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4.0 out of 5 stars
Bergman's romantic comedy, Mar 30 2004
This review is from: Smiles of a Summer Night: The Criterion Collection (DVD)
"Smiles of a Summer Night" is probably a reason why Bergman has made so few comedies. It isn't at all bad, though - I'd give it 9/10 stars for staying entertaining throughout, but had the script--or rather, SOME LINES--been adapted or dramatized a bit, this story could easily have been presented as another one of Bergman's philosophical dramas. Russian roulette, suicide, and adultery (mistresses and wives meeting under social circumstances) are a few things involved - this doesn't sound very much like 1955 comedy ingredients, does it? ...well, my laughs weren't always silent; at times I was highly amused, and I can see how he did pull off something new in cinema with this film, but Bergman certainly has more talent in making movies that can't be presented in their opening as "A romantic comedy". I doubt that this will disappoint any dedicated Bergman fan, though, or that this edition will disappoint any costumer; Criterion always does great restoration jobs.
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4.0 out of 5 stars
Sweet, good hearted, often funny sex-farce, April 14 2012
This review is from: Smiles of a Summer Night: The Criterion Collection (DVD)
A bunch of upper class folk spend a weekend together at a country
house. Lots of bed hopping, betrayal, male macho posturing, and female
manipulation ensues.
Never for a second dull, but for me never quite rose to the heights of
Bergman's greatest works either.
Personally I found the Soundheim musical adaptation of this - 'A Little
Night Music' - more moving and human. There's something a bit distanced and
controlling about Bergman's approach which limits our chance to
empathize with these characters. I smiled a lot, but was left wanting
something deeper.
Sort of a fun one-night-stand of a film.
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5.0 out of 5 stars
Film that made Ingmar Bergman, Dec 7 2005
This review is from: Smiles of a Summer Night: The Criterion Collection (DVD)
Ingmar Bergman made many films, this one made him.
Although a marvelous achievement in its own right, this matchless comedy of manners, "Smiles Of A Summer Night" stands out as a landmark, recognized by many as such during the past 50 years. Most recently it made the All-TIMES 100 list of best films compiled by renowned film critics Corliss and Schickel for Times Magasine.
As late as in an interview recorded in 2003, Ingmar Bergman agreed to call "Smiles Of A Summer Night" a watershed in his film career. "After its success", he recalled "I had my hands free... I was able to do whatever I wanted to do." Truly enough, he went on to make, in immediate succession, such great films like "The Seventh Seal" and "Wild Strawberries".
And it was only the beginning of what best can be described as Bergmansk phenomenon. "The Virgin Spring", Through A Glass Darkly", "Persona", "Cries and Whispers", "Autumn Sonata", "Fanny and Alexander". One true classic after the other was bestowed upon us by this undisputed grandmaster of the world cinema during the course of his rich, fruitful career.
With superb acting, lively dialog and impeccable cinematography, "Smiles" leaves nothing to be desired. It seems to be a happy story, at least from the audience's point of view.
Still, the director recalls, in his published memoirs, how depressed he was being stuck with the script, how bad he felt during production, and how embarrassed he was to find out about film's great success at Cannes, where it won the Grand Prix. All this was unprecedented for the producers, the Svensk Filmindustri as they responded "like an old lady who never knew to waltz, now suddenly being asked by a variety of cavaliers", to quote Bergman.
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