5.0 out of 5 stars
Wonderful service - great product, Nov 25 2010
This is my absolute favourite book even thopugh it is out of print now, when I found it I ordered it right away. There were problems with the delivery company, but when the seller found out he immediately resent via express post and I received the book in amazing condition. Thoroughly pleased with the service and the product. I am very very happy.
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4.0 out of 5 stars
A Song of Power, Aug 3 2004
Card seems to have a predilection for having child protagonists. But not just any children, rather children who are special, who are prodigies, who in many ways are far stronger than most adults. This book is no exception, with Ansset as the premier Songbird of his day. Songbirds are specially trained child singers, trained in not just the basics of music, but more importantly in how to read the emotional makeup of their audience and express it in their songs.
Ansset is assigned to be the Songbird for the Emperor Mikal, a brutal man who thinks nothing of wiping out the entire population of a planet to further his ends. But the end Mikhal is driving toward is lasting peace throughout the galaxy - a truly benevolent dictator. It is just this moral ambiguity that Ansset sees and understands, just as he can understand, accept, and reciprocate the love of Josif, a bisexual who can only be attracted to one person at time.
In fact, there are no hard and fast moral laws laid down in this book. (...), kidnapping, assassination, murder, homosexuality, (...), devotion, political machinations, and, yes, even true love all receive an examination here, and each item is shown in more than one light. A good part of this book's strength lies within these examinations, which are shown by the events and people Ansset is exposed to, rather than by any sort of expository dialogue. The rest of the strength lies within the raw emotion that sings throughout this book, an almost poetic handling of what would be in lesser hands a very ugly set of happenings. Characterization is excellent, for not just Ansset but also all the players around him: Mikal, Ricktors, Esste, Kya-Kya - each are unique individuals that breathe life into this work.
Not so good is the believability of the basic scenarios, from Ansset's incredible ability as a very young child to read the deep emotional makeup of those around him and sing that back to them, certain fighting skills that Ansset learns, even to the musical language members of the Songhouse converse with. While Card makes a good stab at presenting these items in such a way as to try and make them believable, and while reading it these doubts can easily be pushed into the background, after closing the book they leave a bit of a sense of something not quite right, a lack of direct applicability to the 'real' world. While this is not a great flaw, it does bring this book down from the level he achieved in Ender's Game, making it merely very good as opposed to that book's greatness.
--- Reviewed by Patrick Shepherd (hyperpat)
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5.0 out of 5 stars
Sing, Ansset, Sing!, Nov 11 2003
"I will never hurt you.
I will always help you.
If you are hungry
I'll give you my food.
If you are frightened
I am your friend.
I love you now
And love does not end."
It is very rare for an author to make himself as vulnerable as Card has in his marvelous book, Songmaster. One of his first books, Songmaster reveals the author's intense preoccupation with beauty and pleasure -- and how a person might go about satisfying his desire for such things.
Ansset is described as the type of boy that men (and, to a lesser degree, women) love to look at. Can you be any more blunt than that, Orson? At one level, this book is a sensitive portrayal of so-called "pedophilic" love -- in an emotional, physical and spiritual, but not a sexual, sense.
Card's greatest virtue is his greatest vice. He is always and everywhere trying to UNDERSTAND the experience of the individual. This makes the reader have to guess at Card's moral and political opinions.
Card paints a picture of reality brilliantly, just like his protagonist, Ansset. But we never get to see the real and authentic song of Orson Scott Card, behind all the masks he wears.
Card is a brutally honest man. He is a storyteller. He is a poet. He is Ender. He is Ansset. He is a singer of songs.
But when will we hear his own song, I wonder?
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