From Publishers Weekly
Pessl's showy (often too showy) debut novel, littered as it is with literary references and obscure citations, would seem to make an unlikely candidate for a successful audiobook. Yet actor and singer Emily Janice Card (a North Carolina native like the author) has a ball with Pessl's knotty, digressive prose, eating up Pessl's array of voices, impressions and asides like an ice-cream sundae. Card reads as if she is composing the book as she goes along, with a palpable sense of enjoyment present in almost every line reading. Her girlish voice, immature but knowing, is the perfect sound for Pessl's protagonist and narrator Blue van Meer, wise beyond her years even as she stumbles through a disastrous final year of high school. Card brings out the best in Pessl's novel and papers over its weak spots as ably as she can.
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After 10 years of traveling with her father, a perennial (and pedantic) visiting lecturer at various, obscure institutions of higher learning, Blue Van Meer finally settles in as a senior at the St. Gallway School in Stockton, North Carolina. There she is bemused to find herself part of a charmed circle of popular kids called the Bluebloods and the protege of the mysterious film-studies teacher, Hannah Schneider. When a friend of Hannah's dies at a party the kids have crashed, this extravagantly arch and self-conscious coming-of-age novel turns into a murder mystery that--although never as Hitchcockian as its publisher claims--is, nevertheless, almost
compelling enough to warrant its excessive length. Intriguingly structured as a syllabus for a Great Works of Literature class, Pessl's first novel is filled with references to invented books--and to some real ones, too, including several by Nabokov. Overkill? You bet. But, as a result, the novel is generating a great deal of buzz that will excite the curiosity of readers who enjoy postmodern excesses and indulgences of this sort. Michael CartCopyright © American Library Association. All rights reserved
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