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Don't let the ease of reading fool you--Vonnegut's isn't a conventional, or simple, novel. He writes, "There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick, and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters..." Slaughterhouse-Five (taken from the name of the building where the POWs were held) is not only Vonnegut's most powerful book, it is as important as any written since 1945. Like Catch- 22, it fashions the author's experiences in the Second World War into an eloquent and deeply funny plea against butchery in the service of authority. Slaughterhouse-Five boasts the same imagination, humanity, and gleeful appreciation of the absurd found in Vonnegut's other works, but the book's basis in rock-hard, tragic fact gives it a unique poignancy--and humor.
Don't let the fragmented timeline of Billy's tale put anybody off; it's there to juxtapose disconnected events and thereby create illustrations that are creative and funny and satirical and moving. When available fictional devices cannot make his point, Vonngut puts one or another fantastic tale in the pen of alter ego Kilgore Trout, or brings in the Tralfamadorians for a few life lessons.
Vonnegut is an unparalleled storyteller with a style that is at once easy and deep, like a wonderful aunt or uncle with biting humor and years of wisdom quietly regaling late into the evening. The tale he tells in Slaughterhouse-Five is one of the great stories of all time for it's unbelievable creativity and it's quiet, gentle and powerful sense of humanity. A masterpiece.
First published in 1969, Slaughterhouse-Five has an experimental feel to it. Billy's time travel leads to some unconventional juxtaposition of scenes, and Vonnegut makes frequent use of asides to the reader to tell us about himself and why he wrote the book. Tragic events are described in flat, emotionless terms.
Slaughterhouse-Five is a quick and entertaining read, and it educates the reader about the horrors of bombing directed against civilians. Because of the flat tone, though, and because the characters are so unattractive, there doesn't seem to be much of a message here except to say that men are fools.
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