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Product Details
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Don't let the ease of reading fool you--Vonnegut's isn't a conventional, or simple, novel. He writes, "There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick, and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters..." Slaughterhouse-Five (taken from the name of the building where the POWs were held) is not only Vonnegut's most powerful book, it is as important as any written since 1945. Like Catch- 22, it fashions the author's experiences in the Second World War into an eloquent and deeply funny plea against butchery in the service of authority. Slaughterhouse-Five boasts the same imagination, humanity, and gleeful appreciation of the absurd found in Vonnegut's other works, but the book's basis in rock-hard, tragic fact gives it a unique poignancy--and humor.
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Most helpful customer reviews
3 of 3 people found the following review helpful:
5.0 out of 5 stars
Exceptionally original and almost troubling,
By
This review is from: Slaughterhouse-Five (Mass Market Paperback)
I had long ago heard of Vonnegut's writings but never had the chance to read one of his books until now. I approached this one with interest due to its science fiction and WWII connections, two of my favourite genres. What seemed seriously weird and disjointed at first became a very interesting tale and it got me hooked to the end. This is without a doubt the kind of novel that's best read twice, or more. There's very little about this book that could be considered usual and that is an excellent thing. The troubling part is how weird it can be at times, even absurd. Just pick it up, if you enjoy time travel stories, war epics and the ramblings of old fools you will not be disappointed! It's a short read too.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Sad & Humane; and Brilliant,
By Billium (Los Angeles) - See all my reviews
This review is from: Slaughterhouse-Five (Mass Market Paperback)
I reread this in one sitting the other night as I have periodically for some 20 years. Slaughterhouse-Five was the first book to really make me think as a young teenager. After all that time and at least six or seven reads I still laugh out loud at jokes I can see coming for pages, and I'm still moved for days or weeks after. Billy Pilgrim's innocence and sadness and Vonnegut's humanity are still astonishingly pure and beautiful.Don't let the fragmented timeline of Billy's tale put anybody off; it's there to juxtapose disconnected events and thereby create illustrations that are creative and funny and satirical and moving. When available fictional devices cannot make his point, Vonngut puts one or another fantastic tale in the pen of alter ego Kilgore Trout, or brings in the Tralfamadorians for a few life lessons. Vonnegut is an unparalleled storyteller with a style that is at once easy and deep, like a wonderful aunt or uncle with biting humor and years of wisdom quietly regaling late into the evening. The tale he tells in Slaughterhouse-Five is one of the great stories of all time for it's unbelievable creativity and it's quiet, gentle and powerful sense of humanity. A masterpiece.
5.0 out of 5 stars
One of his best,
By
This review is from: Slaughterhouse-Five (Mass Market Paperback)
This is a very funny novel that- in retrospect- breaks your heart; it's the blackest black humor you will ever read. It must have taken great courage for Vonnegut- as talented as he is- to take the Allied bombing of Dresden Germany during WWII and make it the main stage for this theater of the absurd tale, particularly since he witnessed firsthand what happened to Dresden. Fail, and you risk being pummeled by the critics for trivializing a horrific, nearly unimaginable event. (For those who don't know, Dresden wasn't "just" bombed; it was turned into a raging firestorm, with hurricane-force winds dragging thousands of victims into the flames to be cremated, and depleting the oxygen in the underground shelters, leaving thousands more asphyxiated.) But Vonnegut didn't fail; he succeeded brilliantly in conveying the absurdity of war by not embellishing events, the tone of the book remarkably matter-of-fact as his main character- Billy Pilgrim- jumps through time and space, gaining a unique perspective on the follies of mankind. The name of his main character is especially telling of Vonnegut's intentions. Perhaps the most famous Billy in literature is Melville's Billy Budd, an innocent soul whose fate is an unjust death that suggests life is predetermined. And Pilgrim brings to mind John Bunyan's Pilgrim's Progress, an allegorical tale of the escape from the City of Destruction (Dresden) to the Celestial City of enlightenment (the home world of the superior Tralfamadorians, who explain human existence to Billy.) Perhaps by writing Slaughterhouse Five, Vonnegut gained some measure of catharsis, found a way to deal with his memories of Dresden and its aftermath. Like many veterans whose refuse to discuss their war experiences, a more direct, "realistic" approach to the firebombing might have been too painful. By taking an indirect approach, however, he was able to open a door that otherwise would have remained locked. That's fortunate for us, since Slaughterhouse Five rises above the historical account of that terrible event to address the larger issue of what it means to be human in a world where what humans do doesn't always make sense. This is an insightful, important book, and one of Vonnegut's best. -Mark Wakely, author of An Audience for Einstein
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