Those of you who read the previous two books in this series will remember that, at the end of the previous book, Fifty Degrees Below, Senator Phil Chase was elected President of the United States. Chase was elected, thanks to the combined efforts of NSF scientist, Frank Vanderwal, his spook girlfriend, Caroline Barr, and a number of Frank's clandestine colleagues around the country -- all of whom joined forces to prevent the right-wingers, including Caroline's (ex?) husband, from yet again stealing the presidency for their own personal gain and evil ends (but the author never clarifies what exactly are the goals of these evil people, I guess he assumes we all are privy to this information, although I certainly am not).
By the time Chase is elected president, it is clear that the planet's climate is going to hell in a handbasket. Not only is the weather in Washington DC wildly unpredictable -- warm one day, freezing the next -- but there are other daily indications that things are not going well, such as widespread housing and food shortages, flooding, drought, loss of biodiversity and numerous other problems. However, there is some reason for optimism: scientists have at least managed to restart the Gulf Stream, for example.
Because Chase was elected President, his principle advisor, Charlie Quibler, must go to work full-time at the White House instead of spending his days yelling advice into his cell phone while running through the city's parks, chasing after his toddler son, Joe -- a proposition that Charlie hates. But he finally does give up his mister mom role by entrusting his precious younger child to the White House daycare staff, and works down the hall from the President himself, helping Chase make key appointments to his cabinet.
One of those choices was appointing NSF head, Diane, to the role of Presidential Science Advisor. Diane, of course, asks Frank and Anna Quibler to join her, but Anna refuses, wisely preferring to stay at the NSF. Frank is suffering from a brain injury that renders him indecisive, and further, he is also in love with Diane, so he accepts her invitation, although he'd rather return to his previous job in California.
The novel mostly focuses on Frank, once again, although why it does, I do not know -- so would it be trite of me to mention at this point that even though he is working at the White House, Frank is still officially homeless? Hello?? Has the author ever heard of Homeland Security? Okay, it's true that Frank often stays with the expat Khembalese on their estate in Maryland instead of in his van or in his treehouse in a downtown park in Washington DC, and that he rarely hangs out with his homeless friends anymore and only tracks escaped zoo animals when he has spare time, instead of every evening as he did in the second book when he was working at NSF. I should also point out that when Frank stays with the Khembalese, he is properly nourished too, instead of living on refuse retrieved from dumpsters throughout the greater Metro area.
Anyway, after this idiosyncratic beginning, the novel rapidly devolves into a silly 500-plus page cat-and-mouse political spy thriller where poor, indecisive Frank is stuck in the middle of two women (neither of them knows about the other, of course), unable to decide who he is really in love with; the powerful, articulate and intelligent Diane, or the nearly invisible and flighty, but occasionally sexually available Caroline? Of course, there is Caroline's (ex?) husband to consider, too. He's the man who gave Frank his little brain injury in the second book by smashing him in the face with a tire iron.
The book occasionally comes up for air from the contrived Frank-Diane-Caroline emotional menage a trois to examine other topics that were introduced in the two previous books, such as the effect that the Khembalese ah, "exorcism" had on Joe's personality. Basically, in the second book, the Khembalese perform a so-called "exorcism" ritual that transforms the toddler from a complete brat into a more affable kid. But his parents, Charlie and Anna, are troubled by this sudden docility, realizing that they prefer their little Joe to be banging innocent playmates on the head with steel dump trucks that are the size of footballs. So by the end of this book, poof, the Quiblers get their wish: the Khembalese undo their hocus-pocus and little Joe is once again happily terrorizing his parents, their friends and all the children within city blocks of where he is located.
Additionally, this book includes a brief but nonetheless unsatisfying glimpse at the so-called "ferals" and homeless people (mostly men, mostly mentally ill) whom Frank spent so much time with in book two, giving me the impression that these people were not very important to Frank (nor to the story, and definitely not to the author). Further, I was especially disappointed with the thoughtlessly casual way that the author dealt "the problem" of the homeless teenager, Chessman: the author hinted that Chessman might have an important role in the development of the story as early as the middle of the second book, since Frank repeatedly wondered about Chessman's mysterious disappearance from that point onwards. But Chessman's disappearance had nothing whatsoever to do with the story's development or resolution, making it appear that the author didn't know what to do with this particular character, which makes me wonder why Chessman was introduced into the story in the first place.
In addition to all those little quibbles, I have a few other things I'd like to mention: I thought that Frank's brain injury, which made him unable to think clearly and to make decisions, was an absolutely ridiculous plot device. Ditto for Frank's entire lifestyle as a homeless, tree-dwelling, dumpster-diving, frisbee-flicking, animal-tracking primate who happened to be employed as a scientist at NSF. I mean, really, this was such an overt insult to all those truly hard-working scientists out there who actually do work at NSF or elsewhere!
I also thought the "exorcism" (and its subsequent reversal) of Joe Quibler by the Khembalese was beyond stupid: It was an overt insult to the author's main characters, most of whom were scientists -- people who are steeped in rationality and logic, who are not about to believe in that sort of mumbo-jumbo. He thoughtlessly betrayed so many of his characters, beginning with the cooly rational Anna Quibler, with this truly ridiculous and dead-end story line.
Further, I was astonished at the audacity and lack of ethics displayed by the scientists who released an untested, genetically-engineered lichen that would supposedly reverse global warming by absorbing carbon [yes, there was a wee bit of science in this book, although you did have to look hard to find it]. And finally, I admit that I laughed out loud when the author suggested that nearly all (or was it all?) of the US military's funds be shifted to ecological programs -- puhleeze. I thought the author was writing a "hyper-realistic science-fiction novel" not a comic fantasy.
Okay, this is my last complaint: I didn't like ANY of the characters. After spending 1500 pages with all of the characters in this story, I ended up wanting to slap every one of them for various reasons, starting with Frank, because they were so annoying, so stupid, so out-of-character! Well, except for Diane and Phil Chase, but we, the readers, never get to know either of them because the author is too busy regaling us with yawn-inspiring anecdotes about how women look sexy when throwing softballs or rock-climbing or kayaking up dangerous waterfalls.
Oddly, after taking more than one thousand pages to develop the story, the author casually wraps up most of his plotline's wacky loose ends in only a few pages (three or four, to be exact), none of which are even remotely interesting or logical. In short, Sixty Days doesn't end with a bang, as I had expected, instead, it ends with a barely audible whimper, accompanied by a stinky sulfurous cloud as it quietly slides past the author's sphincter muscles and out of his bowels and onto thousands of dead trees that these stupid books were printed on.