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Stan Lee and the Rise and Fall of the American Comic Book
 
 

Stan Lee and the Rise and Fall of the American Comic Book [Hardcover]

Jordan Raphael , Tom Spurgeon
3.9 out of 5 stars  See all reviews (13 customer reviews)
List Price: CDN$ 37.95
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From Publishers Weekly

Stan Lee, the cocreator of pop cultural icons like Spider-Man, the Hulk and the X-Men, has long been the subject of debate within the comics community, and Raphael and Spurgeon aim to set the record straight in this well-researched and entertaining book. In the late 1960s, Lee elevated himself into the public eye as the face of Marvel Comics, adopting a colorful persona along the way. Left behind were his c-creators, artists Jack Kirby and Steve Ditko, who never received the credit they deserved. At age 17, in 19TK, Lee (n‚ Stanley Lieber) took a job as an all-purpose assistant at his cousin Martin Goodman's comic book company, Timely. A frustrated novelist, Lee remained at Timely, shielded by Goodman from the industry's mid-century tumults, and eventually he transformed the company into Marvel Comics, steering it and himself into pop culture history. The authors portray Lee as a constantly enthusiastic, slightly daffy figure who turned a Depression-era work ethic and real bursts of creativity into something special. For all of his faults, the authors give Lee proper credit for being a fast and exciting creator who gave superheroes real-world problems and anxieties and used this realism for its maximum potential. Raphael and Spurgeon also chronicle Lee's decades in the wilderness of Hollywood, trying and failing to get decent films made from Marvel properties. Writer Raphael and cartoonist Spurgeon have put together a solid narrative well interwoven with the history of comics. As they demonstrate well, Lee's story is the story of mainstream comic books and one that is important reading. 12 pages of b&w photos not seen by PW.
Copyright 2003 Reed Business Information, Inc.

From School Library Journal

Adult/High School-Raphael and Spurgeon march readers through Lee's first 80 years, taking many compelling byroads along the way to observe the history of American comic-book development, distribution, and readership. Lee created a dynamic and somewhat charismatic persona for himself early in life, and was able to move from technical grunt work to a certain level of co-creativity with more sophisticated artists, and from errand boy to publisher to media mogul. He is, indeed, a part of popular culture with high name recognition. The authors use a variety of resources, including interviews with field specialists and unpublished writings, to substantiate their views of both the man and the medium's evolution. While there are source notes for each chapter, they appear in alphabetical order, making it impossible to find the specific reference to which some controversial declarations are attributed. This will frustrate those doing higher-level research but won't impede casual readers' enjoyment of a colorful man's story told through well-described vignettes.
Francisca Goldsmith, Berkeley Public Library, CA
Copyright 2003 Reed Business Information, Inc.

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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Customer Reviews

13 Reviews
5 star:
 (7)
4 star:
 (3)
3 star:    (0)
2 star:
 (1)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
3.9 out of 5 stars (13 customer reviews)
 
 
 
 
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5.0 out of 5 stars Stan Lee the Forrest Gump of the Comics Scene, July 14 2004
By 
M. B. RENTZLER (Brooklyn, NY USA) - See all my reviews
(REAL NAME)   
This review is from: Stan Lee and the Rise and Fall of the American Comic Book (Hardcover)
This book was a quick and enjoyable read and very balanced in showing Stan warts and all (i.e. what went wrong with him and Kirby).

What amazed me was the conectivity of Lee. He was here, there and everywhere during nearly the entire age of the American comic book and just like Forrest Gump, at times, did not seem to totally grasp what was going on.

You come away understanding that Stan Lee was more than anything one of many catalysts that started the engine of the four color comic industry.

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4.0 out of 5 stars Stan the self promoting man. Book 4 star; Stan 2 star., Jun 29 2004
By 
Henry Cate III (CA. United States) - See all my reviews
(REAL NAME)   
This review is from: Stan Lee and the Rise and Fall of the American Comic Book (Hardcover)
I happened to see this book in the library last week. Having read a ton of comics through the 1980s, ten to fifteen comics a week was fairly typical, I was very interested in learning more about Stan Lee. I found this a fascinating book. The authors write well. The book is entertaining, and it is hard to put down.

The authors do a good job of setting the stage. In addition to explaining and documenting just who Stan Lee is; the authors provide background by showing us Stan's early years, a whole lot about the comic industry, and those who have worked with Stan Lee. Having the background of the comic industry was fun.

For example I had never understood why for so many years the fights in the comics were mostly with fists. The book explains that in reaction to concerns about negative affects of comics, the comic industry started following a set of codes created in the 1950s. One of the codes was the restriction of guns.

The book clearly shows that Stan Lee comes across as a nice guy; moreover, it shows some of Stan Lee's major character flaws. A big one is his consistent pattern over decades of taking the credit for other people's work. This was not a one time event. He likes to be well known, and worked hard over the years to be famous. I was also disappointed to read of his experimenting with alternative comics, and his attempts to get into pornography.

In contrast to DC, many of the superheroes Stan Lee is known for were the misunderstood who did the right thing even when they weren't appreciated. Spiderman was constantly mistrusted and even persecuted, but he always fought the bad guys, he always did the right thing. So it is ironic that Stan Lee is know for creating superheroes who did the right things, even when it was not popular; however, he did the wrong things in taking creating so he could be popular.

All in all it was a fun book to read.

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1.0 out of 5 stars Excelsior!...not., Dec 12 2003
This review is from: Stan Lee and the Rise and Fall of the American Comic Book (Hardcover)
The book claims to be unbiased, but has phrases like 'hero or huckster'.

Throughout the book, various stuff has been shown in a negative light;

They say something along the lines of "Stan Lee is the creator of various superheroes from Spider-Man to the X-Men...or so he'd have you believe. In truth, he is only the COcreator." No sh*t, Einstein.

They then claim Stan Lee is trying to steal the fame of Jack Kirby, Steve Ditko. No use pointing out Ditko is now a recluse and Jack Kirby is dead.

Or they'll point out with glee, although Lee is credited with creating X-Men and Daredevil, it is the talents of Frank Miller and Chris Claremont who brought them to the fame they are today. They treat it like a scandal being brought forth, but anyone familar with the superheroes KNOW Miller defined Daredevil and so forth. Again, easy facts that nearly everyone knows twisted into a negative light.

The book concludes with a statement that is basically "Comics sell bad. The art is good, but the writing is cliched. The days of the Golden Age are long gone." If this was the 90s, fine. But right now comics are getting mainstream press, great writers among other stuff. Although comics aren't selling as well as they're used to be, they are hitting a remarkable rise.

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