Goethe (1749-1832) is the most important of the German writers, a poet who surpassed the constraints of his time, being the brightest representative of German Enlightnement. Faust, his masterwork, portrays the inner struggle of a man who had everything on earth but who was profoundly disillusioned by the rigid limits imposed upon human life and creation, that in the search for the infinite of possibilities, sold his soul to the devil in order to grab with both hands whatever might come from the struggle between Good and Evil. Much of that human fight and quest is anticipated in the "Sorrows of the Young Werther", one of Goethe's first works and his very first romance, and a truly good one. Here the theme of the quest for the infinite and meanings in life is ever present and is beneath all the impossible interplay of Werther (Goethe himself), Lotte ( a feminine Lot, always looking backwards to face doom?) and her nondescript husband Albert.
As in Faust, the protagonist (Werther) had it all with books, and the only one he carries and reads is Homer, where, in his own words, no limits were yet established for human growth and expansion. As in "Romeo and Juliet", his is an impossible love, a human triangle that had to be bisected by a voluntary and violent farewell to his beloved Lotte - and to his life, something he finally accomplishes with the full knowledge of his beloved friend. The romance has a magnetic force upon the reader, who follows attentively the protagonist trough his epistolar via crucis with his friend Wilheim, untill the dramatic end. In my opinion, the romance is directly antipodal to Flaubert's Madame Bovary and as good as Madame Bovary, the latter being an ode of form against substance, the primacy of form against substance, while Goethe's romance is sheer substance (love, hate, etc...) at its height, and, along with Madame Bovary, must be reckoned on the list of the 100 best romances ever written. I hope you enjoy it as much as I did.