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South of the Border, West of the Sun [Hardcover]

Haruki Murakami
4.0 out of 5 stars  See all reviews (101 customer reviews)

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Book Description

Jan 26 1999
Following the massive complexity of The Wind-Up Bird Chronicle--Haruki Murakami's best-selling, award-winning novel--comes this deceptively simple love story, a contemporary rendering of the romance in which a boy finds and then loses a girl, only to meet her again years later.

Hajime--"Beginning" in Japanese--was an atypical only child growing up in a conventional middle-class suburb. Shimamoto, herself an only child, was cool and self-possessed, precocious in the extreme. After school these childhood sweethearts would listen to records, hold hands, and talk about their future. Then, despite themselves, in the way peculiar to adolescents, they grew apart, seemingly for good.

Now, facing middle age, finally content after years of aimlessness, Hajime is a successful nightclub owner, a husband and father, when he suddenly is reunited with Shimamoto, propelled into the mysteries of her life, and confronted by dark secrets she is loath to reveal. And so, reckless with enchantment and lust, Hajime prepares to risk everything in order to consummate his first love, and to experience a life he's dreamed of but never had a chance to realize.

Bittersweet, passionate, and ultimately redemptive, South of the Border, West of the Sun is an intricate examination of desire, illuminating the persistent power of childhood and memory in matters of the heart.

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From Amazon

In South of the Border, West of the Sun, the arc of an average man's life from childhood to middle age, with its attendant rhythms of success and disappointment, becomes the kind of exquisite literary conundrum that is Haruki Murakami's trademark. The plot is simple: Hajime meets and falls in love with a girl in elementary school, but he loses touch with her when his family moves to another town. He drifts through high school, college, and his 20s, before marrying and settling into a career as a successful bar owner. Then his childhood sweetheart returns, weighed down with secrets:
When I went back into the bar, a glass and ashtray remained where she had been. A couple of lightly crushed cigarette butts were lined up in the ashtray, a faint trace of lipstick on each. I sat down and closed my eyes. Echoes of music faded away, leaving me alone. In that gentle darkness, the rain continued to fall without a sound.
Murakami eschews the fantastic elements that appear in many of his other novels and stories, and readers hoping for a glimpse of the Sheep Man will be disappointed. Yet South of the Border, West of the Sun is as rich and mysterious as anything he has written. It is above all a complex, moving, and honest meditation on the nature of love, distilled into a work with the crystal clarity of a short story. A Nat "King" Cole song, a figure on a crowded street, a face pressed against a car window, a handful of ashes drifting down a river to the sea are woven together into a story that refuses to arrive at a simple conclusion. The classic love triangle may seem like a hackneyed theme for a writer as talented as Murakami, but in his quietly dazzling way, he bends us to his own unique geometry. --Simon Leake

From Library Journal

Romance, accusingly bittersweet but still redemptive, is the theme of this novel written by award-winning novelist Murakami, one of Japan's most popular authors. Two only children who were schoolmates and best friends meet again after a 25-year separation. Hajime is now married, the father of two little girls and a successful owner of two jazz clubs. Shimamoto has also changed; she has become a very beautiful woman. She is always immaculately and expensively dressed, but she will not talk about her life or anything that has happened to her. Nevertheless, Hajime believes that he loves her more than life itself; he is convinced that he could leave his family and his business to be with her. After they spend a night together, a night filled with raw passion, she vanishes. Hajime is distraught. After much soul searching, he begins to put his life back together and discovers that he has become a stronger man, one who realizes that looking back is often necessary in order to move forward.?Janis Williams, Shaker Heights P.L., OH
Copyright 1999 Reed Business Information, Inc.

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Customer Reviews

Most helpful customer reviews
2.0 out of 5 stars Really??? Jan 18 2013
By KARIMA
Format:Paperback|Amazon Verified Purchase
A weird love story where you keep guessing he will meet his childhood love and probably settle down with her but he ends up marrying someone else
the end was weird too
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5.0 out of 5 stars Truly amaizing story May 18 2004
Format:Paperback
I am totally hooked on Murakami. Although culture he is writing about is so distant for me, being from Croatia, I find it amazing how people have similar worries all over the world.
Murakami is definitely one of the greatest living authors. I adore his style, and I can only dream how good it sounds in his native language.
This book is such a sad story about being married, about taking responsibilities and about loosing love due to that.
What makes Murakami big is the message he leaves with you after every book and the ease with which he presents in front of you one of the biggest doubts in almost everyone's life.
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1 of 1 people found the following review helpful
Format:Hardcover
At first read, this would appear to be among the weaker of Murakami's recent works - perhaps a self-indulgent tour of sentimental moods from the past as an antidote to the gravitas of books such as "Wind-Up Bird." The translation, as well, seems hastily done, with the protagonist speaking in a loose, casual tone we're not quite used to. And character-wise, we really have only Hajime and Shimamoto to guide us, rather than the usual cast of unusual everybodies.

That being said, "South of the Border..." indeed packs a punch as substantial as Murakami-san's other work, when read with the same intimacy and closeness with which it was written. Sure, there are the usual basic motifs: sex-mad women, drinking alone, vintage American jazz, and heartbreak. Something is a little off-key, but buried beneath candy-like prose. So what? What distinguishes this book is what churns beneath the surface. It happens when Murakami, with his readers mesmerized, brings in his prosodic "heavy artillery" to lift the tale skyward. Physical and metaphysical transformation, deep body/soul trauma, and on-the-dot symbolism round the story out as a deep-structural tragedy that unravels itself with a devastatingly effective certitude. Frighteningly well done.

It's as much about destruction and selfishness as it is about togetherness and harmony. Two only children are in love - then come apart - then unite with shaken souls and memories of things completely irretreivable, much later in life. Hajime and Shimamoto, in another space-time, stayed in touch, married, and conceived an only child as a mirror of themselves. In this world, perhaps, they were happy - perhaps Hajime's idealism was intact and Shimamoto's intelligence given more room to breathe. Instead, at the sound of the crow, we infer this child's birth and death and realize that its presence in this world is limited to that of ashes in a remote stream. Murakami's device of bodily transformation, which also shows up in "Sputnik Sweetheart" for example, is most poignantly realized in "South of the Border" when Shimamoto becomes the beautiful woman and mother in a lopsided universe. Ultimately, with the death of the child who never really lived, readers unwary enough to have liked Hajime and Shimamoto (and held hope for their future) are mercilessly slammed to the ground. It's often said that tragedy is distinguished by the fact that it leaves more questions open than are resolved in the narrative; this tragic tale, though, answers every question with a profound finality. Even the final breath is anticipated and confronted, until there is really nothing more that can be said.

So read it carefully and watch for the crow. Ashes floating downstream were never so sweetly devastating.

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Most recent customer reviews
4.0 out of 5 stars Good, if not extraordinary.
My first introduction to Murakami came with the "Wild Sheep Chase", which established a pretty high bar to follow. Read more
Published on May 14 2004
5.0 out of 5 stars "Pretend you're happy when you're blue..."
He's usually recognized for his 700+ page epic The Wind-up Bird Chronicle, but in my opinion this book is his masterpiece. Read more
Published on Mar 19 2004 by Henry Platte
1.0 out of 5 stars Utterly ghastly
You know, I've been somewhat critical of Murakami in the past, but even if his writing did tend to become formulaic, I would never have anticipated that he was capable of writing... Read more
Published on Feb 6 2004 by GeoX
5.0 out of 5 stars absolute something
I cannot help reading this book again and again. I feel great
sympathy with the hero who seeks absolute something for him
within his partner, maybe. Read more
Published on Dec 30 2003 by 13th-moon
5.0 out of 5 stars Murakami sustains such hardcore emotion
Odd to say, but my first reactions to Murakami were much like those I had for Samuel Beckett--I didn't quite understand what the man was up to, but he intrigued me nonetheless. Read more
Published on Aug 20 2003 by Mr. Richard K. Weems
5.0 out of 5 stars Comming of middle age
This is a story about regrets. Hajime has one big regret, his childhood sweetheart. When she resurfaces later in his life, he is thrown into a midlife crisis that will force him... Read more
Published on Jun 18 2003 by William Black
5.0 out of 5 stars Simply Surreal
Ever since I first read Murakami starting with
"Sputnik Sweetheart" I am hooked on to everything he
writes. Read more
Published on Feb 2 2003 by Vivek Tejuja
3.0 out of 5 stars Unforgettable adolescent love.
The theme of this book is universal: a man who cannot forget a youth love (Dostoyevsky, Turgenev, Fournier ...). Read more
Published on Jan 20 2003 by Luc REYNAERT
5.0 out of 5 stars Minimalist Masterpiece
This book (my first exposure) to Murakami starts off slow and mundane to the point of boredom, but before long you realize you are in the hands of a master. Read more
Published on Dec 15 2002 by Dorion Sagan
5.0 out of 5 stars Not the most important, yet not to be marginalised.
The last two Murakami novels I read were Norwegian Wood and Hard-boiled Wonderland and the End of the World. Read more
Published on Dec 1 2002 by A. Steinhebel
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