From Publishers Weekly
Brooding, obsessive stories of contemporary black life in Canada and the Caribbean offer an intimate view of women driven by poverty to leave their homes for a hostile new country. Most works are essentially monologues, capturing the language and experiences of illegal aliens isolated yet further by their sex. Brand, the author of several nonfiction titles including Earth Magic , impresses with her fictional debut; her lyrical gifts are unobtrusively displayed, and her characters are affecting. A black nanny in "No rinsed blue sky, no red flower fences" lower case per book typography holds her little charges' hands "as if they were more precious than she, made of gold, and she just the black earth around." The narrator of "At the Lisbon Plate" detests such black self-abnegation and caustically criticizes the colonial arrogance of books like Camus's The Stranger : "Killing an Arab . . . is not and never has been an alienating experience for a European." Brand's vivid but fragmentary explorations will leave readers eager for a full-length work covering the same terrain.
Copyright 1989 Reed Business Information, Inc.
Review
"Each story is perfect in its own way, from the wonderful celebration of the generic Caribbean grandmother in 'Photograph' to the terrifying magic realism of 'At the Lisbon Plate'... This is political art at its searing best." -- Rhonda Cobham, The Women's Review of Books. "Brooding, obsessive stories of contemporary Black life in Canada and the Caribbean offer an intimate view of women driven by poverty to leave their homes for a hostile new country... her lyrical gifts are unobtrusively displayed and her characters are affecting." -- Publishers Weekly.
--This text refers to an alternate
Paperback
edition.
