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Sounds Of Silence

Simon & Garfunkel Audio CD
4.3 out of 5 stars  See all reviews (19 customer reviews)
Price: CDN$ 12.89 & FREE Shipping on orders over CDN$ 25. Details
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Sounds Of Silence + Bridge Over Troubled Water + Parsley Sage Rosemary & Thyme
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Customers Who Viewed This Item Also Viewed

Product Details

1. The Sound Of Silence
2. Leaves That Are Green
3. Blessed
4. Kathy's Song
5. Somewhere They Can't Find Me
6. Anji
7. Richard Cory
8. A Most Peculiar Man
9. April Come She Will
10. We've Got A Groovy Thing Goin'
11. I Am A Rock
12. Blues Run The Game
13. Barbriallen
14. Rose Of Aberdeen
15. Roving Gambler

Product Description


One suspects that Paul Simon cringes a bit when he listens to Simon & Garfunkel's 1966 breakthrough release. Lines from "I Am a Rock" ("For a rock feels no pain / And an island never cries") and the title track ("Fools, said I, you do not know / Silence like a cancer grows") are the essence of sophomoric poetry. And who but a couple of self-serious young men would sequence the suicide odes "Richard Cory" and "A Most Peculiar Man" back to back? That said, every callow couplet found here is counterbalanced by words that are disarmingly guileless. The unabashed romanticism of "Kathy's Song" is truly poignant; it ranks with "For Emily" and "The Only Living Boy in New York" among the duo's most resplendent performances. "April Come She Will" has a similar innocent appeal, while the title track, despite its overwrought moments and Tom Wilson's tacked-on production, is a folk-rock landmark. It's not hard to find fault with The Sounds of Silence, but it's easier still to bask in its inchoate splendor. (The 2001 reissue adds the bonus track "The Blues Run the Game" plus three unreleased 1970 demos.) --Steven Stolder

Product Description

Unreleased (and previously unknown!) versions of the old folk songs Barbriallen; Rose of Aberdeen , and The Roving Gambler (plus the bonus track The Blues Run the Game ) make their sophomore effort even more indispensable.

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Customer Reviews

4.3 out of 5 stars
4.3 out of 5 stars
Most helpful customer reviews
5.0 out of 5 stars Folk rock at his best Jan. 8 2014
Format:Audio CD|Verified Purchase
This is my favorite album of Simon and Garfunkel ! Great songs and great folk rock arrangements. And also fine bonus tracks..
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3 of 3 people found the following review helpful
3.0 out of 5 stars S & G in the learning process July 17 2006
Format:Audio CD
I'm not going into a detailed description of the history of the making of this LP but Columbia rushed it out so that they could get an LP on the shelves to support their first huge hit "The Sounds Of Silence". And it shows. Two tracks, "We've Got A Groovy Thing Goin' " and "Somewhere They Can't Find Me" were recorded much earlier in May 1965, and have poppy arrangements unlike the rest of the tunes which are much more folk oriented. The title track was recorded back in 1964 and was buried on their first LP which quickly hit the delete bins until its resurrection. The rest of this record, including overdubs of drums and electric guitar to "The Sounds Of Silence", was hastily recorded in December 1965. Because of a lack of new material, most of these tunes were re-recorded from Paul Simon's first solo LP recorded in Britain in (I think) mid 1965. This record has some fine moments and could have been a lot better had more time had been taken to produce it. It deals with many human emotions and activities including alienation on "I Am A Rock" and "Leaves That Are Green" and suicide on "A Most Peculiar Man" and "Richard Cory". The obvious theme of the latter song is that no matter how much money and power one may have, they still might not be a happy camper. A good lesson for those of us who think that winning the lottery will bring us instant happiness. "I Am A Rock" is a different recording (the vocal at least) than the later 45 version. They must have re-recorded it for the single which was superior to the version here. Simon & Garfunkel scaled much higher ground with their subsequent releases but despite its flaws this album shows them in the learning process and without the polish of their later material.

(This re-mastered copy is far better than my original CD in that it has informative liner notes and four bonus tracks, only one of which actually was from the December 1965 sessions.)
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1 of 1 people found the following review helpful
5.0 out of 5 stars The best Simon & Garfunkel album? Jan. 20 2009
Format:Audio CD
Why is this their best album? 1. Consistency of style. All the songs have similar instrumentation and the instruments sound the same from song to song. This unites the songs. 2. Quality of the songs. Four of S+G's best songs (Kathy's Song, The Sound of Silence, I Am a Rock and April Come She Will) are here. 3. A calm but impelled energy permeates the record. 4. The album is a well-structured collection of thoughtful and concise songs.
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5.0 out of 5 stars My all time favourite song... Sept. 10 2005
Format:Audio CD
This song attracted me to `SIMON AND GARFUNKEL' songs and English songs altogether...It touched off my heart the spell of heavenly `guitar chords'....and made me a guitarist and singer....!!!By singing this beautiful creation of theirs I always get an untold happiness in my small world...!!!
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4.0 out of 5 stars 2 joyas y otras 9 buenas melodías Dec 7 2003
Format:Audio CD
Sound of Silence es el primer disco clásico del dúo, un bien elaborado trabajo para 1966, año en que ya comienzan a suceder cosas relevantes en Estados Unidos en lo que respecta al pop más melódico y barroco (Beach Boys, Association). No hay mejor manera de comenzar todo que con Sound of Silence, un clásico absoluto no sólo de su época sino de la historia del rock, y tampoco hay mejor forma de despedirse que con I Am a Rock, otra excelente obra maestra. Entre medio hay también momentos de alta calidad. Leaves Are Green y A Most Peculiar Man capturan con su melodía y la última con el siempre bienvenido clavecín, Blessed es mas folk rock y recuerda un poco a los Byrds, We've Got a Groovey Thing Goin' tambien está en el mismo tono, en tanto Kathy's Song y April están acompañadas únicamente por guitarras, pero es suficiente para ellos. No se cuanto crédito merece Garfunkel aquí, pero Simon demuestra con creces ser uno de los cantautores más sólidos de los 60.
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4.0 out of 5 stars Flawed Masterpiece Nov. 27 2003
By A Customer
Format:Audio CD
It was "The Sound of Silence" that got me into this fantastic group in the first place. I thought that it could not be improved upon, but then I heard their next three albums. It improved! The poetic folk-rock brilliance of "The Sound of Silence" is stunning, though it is not equaled by any other song on the CD. "Leaves that are Green" is a slightly irritating piece of poetry, "Blessed" is an overly religious screamathon, and "Kathy's Song"'s mediocre melody makes it forgettable. The album bounces back with the enjoyable "Somewhere They Can't Find Me," and the doubly depressing two suicide songs, "Richard Corey" and "Peculiar Man" are really beautiful. I'm not much of a fan of "I am a Rock," though "Groovy Thing" is catchy. What an amazing early album, anyway...
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3.0 out of 5 stars Hey, Darkness, old buddy... Oct. 13 2003
Format:Audio CD
When "Sounds of Silence" came out as a single in late 1965, I was already becoming a thirteen year old devotee of folk-rock--the Byrds, the newly gone electric Dylan. It somehow took hold of my adolescent brain. The lyrics seemed intelligent and poetic, and the Beatles themselves had taken a few cues from Dylan and had started penning "meaningful" lyrics.
Into this mix came two sensitive NYC boys with "funny" names. I remember thinking that like most duos of the era--Peter and Gordon, Chad and Jeremy, Sonny and Cher--that "Simon" and "Garfunkel" were their FIRST names. Oh, well, what do you really know when you're thirteen? I also thought that "Sounds of Silence" must surely be a masterpiece. And when my college aged brother used to stick his head in my room when I was playing it and say, "What a stupid song! 'Sounds of silence'! That doesn't mean anything." Sigh! If only I had the vocabulary then to say, "It's an oxymoron, you moron." (He was no dummy actually, he probably knew that and was just trying to get my goat.)
A few years later, I was past Simon and Garfunkel and into more avant-gardesy kind of stuff like the Velvet Underground. I started to believe that "poetic" songs like "Sounds of Silence" were pretty darn pretentious and sophomoric, after all. Sort of like the poetry my friends and I were all writing at the time (yes, we knew it was bad, but we weren't commiting it to vinyl either).
Of course, Paul Simon was all of 21 or 22 (maybe younger) when he penned these songs. I should have been more generous. I mean, look at that cover shot--just a couple of kids! Besides, melodically, the songs all held up.
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