- Paperback: 278 pages
- Publisher: Pocket Books (March 1989)
- ISBN-10: 0671679333
- ISBN-13: 978-0671679330
- Product Dimensions: 20.8 x 13.2 x 1.8 cm
- Shipping Weight: 159 g
- Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)
- Amazon Bestsellers Rank: #1,811,343 in Books (See Top 100 in Books)
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Product Details |
Product Description
From Amazon
In Tama Janowitz's story collection of mid-1980s manners, it's all about real estate. Her coterie of New York artists and grad students, junkies and collectors dwells in walk-ups and covets lofts. The occasional socialite wafts through, characterized tersely by statements of fact; for example, "Millie owned her own co-op." But, for the most part, these are the also-rans of Manhattan life, literally looking for a toehold in the city. The main character who emerges is shabby Eleanor, an appealing heroine who appears in several linked stories. A jewelry maker, she lives with an artist named Stash and a treasure-trove of insecurities. Much is made of the squalor of their apartment. In Eleanor, Janowitz finds a channel for her vulnerability--a nice counterpoint to her affectless prose, which attempts and occasionally achieves a deadpan humor.
Intertwined with the Eleanor stories are the unreliable first-person narratives of Marley Mantello. Marley, too, has serious real estate issues: "My apartment, the sublet from which I was being evicted, looked just as terrible as when I had gone out earlier--worse, even, for there was a foul reek of something fecund and feline, like the stench of old lion spoor upon the veldt."
The rest of the stories are brief thumbnails, which Janowitz calls "modern saints" and "case histories." Stabbing at experimentalism, they showcase her shortcomings--the lazy satire, the easy laugh. This author's prose seemed of-the-moment when it came out, and time has not been altogether kind. "I was startled to find him so far uptown, knowing how he usually refused to travel above Fourteenth Street, claiming it led to mental decay," says the narrator of "In and Out of the Cat Bag." This kind of observation may have seemed edgy in 1985, but has little staying power. At its best, Slaves effervesces a bittersweet nostalgia for a time when artists could still afford to live in Manhattan. --Claire Dederer --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
These seven stories feature Eleanor, a diffident young woman who gains entree to the arty milieu of lower Manhattan, which seems to combine elements of Oz and Never-Never-Land with Dante's Inferno. PW noted that the author's prose infuses the characters here with "quirky life."
Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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After I became a prostitute, I had to deal with penises of every imaginable shape and size. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
After I became a prostitute, I had to deal with penises of every imaginable shape and size. Read the first page
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Customer Reviews
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Most helpful customer reviews
5.0 out of 5 stars
thank you,
By Ludmila Piatkova (Slovakia, Europa) - See all my reviews
This review is from: Slaves of New York (Paperback)
Tama, relationship are sometimes geografical a long way off...I live in Bratislava, Slovakia
5.0 out of 5 stars
Fantastically creative,
By A Customer
This review is from: Slaves of New York (Paperback)
I first read this book on a train ride from Paris to Bretagne - cover-to-cover in one trip. I thought the characters were great, the images were so colorful, and I loved the humor. Now, twelve years later, someone has absconded with my copy, and I have to buy a new one. After reading this, read "A Cannibal in Manhattan" and "A Certain Age". Tama Janowitz is one of my favorite authors. Her writing is like visual art on paper. If I had to compare her writing to the work of fine artists, I would say she is like Gustav Klimt meets Faith Ringgold.
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
4.5 out of 5 stars (15 customer reviews) 3 of 3 people found the following review helpful
4.0 out of 5 stars
Deeply Modern and 80s,
By A Customer - Published on Amazon.com
This review is from: Slaves of New York (Paperback)
This book has had some trenmendous impacts on me that I never realized until one day when I thought of leg-waxing, I thought of "a tiny women yelling at me in Spanish and pouring hot wax on my legs..." Spend a day in uptown Manhattan with idiosyncratic artists in their most primitive desires and philosophies. This book is unbelievably true and sensitive.
3 of 3 people found the following review helpful
3.0 out of 5 stars
I must be missing something,
By Z. Freeman "Zach" - Published on Amazon.com
This review is from: Slaves of New York (Paperback)
Maybe it's because I was born in the 80's and not partying then, or maybe I'm just too middle-class, but I thought this entire book was pretty mediocre. The characters were interesting, but usually I felt like the author was trying too hard to make them interesting. Janowitz fits in with the Bret Easton Ellis/Jay McInerney style of writing about what it's like to be incredibly spoiled and have no soul. The two aforementioned authors pull that off with a lot more style and ability than she does.I only read this book because I heard that the character of Stash is in Ellis' book American Psycho. Overall, I found myself interested in the stories and the characters, but most of the stories lacked a certain human aspect that the other two authors know how to provide. This is a good read if you're stuck in an airport all day with nothing else, otherwise I'd recommend getting something with more substance. 5 of 6 people found the following review helpful
5.0 out of 5 stars
I read it over and over again,
By "meltingyellow" - Published on Amazon.com
This review is from: Slaves of New York (Paperback)
I've read this book so many times over that I've actually become sentimentally attached to it. Most of the enjoyment from it is reliving the time in which it's set, the 1980s, an interesting time in the way that the clothing was: at times conservative, other times colorful, overall intriguing, but there's still no way in hell you'd want to BE in it again.This book captures the lives of the wacky, egocentric NY artists who reflect their hated yuppie counterparts in that they're upwardly mobile, albeit nonconformistly, greedy and self-centered. But unlike yuppies, the artists of the Lower East Side present far more colorful stories and egos to capitalize on. Fortunately the book has Eleanor, the self-deprecating protagonist to whom we all endear. She keeps the book light-hearted and comical, as she is the offbeat among the offbeat, the miscast in the world of misfits. She is the self-conscious woman who clashes with, and makes uncomfortable, her fellow carefree artists. But she eventually finds her ground in the big city. We root for because she conquers the city the way we wish we could: by keeping intact our integrity, humility, and naivete, and not succumbing to the cynicism and selfishness of the "Me" generation. |
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