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Smilla's Sense of Snow Paperback – Mar 13 2001


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Product Details

  • Paperback: 480 pages
  • Publisher: Doubleday Canada (March 13 2001)
  • Language: English
  • ISBN-10: 0385658184
  • ISBN-13: 978-0385658188
  • Product Dimensions: 21.3 x 14 x 3.3 cm
  • Shipping Weight: 544 g
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (140 customer reviews)
  • Amazon Bestsellers Rank: #336,942 in Books (See Top 100 in Books)

Customer Reviews

3.7 out of 5 stars
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By Lynne Frappier TOP 500 REVIEWER on July 15 2014
Format: Kindle Edition
This was a MAJOR disappointment. Firstly - Smilla as the narrator just blabs on and on. We are taken back and forth, attempting to follow her train of thought. Snippets of details of her past are thrown at us, and then pushed aside.

I found it difficult to believe that the entire scenario of ending up on a large ice breaker in the arctic would have resulted from Smilla's since of a suicide not being quite right.

And then the ending ... it's nothing. It's a non-conclusion. I can sum up this book as blah blah blah.
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By Renald Shoofler on April 30 2011
Format: Hardcover
Saw the film a long time ago, and it haunted me.
Bought the VCR version about a year ago, and watched it a couple of times.
It was as good as I remembered. But some plot points weren't clear to me.
Then I got the book. A great read. Not better than the film, just sharper focus on some points.
I heartily recommend buying the book AND seeing the film.
What can I say? I love Smilla.
If you thought The Girl With The Dragon Tattoo was great,(and I do), then you should get aquainted with her predecessor in the genre: Smilla Jasperson.
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Format: Paperback
The negative reviews on this book say more about those readers than the book itself: the reader's pleasure in this thriller IS in the intellectual guessing. It's an incredibly profound novel, pivotong on intriguiging characters, a very clever plot, fast and witty dialogue. A double cheer for the heroine too, a woman with dark depths and a thought-provoking perspective on Europeans (from me, a European). This book has a great many layers and is wonderfully written. A great read - I practically gulped it down!
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Format: Paperback
This book doesn't have a genre. It's just literature, and it's good literature. Sometimes it seems to be the general opinion that if a book is entertaining it cannot possibly be a work of art. "Smilla's Sense Of Snow" is another book that proves it to be wrong.
The most surprising thing about the book is its genuine feeling, its incredibly surreal and yet exquisitely natural flow. Nowadays most authors feel the need to set a fast pace so that the reader doesn't get bored. And, indeed, people have learned to hurry. "Smilla's Sense Of Snow", however, allows one to look around, actually experience things, not just rush through them. The book seems strangely dreamlike, reading it is a lot like moving through water - you are awed by the alternate world that can be found underwater, and you cannot move swiftly, and after some time you learn to understand the water and appreciate the beauty of simply being.
When it comes to women, literature is full of clichés. Peter Hoeg's Smilla is certainly not one of them; she is original to say the least. Still, the essence of woman is there. One cannot help but wonder at the way a man has been able to create a woman who's very unlike most women in literature (or life, indeed) so perfectly that she doesn't need to be feminine to convince the reader she is one, even when the reader happens to be female.
"Smilla's Sense Of Snow" is a fascinating book. Books such as this one are rare nowadays.
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Format: Paperback
To understand what is going in this novel you have to read every line of every page from the first page to the last page without blinking. If you blink, you are going to lose track of the story and the characters. The narrator is also most unconvincing as a female. Therefore, although Hoeg writes well, I wouldn't recommend this novel as a good read.
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Format: Paperback
It was a cold, bleak November day. The noiseless, lackluster streets of Copenhagen lie covered in blankets of freshly-fallen snow. Why, if you could imagine the scene, you would almost be tempted to describe it as "tranquil." But tranquil it isn't, for somewhere along one of these whitened, desolate streets of Copenhagen lies the lifeless body of six-year-old Isaiah Christiansen. Ruled an "accidental" death by the local police officials who were convinced that the young boy slipped and fell while playing on the roof of his apartment building, Isaiah was eventually laid to rest. But in the mind of Smilla Jasperson, Isaiah's close friend and neighbor, there were still too many unanswered questions evolving the little boy's death. From day one, thirty-seven-year-old Smilla never believed that Isaiah's death was a mere accident. Telltale signs left by Isaiah's footprints on the snowy rooftop had all but convinced Smilla that little Isaiah--who was petrified of heights and would never have willingly gone up on the roof in the first place--had met up with foul play and she was determined to seek out the truth even if it killed her. What really happened up there on the roof that blustery November day? Who could possibly have wanted this innocent child dead? And why? What secrets did Isaiah carry with him to his grave? Readers will slowly but surely find the answers to these questions (and more) as they embark on an endless and treacherous journey alongside Smilla as she puts forth all efforts in searching for the truth behind Isaiah's untimely death.
This novel was the first I've ever read by the Danish writer, Peter Hoeg. I bought it after a friend of mine (whom I admire for his exquisite taste in literature) highly recommended it.
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