"I thought he was dead. He was sitting with his legs stretched out and his head tipped back against the wall. He was covered with dust and webs like everything else and his face was thin and pale. Dead bluebottles were scattered on his hair and shoulders. I shined the flashlight on his white face and his black suit."
This is Michael's introduction to Skellig, the man-owl-angel who lies motionless behind the tea chests in the abandoned garage in back of the boy's dilapidated new house. As disturbing as this discovery is, it is the least of Michael's worries. The new house is a mess, his parents are distracted, and his brand-new baby sister is seriously ill. Still, he can't get this mysterious creature out of his mind--even as he wonders if he has really seen him at all. What unfolds is a powerful, cosmic, dreamlike tale reminiscent of Madeleine L'Engle's A Wrinkle in Time. British novelist David Almond works magic as he examines the large issues of death, life, friendship, love, and the breathtaking connections between all things.
Amidst the intensity and anxiety of his world, Michael is a normal kid. He goes to school, plays soccer, and has friends with nicknames like Leakey and Coot. It's at home where his life becomes extraordinary, with the help of Skellig and Mina, the quirky, strong-willed girl next door with "the kind of eyes you think can see right through you." Mina and her mother's motto is William Blake's "How can a bird that is born for joy / Sit in a cage and sing?" This question carries us through the book, as we see Michael's baby sister trapped in a hospital incubator; as we see the exquisite, winged Skellig crumpled in the garage; as we meet Mina's precious blackbird chicks and the tawny owls in her secret attic; and as we finally see a braver, bolder Michael spread his wings and fly. Skellig was the Whitbread Award's 1998 Children's Book of the Year, and this haunting novel is sure to resonate with readers young and old. (Ages 10 and older) --Karin Snelson
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From Publishers Weekly
British novelist Almond makes a triumphant debut in the field of children's literature with prose that is at once eerie, magical and poignant. Broken down into 46 succinct, eloquent chapters, the story begins in medias res with narrator Michael recounting his discovery of a mysterious stranger living in an old shed on the rundown property the boy's family has just purchased: "He was lying there in the darkness behind the tea chests, in the dust and dirt. It was as if he'd been there forever.... I'd soon begin to see the truth about him, that there'd never been another creature like him in the world." With that first description of Skellig, the author creates a tantalizing tension between the dank and dusty here-and-now and an aura of other-worldliness that permeates the rest of the novel. The magnetism of Skellig's ethereal world grows markedly stronger when Michael, brushing his hand across Skellig's back, detects what appears to be a pair of wings. Soon after Michael's discovery in the shed, he meets his new neighbor, Mina, a home-schooled girl with a passion for William Blake's poetry and an imagination as large as her vast knowledge of birds. Unable to take his mind off Skellig, Michael is temporarily distracted from other pressing concerns about his new surroundings, his gravely ill baby sister and his parents. Determined to nurse Skellig back to health, Michael enlists Mina's help. Besides providing Skellig with more comfortable accommodations and nourishing food, the two children offer him companionship. In response, Skellig undergoes a remarkable metamorphosis that profoundly affects the narrator's (and audience members') first impression of the curious creature, and opens the way to an examination of the subtle line between life and death. The author adroitly interconnects the threads of the story?Michael's difficult adjustment to a new neighborhood, his growing friendship with Mina, the baby's decline?to Skellig, whose history and reason for being are open to readers' interpretations. Although some foreshadowing suggests that Skellig has been sent to Earth on a grim mission, the dark, almost gothic tone of the story brightens dramatically as Michael's loving, life-affirming spirit begins to work miracles. Ages 8-12.
Copyright 1998 Reed Business Information, Inc.
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