From Amazon
Sointula is a small town in the northern reaches of Vancouver Island, a place seemingly at the end of the world. On a beach near the town, the eccentric, difficult Tommy, son of long-divorced parents, Evelyn and Claude, listens for whales and photographs them day and night. When Claude dies a vagrant's death in a Victoria hospital, Evelyn, settled into a second marriage and respectability in Ontario, decides to take some of his ashes in a cigar tube to Tommy, who she hasn't seen for 10 years and who is unaware of his father's death. Impulsively abandoning her present husband and her normal life, she disposes of her identification and money and paddles out in a stolen kayak to find Tommy. Along the way, she meets a gangly Brit, Peter, who is trying to write a travel book about "nowhere left to go" despite a writer's block as wide as the Pacific. Stumbling into her life, he joins Evelyn in her quest.
It's impossible to write about western British Columbia without the ocean and the rainforest becoming characters. Gaston's descriptions of life on the beaches and seas of Vancouver Island are immediate and alive: the reader can feel and smell the salty, fishy mist. Here Gaston subtly connects the damp lushness of coastal B.C. with Evelyn's own state of mind: "Flip a tide-rock with a foot--the way gelatinous life squirts and shrinks and hides, caught without skin." This novel tells the story of people pushed to the edge, literally and metaphorically, questioning everything about their past and present and seeing at last, like a sudden lifting of the fog, the need for change and redemption. --Mark Frutkin
From Publishers Weekly
A search for the remote island village of Sointula, a "place of harmony" on the northeast coast of Vancouver Island, drives Canadian novelist Gaston's latest. Spurred by the death of her first, long-ago lover, Claude, Evelyn Poole, the unhappy wife of the mayor of Oakville, Ontario, flees her husband and their small city to look for her grown son, Tom. She crosses the continent and, fighting hunger and prescription drug withdrawal, undertakes a dangerous, improbable kayak journey to Malcolm's Island, teaming up with drifting retired high school teacher Peter Gore, who is trying unsuccessfully to become a travel writer. Weakened and starved for civilization, Evelyn and Peter begin to lose themselves in the towering wilderness, as Gaston tracks their unreliable impressions. Avoiding cliché or easy nature-worship, Gaston (
The Cameraman) is that rare writer who can peel back the deepest fears of Nature (abandonment, pain, futility) and find a vision of vehement, imperfect beauty.
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