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Solo Guitar Playing - Book 1, 4th Edition
 
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Solo Guitar Playing - Book 1, 4th Edition [Paperback]

Frederick Noad
4.0 out of 5 stars  See all reviews (1 customer review)
List Price: CDN$ 19.95
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Frequently Bought Together

Solo Guitar Playing - Book 1, 4th Edition + Sight Reading for the Classical Guitar, Level I-III: Daily Sight Reading Material with Emphasis on Interpretation, Phrasing, Form, and More + Sight Reading for the Classical Guitar, Level IV-V: Daily Sight Reading Material with Emphasis on Interpretation, Phrasing, Form, and More
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Book Description

Express yourself through the beautiful voice of the solo guitar. Solo Guitar Playing can teach even the person with no previous musical training how to progress from simple single-line melodies to mastery of the guitar as a solo instrument. Fully illustrated with diagrams, photographs, and over 200 musical exercises and repertoire selections, this book offers thorough instruction in every phase of classical guitar playing. Complete coverage of individual skills includes: Basic technique; Reading music, memorizing, and ear-training; Mastering the fingerboard; Building dexterity and speed; Developing tone color and musical phrasing; Position playing; Interpretation; and more. Since its first printing in 1968, Frederick Noad's Solo Guitar Playing has been used by countless students and teachers of classical guitar. The fourth edition features revised and updated exercises and an expanded selection of solo guitar repertoire gleaned from the best-selling Frederick Noad Guitar Anthology.

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1 of 1 people found the following review helpful
4.0 out of 5 stars Good Follow-Up, Aug 9 2001
By A Customer
Dear Consumers,

I usually don't place reviews, but I found that those who did usually had good accessments of the material contained here. As you probably well know, this book is the continuation of classical guitar studies by Frederick Noad. It offers more etudes of the great "classical"-time period masters, such as Fernando Sor, Matteo Carcassi, and Mauro Guiliani. In addition, some Tarrega pieces(particularly the tremelo study, "Recuerdos de la Alahambra" are a delight as well. Finally, the elaboration on ornaments(continued from the first book) is an invaluable lesson. And especially for teachers, these two books by Frederick Noad is a must.

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Amazon.com: 4.8 out of 5 stars (41 customer reviews)

62 of 66 people found the following review helpful
5.0 out of 5 stars A very good place to start., Dec 24 2004
By Nathaniel Horn - Published on Amazon.com
This review is from: Solo Guitar Playing, Third Edition Book 1 (Paperback)
This is the book I started with and I'm very glad I did! Noad is probably the most accessible guitar method author around. I'm self-taught and believe me there are many ways you can go wrong by being your own teacher. If you like the dummies genre of computer books you'll love this method. He doesn't assume you know anything to start with or try to impress with his advanced mastery. But he does have an intimate knowledge of what a beginner needs to know and how to impart that knowledge. His books one and two are an excellent example of what separates a great guitarist and teacher from just a great guitarist. But you need to read and re-read the text very carefully. There are subtle points, which if glossed over will cause untold pain and cursing later on. But it's all right there in the book. If you heed his advice and study twice as carefully as if you had an instructor who could catch those mistakes then you'll be ok!

All these guitar methods (including this one) have one glaring deficiency: Lack of enough and varied practice material. Maybe I'm a little dense but classical guitar is not easy. It takes time and a LOT of practice! One can only repeat the same few lines of notation so many times without getting bored to tears. So I solved the problem by getting just about every method book known to man. After the first couple of books it starts to flow and become fun! Each book goes over the same concepts in a little different way with of course different practice pieces. The flaws of one book are cancelled by another and it becomes exciting as you move faster and faster through each text. What was once arduous becomes smooth and pleasant! The Carcassi book is great once you are a little more adept. It's purportedly for beginners but is rather dry and pedantic and a tough slog if you're just starting. There's some great stuff in there however if you already have the basics of notation down. I found it very useful for learning the higher positions. The Christopher Parkening books are great. He starts right out and then keeps going with very easy, pleasant sounding practice pieces, which helps keep your enthusiasm high. But like most others (unlike Noad) he leaves out small but crucial details that leave one scratching ones head or throwing projectiles. But if you've done Noad first you just say AH! I know what that is! Jason Waldron is also good and straight forward, easy to understand. (Although I wish he would come out with his second method book already!) He has a whole gaggle of songbooks (6) filled with familiar folk tunes, some classical and including CDs. They are very pleasant, easy, confidence building practice pieces. But I prefer Baroque. Noad does a very excellent book of Baroque pieces. He also has a Renaissance book with some very pretty tunes. What a joy to read and play such beautiful music from hundreds of years ago! It's definitely worth the work!

Now, to end on a bit of a heretical note. I had to teach myself because I really don't like the sound of nylon strings on the classical guitar! I wanted to play baroque music on an electric or steel string acoustic guitar. Just like each person plays every piece a little differently and with his or her own interpretation, I wanted to be able to shape my own personal sound with electronics. Besides, I just like the sound of steel! So, I use a flat pick to replace the thumb and steel finger picks on the last three fingers. As an added bonus you don't have to fuss with all that fingernail growing, filing business! I like it and it works pretty well although I still haven't quite figured out how to do harmonics... but I'm working on it! Who knows, you might want to try it also? So, I hope you come to enjoy the classical guitar as much as I do. Persevere through the initial pain and you will never be sorry you did!

Addendum: Since writing this review, I have gone back to the Classical Guitar for playing Classical music. A good Classical Guitar has such subtlety of expression and range of expressiveness that just can't be coaxed out of a steel instrument. My Martin acoustic now lives for chords, at which it is stellar! But I still use the flat pick/steel finger pick method. I can curl my fingers up and play chords and lead riffs or unfold them and fingerpick. It's very versatile and I still like it a lot. My electric is for gouging out acid rock riffs with a little Baroque sprinkled in. But the one which most often brings a tear to my eye is that Classical Guitar.

31 of 32 people found the following review helpful
5.0 out of 5 stars I love this book., Nov 8 1999
By A Customer - Published on Amazon.com
This review is from: Solo Guitar Playing, Third Edition Book 1 (Paperback)
Do get this book if you are going to try or are trying to learn how to play the guitar by yourself. The difficulty of exercises progresses slowly and with complete explanations before going on to more challenging material. Actual pieces of music are very pretty and fun to play, and footnoted at parts where the reader may encounter trouble. Of course, it does help a lot if you have prior experience in reading music. One of the things I like most about this book is that it does not have songs like "Old McDonald" and such. =) It starts solely with plain exercises, and then only when the reader is ready to play actual music does Noad integrate them into the lessons. The only problem I have with this book, which doesn't mean the book is in any way defective, is that it doesn't explain and teach chords very well, so playing music other than classical may be difficult if you learn guitar from this book only. But I think it's a great book anyway.

57 of 72 people found the following review helpful
4.0 out of 5 stars Good Follow-Up, Aug 9 2001
By A Customer - Published on Amazon.com
This review is from: Solo Guitar Playing - Volume 2 (Paperback)
Dear Consumers,

I usually don't place reviews, but I found that those who did usually had good accessments of the material contained here. As you probably well know, this book is the continuation of classical guitar studies by Frederick Noad. It offers more etudes of the great "classical"-time period masters, such as Fernando Sor, Matteo Carcassi, and Mauro Guiliani. In addition, some Tarrega pieces(particularly the tremelo study, "Recuerdos de la Alahambra" are a delight as well. Finally, the elaboration on ornaments(continued from the first book) is an invaluable lesson. And especially for teachers, these two books by Frederick Noad is a must.

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