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Space 1999 Set 6:V11 & 12

4.1 out of 5 stars 14 customer reviews

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Product Details

  • Actors: Martin Landau, Barbara Bain, Nick Tate, Zienia Merton, Quentin Pierre
  • Format: Box set, Color, DVD-Video, NTSC
  • Language: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 2
  • MPAA Rating: NR
  • Studio: eOne Films
  • Release Date: June 1 2002
  • Run Time: 312 minutes
  • Average Customer Review: 4.1 out of 5 stars 14 customer reviews
  • ASIN: B00005UW78
  • Amazon Bestsellers Rank: #33,962 in DVD (See Top 100 in DVD)
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Product Description

Fans of Space: 1999 (and there are many of them) are lavish in their praise for British producer Gerry Anderson's mid-'70s sci-fi series. They rhapsodize about provocative, seriously scientific story lines, expensive production values, the presence of star (and future Oscar® winner) Martin Landau, and more. But there are others who look at the series' glacial pace, loopy costumes and makeup, cheesy sets, primitive special effects, stilted dialogue, and self-serious tone and wonder what planet those rabid fans are from.

Set 6 of the digitally remastered series, containing six episodes (numbers 31 to 36) on two discs, offers plenty of evidence to support both arguments. On the one hand, there are some intriguing ideas, weighty themes, and good writing here, as in "New Adam, New Eve" (episode 34), in which Koenig (Landau) and company confront the very existence of God himself, or "The Rules of Luton" (episode 31), in which Koenig and Maya (Catherine Schell) find themselves in deep trouble on a planet where plants are the dominant life form. But too often those virtues are hamstrung by poor execution, as in "Luton," where our heroes must battle three absurd-looking and -acting aliens. Smart sensibility, silly look and feel: this is the Space: 1999 paradox. And the truth is that nowadays, when advanced film technology is making even the early Star Wars films look dated, many of these episodes seem positively quaint.

DVD bonus features include a three-minute "making of" featurette (on the first disc), a gallery of production stills (on both discs), and interactive menus. Some material that was not seen in the original U.S. broadcasts has been restored. --Sam Graham

From the Back Cover

A&E Home Video proudly presents world-renowned producer Gerry Anderson's seminal 1970s sci-fi adventure series... Space: 1999. Set 6 invites you to "escape into worlds beyond belief" with the lost men and women trapped on Earth's moon when it was blasted from Earth's orbit in the year 1999. This is their story, and your one-way ticket to adventure.

Witness the excitement of Space: 1999 as never before! Digitally remastered for a superior DVD presentation from the original 35mm elements! Uncut, with 12 minutes of additional footage not seen in areas of the U.S. during original broadcast release! Combining elements of science fiction, adventure, and fantasy, Space: 1999 has claimed a worldwide following--finding a life beyond its titled date and securing a place in the 21st century and beyond.

This international cast stars Martin Landau (Academy Award winner, Ed Wood), Barbara Bain (three-time Emmy winner, Mission Impossible), Catherine Schell (Return of the Pink Panther), and European guest stars Brian Blessed (Flash Gordon), Billie Whitelaw (The Omen), and Freddie Jones (Dune). With cinema styled effects by Brian Johnson (Academy Award winner, Alien, The Empire Strikes Back), Space: 1999 premiered to TV audiences after Star Trek and before Star Wars, influencing the future of the genre.

Episodes: "The Rules of Luton": The Judges of Luton sentence Koenig and Maya to gladiatorial combat to win their freedom after the slaying of one of their own. "The Mark of Archanon": Buried deep under the lunar surface, Alan Carter will open Pandora's Box--cursing the Alphans to the Mark of Cain and propagating death. "Brian the Brain": Brian, the only surviving member of the lost Star Mission of 1996, is welcomed aboard Moonbase Alpha. Little do the Alphans realize they've just given entry to a homicidal killer--with a catch. "New Adam, New Eve": A self-proclaimed Creator of Humanity offers the Alphans a new Eden--but what if they refuse? "The A B Chrysalis": A group of unborn aliens protect their planet with destructive shockwaves which threaten to destroy the traveling Earth moon. "Catacombs of the Moon": Beyond life, beyond death, Patrick Osgood is about to prove the power of faith cannot be extinguished, not even in the vacuum of space.

Customer Reviews

4.1 out of 5 stars
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Top Customer Reviews

Ironically, the first season gets the respect and this is regarded as silly nonsense. But good SF is all about the script and check out the writers. Three episodes by Terrance Feely (The Prisoner, UFO, The Avengers, Thriller) three episodes by Johnny Bryne (Dr.Who) Three episodes by Donald James (UFO, The Champions, etc)two episodes by Tony Barwick (UFO, Captain Scarlet, oft regarded as Gerry Anderson's finest writer)and contributions from Terrance Dicks (Dr.Who) and Pip and Jane Baker (Dr.Who). There's even a bona fide SF author named Thom Keyes who contributes an episode. Not bad! The series seems to be remembered soley for the three episodes written by Producer Fred Freiberger under the pen name Charles Woodpecker or something equally silly! Mind you, Rules of Luton is an adequate rip off of the classic SF tale The Arena, which had been done before Star Trek (on The Outer Limits) and would be done again (on Blakes 7, for a start!). So, despite Freidberger;s bad habit of doing his own script editing and adding cheesy joke scenes, and despite his even worse habit of penning the occasional episode (Space Warp is the worst!)the series is actually very good! Barwick excells with AB Chrysalis, a suspenseful and thoughtful story, Feely is brilliant with New Adam, New Eve, and even more fun with Bringers of Wonder, while James delivers a classic with Journey to Where and gems like Seed of Destruction, The Immunity Syndrome (with its brilliant tale of a dealy but misunderstood alien intelligence) and Devil's Planet, all coming out of left feild as well.
What it lacks in atmosphere, it makes up for with good plots and good scripting. A vastly underrated series. Scrape off the cheese and enjoy!
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This set shows more of the erratic writing that dominated the second season. We also begin to see that they were filming episodes back to back to cut corners. That is why they would have an episode that would feature Koenig and Maya and we would just see a glimpse of Tony and Helena back on the base and then the next episode would feature Tony and Helena and Koenig was off on an Eagle somewhere and we would just see him for a minute or two and Alan was only in every other episode. The great shots of the ships from the first season have been cut way down by this time. Of course the worse thing about the second season was the writing. Following is my breakdown for the episodes.
The rules of Luton- A silly episode that borrows from Star Trek's Arena. The monsters are terrible and the action is minimal, but Koenig and Maya share some of their past with each other and I always liked it when they filmed on location.
The mark of Archanon- A decent story about a aliens who tried to be peaceful but they could suffer from a sickness that made them have to kill. The aliens look quite bad, but Alan gives a good showing as he takes to the younger alien like a big brother.
Brian the brain- This episode is just downright horrible. A computer that likes to say woo-hoo a lot. This episode has very few redeeming values and it is probably one of the three worst of the series.
New Adam, New Eve- This is definitely the best episode of the set. An alien claims to be the creator and he wisks Koenig, Maya, Helena and Tony away to a new eden. Of course, he is not who he says he is. This episode is similiar to Star Trek's Who mourns for adonis, but I really like this one. The story is interesting and it moves along very well.
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Year 2 of Space:1999 continues in Set 6, and if you were hoping for an improvement from Set 5, don't hold your breath! Though cheese and ham are served just as much as the previous collection, it's still a lot of mindless fun. There are a few moments here and there that remind of fans of Year 1, some insightful lines and illusions. But don't kid yourself. Year 2 has tons of Sci-Fi cliches and steals from a show that Space:1999 tried to challenge, Star Trek.
"The Rules of Luton", of course, is a Star Trek episode in disguise with some dated looking aliens, was one of my favorites as a kid. Of course, now, it's totally ridiculous.
"The Mark of the Archanon" is not too bad. The costumes from the guests leave very little for the imagination and some bad audio dubbing. Though, Nick Tate has a bigger role in this one.
"Brian the Brain", ugh! never thought a stupid robot could be filled with so much ham! His voice is a crossover between Woody Allen and a bad Jerry Lewis impersonation. Some good effects can't really salvage this one.
"New Adam, New Eve" is good for the main characters, but Magus is so far from an impression of God it's unintentionally funny. and the mutants, ugh, why are Space:1999 monsters so terrible?
"AB Chrysallis" is tolerable and pedestrian at times. But those bouncing balls and decent effects keep your mind off other plot holes. And the chlorine atomsphere for the aliens is a nice touch.
"Catacombs on the Moon" leaves more questions than answers. Like, how can there be catacombs on the moon without water? But, that's the least of Alpha's worries. The second class characters get a bunch more lines than the regulars, and Maya has 2 obligatory "shape-shifting" scenes.
Casual sci-fi and other viewers may not be able to tolerate Space:1999, but for an hour or two of mindless escapism, this may hust hit the spot.
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