmont swung round to face Father while Portia and I huddled closer to one another on the sofa and drank our whisky.
"I am not unaware of your efforts, Father. But the press have always been interested in our little peccadilloes, and you have simply not done enough to keep them at bay, particularly when you were so indiscreet as to entertain your mistress at the same Christmas party as your children and grandchildren."
"A hit, a palpable hit," Portia whispered. I stifled a giggle. Bellmont was being rather unfair to Father. He had exercised as much authority over the press in the matter as he could. Considering what had actually transpired at the Abbey, we were lucky it had not become the scandal of the century.
"Madame de Bellefleur is not my mistress," Father said, puffing his cheeks indignantly. "She is my friend, and I shall thank you to speak of her respectfully."
"It does not matter what she is," Bellmont pointed out acidly. "It only matters what they say she is. Do you have any notion how damaging such stories could be to me, to my children? Orlando is considering a run for Parliament when he is established, and Virgilia is to be presented this season. Her chances for a good match could be completely overthrown by your conduct, and it will not improve matters for her aunts to be seen chasing off to Yorkshire to stay with a bachelor of questionable reputation."
Portia stirred. "I should think the fact that I live openly with a woman would be far more damaging to her chances for a society marriage," she remarked coolly.
Bellmont flinched. "Your relationship with Jane is something to which I have become reconciled over these past ten years. It is a credit to Jane that she lives quietly and does not care to move in society."
Portia's eyes glinted ominously, and I laid a warning hand on her wrist. "Jane is the love of my life, Bellmont, not a pet to be trained."
Father held up a hand. "Enough. I will not have you quarrelling like dogs over an old bone. I thought we buried that particular issue long ago. Bellmont, you forget yourself. I have permitted you to abuse your sisters and me quite long enough."
Bellmont opened his mouth to protest, but Father waved him off. "You have a care for your sisters' reputations, and that does you credit, but I must observe for a man so often hailed as one of the greatest brains of his generation, you are remarkably obtuse about women. You've been married going on twenty years, boy. Have you not yet learned that it is easier to pull a star down from the heavens than to bend a woman to your will? The most tractable of women will kick over the traces if you insist upon obedience and, in case it has escaped your notice, your sisters are not the most tractable of women. No, if they are intent upon going to Yorkshire, go they will."
Portia flicked a triumphant gaze at Bellmont who had gone quite pale under the angry wash of red over his fair complexion. I took another sip of my whisky and wondered not for the first time why my parents had found it necessary to have so many children.
"Father," Bellmont began, but Father rose, straightening his poppy-coloured waistcoat and raising a hand.
"I know. You are worried for your children, as you should be, and I will see that their chances are not damaged by the actions of their aunts." He paused, for dramatic effect no doubt, then pronounced in ringing tones, "Your sisters will travel under the protection of their brother, Valerius."
Portia and I gaped at him, stunned to silence. Bellmont was quicker off the mark. Mollified, he nodded at Father. "Very well. Valerius is thoroughly incapable of controlling them, but at least his presence will lend the appearance of respectability. Thank you, Father." He turned to leave, giving us a piercing look. "I suppose it would be too much to ask that you conduct yourselves like ladies, but do try," he offered as a parting shot.
Portia was still sputtering when the footman shut the door behind him. "Honestly, Father, I do not see why you didn't have him drowned as a child. You've four other sons, what's one at the bottom of the pond?"
Father shrugged. "I would have drowned him myself had I known he would turn out Tory. I know you want to remonstrate with me over the suggestion of travelling with Valerius, but I want to talk to your sister. Leave us to chat a moment, will you, my dear?" he said to Portia.
She rose gracefully and turned, pulling a face at me as she went. I tried not to fidget, but I felt suddenly shy and uncertain. I smiled up at Father winsomely and attempted to divert the conversation.
"Valerius will be simply furious with you, Father. You know he hates to leave London, and he is devoted to his work with Dr. Bent. He's just bought a new microscope."
It might have been a good diversion under other circumstances. Father could rant easily for an hour on the subject of Valerius and his unsuitable interest in medicine. But he had other game afoot.
He turned to me, folding his arms across his chest. "Do not look to distract me," he said sternly. "What the devil do you mean by hunting Brisbane like a fox? Monty is right, though I would not give him the satisfaction of saying so in front of him. It is damned unseemly and shows a distinct lack of pride. I reared you for better."
I smoothed my skirts under nervous fingers. "I am not hunting Brisbane. He asked Portia to come and help h...
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Most helpful customer reviews
2.0 out of 5 stars
Long-Winded,
By
This review is from: Silent On The Moor (Paperback)
3rd book in the Lady Julia Grey seriesThis latest tale is a mix of fiction, romance and mystery, which has Lady Julia and Nicholas Brisbane at each other like stray cats while around them there is revenge, death and many skeletons in the family closet. Lady Julia heads north with two of her siblings to Grimsgrave, to help Brisbane get his newly acquired house in order. It is an estate located in the moors of Yorkshire that has fallen into disrepair and the former blue blood owner, Lady Allenby and her two daughters are still in residence and are relying on Brisbane's hospitality for their survival. Upon her arrival, it was evident; Brisbane and Julia were not able to cordially work out a plan of attack so Brisbane left in a huff. Julia's curiosity soon had her prying onto the Allenby's family and Grimsgrave history, not realizing this would lead to an eventual nightmare of events. She finds herself caught up in the study of Egyptology and on the wrong side of Gypsy mythology that will place her and others in peril, especially Brisbane... As in my experience with Ms. Raybourn's previous novels, I found the introduction uneventful and long-winded. The endless bickering between Julia and Brisbane and the friction with Lady Allenby and her daughters soon became an irritant. Keeping my mind on track became a challenge but I was determined to see the outcome, I purchased the novel so I felt obliged to see the end. All that said and done, it was fun trying to guess who tried to rid the world of Brisbane by poisoning him. I may be a bit critical but 3 novels later I have the same complaints: lack of mystery, deprived of stimulating suspense and an atmosphere of romance that is as cold as the castles of the time. The main characters have become boring and one-dimensional to a point where I question if I will continue reading this series.
5.0 out of 5 stars
Fabulous,
By SAM "Book Lover" (Canada) - See all my reviews
This review is from: Silent On The Moor (Paperback)
This book and the other two in its' series are fabulous. I have all three and re-read them often. It is a unique book as it combines a historical mystery w/ a little bit of romance. (But tastefully done)
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
4.4 out of 5 stars (98 customer reviews) 56 of 58 people found the following review helpful
5.0 out of 5 stars
Another winner for Raybourn!,
By Jenni Grubb "Jenni" - Published on Amazon.com
This review is from: Silent On The Moor (Paperback)
Perusing the shelves at my local bookstore, I had to pinch myself when I stumbled upon Ms. Raybourn's third offering in the Lady Julia Grey series almost a month before the official release! No complaints here! Ms. Raybourn's writing is witty as ever, and the stories just get better and better.In this tale, Lady Julia Grey travels through the Yorkshire moors to Grimsgrave, an estate newly purchased by private inquiry agent Nicholas Brisbane. After a chilling welcome by the host and residents of the manor, Lady Julia begins to unravel the dark secrets of an ancient family, while Brisbane's gypsy roots appear to be tangled in the mix. But when the Grimswater bell tolls and Brisbane's life is threatened, what other secrets will Lady Julia discover? This third installment in the Lady Julia Grey series packs a powerful punch, with suspense and intrigue, insight into Brisbane's mysterious past, more antics from Grim, the sugared-plum loving raven, and an ending sure to please fans of the series! Ms. Raybourn's attention to Victorian detail appears flawless and I truly felt whisked away to another world, in another time. I thoroughly enjoyed this book and highly recommend it as I eagerly await the fourth installment that Ms. Raybourn assures is in the works! A side note: This is not at all a bodice-ripping romance, but truly an excellent Victorian mystery. Personally, I prefer the original book covers for Silent in the Grave and Silent in the Sanctuary because they were more... what's the word? ... mysterious. 47 of 49 people found the following review helpful
5.0 out of 5 stars
LOVED the book HATED the cover,
By Barb Mechalke - Published on Amazon.com
This review is from: Silent On The Moor (Paperback)
I don't know what the folks at MIRA were thinking putting together the new cover art for Deanna Raybourn's new book Silent On The Moor?!I thought the cover was awful and if I hadn't read the first two books in this series I NEVER would have picked them up after seeing the cover of the third book. The pose is all wrong, the clothes are all wrong, and the man's hand is completely wrong. That dress is about a hundred years wrong, this story is set in 1888, that dress looks like it was made in 1988. I get that the publishers might be trying to attract a larger audience by making this book appear to be a Harlequin Romance type of novel but I think it's an insult to the readers who are already fans of Deanna Raybourn's. Please, MIRA, go back to the beautiful covers that the first two had. I would never be embarrassed to be seen in public with either of those books in my hand. As for the story, I loved it, it's the kind of book that I wish I could savor but I never can, it's so enjoyable to read that I don't want to put it down, I didn't and sadly I was done in three days. I love these characters and their complicated relationship. I love Julia's zest for life, her indomitable spirit and her unconventional values. Lady Julie and Nicholas Brisbane remind me of Jane Eyre and Mr. Rochester and their relationship. I enjoyed the tension and frustration between them as well as the tenderness and vulnerability. I thought the mystery was interesting and disturbing, the characters were as charming as ever and the wit was enjoyable. If Ms Raybourn can make them all this good I will be happy to buy every last book she writes. 13 of 14 people found the following review helpful
5.0 out of 5 stars
Angieville: SILENT ON THE MOOR,
By Angela Thompson "Angiegirl" - Published on Amazon.com
This review is from: Silent On The Moor (Paperback)
It's difficult for me to describe exactly how excited I was for this book to come out. SILENT ON THE MOOR was easily at the top of my most anxiously awaited books of 2009. I discovered Deanna Raybourn last year and, after blowing through the first two Julia Grey novels, have spent the last six months in that special agony reserved for the lovers of sequels. Fortunately a copy popped up at a local (ish) bookstore and I was saved from suffering through the last two weeks til its March 1st publication date.The third installment opens with Julia's big brother Bellmont trying to talk her out of haring off to Yorkshire after Brisbane when he has made it clear, in no uncertain terms, that he does not want her anywhere near the place. Julia, of course, doesn't care a fig for Monty's scandalized pride and makes her way with all haste (and several good intentions) to the moors. Unfortunately, Brisbane's new home, Grimsgrave, is even creepier and more decrepit than he led Portia to believe in his letter. The whole place reeks of Miss Havisham's manor and, after meeting the current occupants, Julia soon realizes something is seriously amiss in this house where madness and murder walk hand in hand. Not only does she face the task of convincing Brisbane of a few increasingly important things, but Julia also finds herself uncovering hidden corpses, accepting charms from Gypsy witches, and thwarting a particularly vicious murder attempt. Reading SILENT ON THE MOOR was an exercise in conflicting emotions. I wanted to blow right through it to the end in one sitting and I simultaneously wanted each page to last longer than it possibly could so that I could savor being back with these two characters I have come to love. I had some pretty high hopes for this one. The third book in a series such as this comes with a rather hefty share of promise resting squarely on its shoulders and can really make or a break the series as a whole, in my opinion. This one truly made it. Every hope I had was fulfilled and I found myself turning back to reread favorite passages before I was even a third of the way through the book. This practice was repeated at regular intervals for the duration--truly the mark of an excellent read around these parts. If you like literary mysteries and haven't come across this series before, for the love of all that is holy, go get them now. I am immoderately fond of them. |
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