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Space Oddity
 
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Space Oddity [Enhanced]

David Bowie Audio CD
4.4 out of 5 stars  See all reviews (32 customer reviews)
Price: CDN$ 15.77 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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Space Oddity + The Man Who Sold The World + Diamond Dogs
Price For All Three: CDN$ 39.33

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Customers Who Bought This Item Also Bought


Product Details


1. Space Oddity (1999 Digital Remaster)
2. Unwashed And Somewhat Slightly Dazed (1999 Digital Remaster)
3. Don't Sit Down (1999 Digital Remaster)
4. Letter To Hermione (1999 Digital Remaster)
5. Cygnet Committee (1999 Digital Remaster)
6. Janine (1999 Digital Remaster)
7. An Occasional Dream (1999 Digital Remaster)
8. Wild Eyed Boy From Freecloud (1999 Digital Remaster)
9. God Knows I'm Good (1999 Digital Remaster)
10. Memory Of A Free Festival (1999 Digital Remaster)

Product Description

From Amazon.com

This 1969 release features David Bowie's first hit single, "Space Oddity," and sets the tone for the spacey Ziggy Stardust to come. But other than the title track, Space Oddity isn't a glam-rock album. For that phase, one must move ahead to 1970's The Man Who Sold the World. These folk-based tracks largely present Bowie as a surrealist singer-songwriter. The uncharacteristically bitter and sarcastic "Letter to Hermione" is the most impassioned track here, presenting, as it does, the angry side of this master of cool. While still earlier recordings are noted for their Anthony Newley affectations, Space Oddity is where the Bowie myth begins to take shape. --Rob O'Connor

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Indissociable de son époque, Space Oddity est pourtant curieusement à l'abri de l'épreuve des années. Une épreuve qu'il franchit sans forcer grâce à ce talent supérieur que possède David Bowie pour tisser des harmonies légères, fragiles et si personnelles. Et même s'il n'a pas encore avec lui les musiciens qui seront ses complices les plus dévoués, il sait diriger sa bande vers le "son Bowie". Les plus réussies des chansons sont d'ailleurs celles qui flottent dans l'air, habillées avec les plus discrets arrangements. "Memory Of A Free Festival" par exemple, totalement de son temps par le thème choisi, et qui opère l'envoûtement par cette évanescence qu'apporte l'orgue. Ailleurs, Bowie va flirter avec une mélodie jazzy ("Letter To Hermione"). Plus loin il va chercher dans le moelleux des cordes, notamment le violoncelle, un décor pour ses confidences ("Wild Eyed Boy From Free Cloud"). Pourtant, quelle que soit l'option choisie, toujours émerge la signature incomparable de l'artiste. On perçoit déjà facilement les tendances futures, même s'il traverse alors (nous sommes en 1969, vous avez dit précurseur ?) une phase folk-rock sensible dans l'utilisation des guitares acoustiques ("God Knows I'm Good"). Non content de préfigurer les futures pièces maîtresses, ce disque, très anglais par son raffinement, défriche largement ce qui deviendra l'univers Bowie. --José Ruiz

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Customer Reviews

32 Reviews
5 star:
 (20)
4 star:
 (6)
3 star:
 (4)
2 star:
 (2)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (32 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful
4.0 out of 5 stars The Sun Machine Is Coming Down and We're Gonna Have a Party., Dec 10 2003
By 
Nobody! (The Infinite Beyond) - See all my reviews
This review is from: Space Oddity (Audio CD)
David Bowie's sixth album, Space Oddity, was released in 1972, less than six months after the release of Bowie's classic concept album, The Rise and Fall of Ziggy Stardust. While Ziggy Stardust sounds Martian and is mostly driven by finely polished electric guitars, Space Oddity has elements of Ziggy, but overall has a childish, dreamlike quality all of its own and is accompanied most by acoustic guitars--like an album recorded in heaven. I think it's one of the nicest records I've ever heard. The first song on the album is the very popular "Space Oddity." The song, as we all know, is about Major Tom, an astronaut sent into space in a "tin can." Somewhere "past one hundred thousand miles" he becomes disconnected with communication with Earth, and, like David Bowman--the main character of Stanley Kubrick's 2001: A Space Odyssey [which the song name and album are based, yes?]--is left to float about the galaxy for eternity. The reference to 2001, somewhat disappointingly, is more musically-based than it is lyrically. The bulk of the album is comprised of light-hearted, celestial love songs--like something that would be nice to hear if you were flying on a hang-glider. Only a couple of the songs are heavy lyrically ["The Cygnet Committee" and "Unwashed and Somewhat Slightly Dazed"], but most are free and lilting, as they should be on such an album.

After the opening track, we are not confronted, verbally, with the sky or outer space until "The Wild-Eyed Boy from Freecloud," the third to last track. Musically it's theatrical and fanciful--when hearing it, you feel like you are in a fairy tale and something wonderful and magical is about to happen. Lyrically, it's also whimsical--it tells the story of a Wild-Eyed Boy who is to be executed only because of the "madness in his eyes." Though the townspeople are going to have him hanged, he doesn't become angry or even frightened--he is calm and only thinks of Freecloud, his home. The magical land of Freecloud, as he wishes, saves him from death. "The Memory of a Free Festival," the closing track, is another whimsical and lighthearted melody, this time about a wonderful and heavenly day at a carnival in London: "to capture just one drop of all the ecstasy that swept that afternoon--to paint that love upon a white balloon and fly it from the topest top of all the tops that man has pushed beyond his brain." The day was so happy, even, that when the children looked up to the sky there were foreign "machines of every shape and size" floating around. The aliens were friendly, and one of the little boys "tried to climb aboard, but the captain shook his head--and away they soared." The album and the song close with the repeated line, "The sun machine is coming down and we're gonna have a party." It's one of the nicest lines I've ever heard--it's the best way to even describe the album. After releasing The Rise and Fall of Ziggy Stardust just before this, it is very good that Bowie chose to next create something lyrical, fantastic, and whimsical. This whole album feels like it was recorded by a child--that meant in the best possible way. At times the lyrics are silly, but they're forgiven because it's such a pleasant and dreamy record.

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5.0 out of 5 stars CD, Oct 7 2011
This review is from: Space Oddity (Audio CD)
THIS PRDOUCT IS THE BEST! NO COMPLAINTS! SHIPPING WAS FAST AND EASY! AMAZON.CA CARRIES ALL OF THE MUSIC, THAT I LIKE!
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5.0 out of 5 stars Great second album,Dave!, May 1 2004
By 
Antonio M Vazquezpausa "amvp" (Miami, Fl United States) - See all my reviews
(REAL NAME)   
This review is from: Space Oddity (Audio CD)
It is the fusion of music genres that makes this work outstand among other 1969 albums.Is it pure rock or is it a mix of folk and glam?David Bowie brought us this gift with his first hit ever,Space Oddity in it.It was a good sign of great things to come.The Great Thin Duke spawned gems such as Don't Sit Down and Occasionally as well.It is a 5!
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