Stand in the Fire (Expanded) [Original recording remastered, Live]

Warren Zevon was on a comeback of sorts when he set out to record "Stand In The Fire." As is well known (and documented in the infamous Rolling Stone cover story), he had his addictions to battle, and this was the first tour after having conquered them. The line-change in "I'll Sleep When I'm Dead" to "I got a .38 special up on the shelf, and I don't intend to use it on myself" was part of that rejuvenation. Zevon was clean and proud and ready to rip.

"Stand In The Fire" is as pure a rock rip as Zevon ever made. Songs up to "Bad Luck Streak In Dancing School" are included here, with two new songs and a goofy Bo Diddly medley. Why in the world it remained out of print (and never even issued to CD) for over 25 years is downright criminal. Somewhere after this - and documented on "Learning To Flinch" - Zevon became more an acoustic live act. When I saw him on "The Envoy" tour, it was just him, his piano and guitar. On "Stand In The Fire," however, Zevon is almost giddy with rock and roll exuberance.

Adding to this five-star document of Zevon at his peak are the four bonus cuts. My guess is (along with time restrictions) that at least two were left off the original album due to their more mellow qualities. "Frank and Jessie James" and "Hasten Down The Wind" are solo piano performances, but "Hasten" is transcendental. The anguish in Zevon's voice is awe-inspiring. This was always a five-star album in my mind, the bonus tracks add to the luster.

But it is the original 10 song album that I had the excitement for when I heard Rhino was finally going to get them out stateside. Warren Zevon is as alive as he ever was on this LP, and when he shouts out to George Gruel to get on stage and dance, it's as inspiring a moment as has ever been recorded for a live album. (I'd add to that the final verse of "Werewolves of London," where Zevon bellows "and he's looking for James Taylor" like he's on the brink of sanity.) It is just another reason why I will miss Warren Zevon and his insight, literary wit and passion. Essential seventies music.

Wow, this is what rock and roll could be, should be, used to be*. These guys are tight and they rock out! Great renditions of Warren's great songs. Warren is singing out of his mind. Lots of fun lyric variations, just enough jamming, great backing band. Warren always did know how to choose and lead a great band. (* see also Lou Reed's Rock N Roll Animal!)

The extra four tracks (Johnny Strikes up the Band, Play It All Night Long, Frank and Jesse James, and Hasten Down the Wind) are from the same concert and are also great. The last two provide a denoument to the concert: they are calmer, WZ alone at the piano. The remastered sound is wonderful.

Explosively energetic. Wonderful. This is a must for any WZ fan. Sure makes me sad that he's: too soon gone.

Essential rock n roll. One of the best rock albums ever.

There were better rock 'n roll singer/songwriters than Warren Zevon. Or so I heard somebody say. I think they may have been wrong.

STAND IN THE FIRE captures the Warren-in-concert feel that his newer fans (such as myself) will, alas, never be able to experience for ourselves. This is an album of great rock 'n roll--from the satirical "Excitable Boy," to the deliciously perverse romp of "Poor Poor Pitiful Me," to rollickin' surprise of "Bo Diddley's a Gunslinger," to the exquisite piano/vocal performance of "Hasten Down the Wind." From the very first note the very last, this album (like most of Zevon's records) will captivate you. Older fans will delight in hearing this treasure on CD; newer fans such as myself with simply delight in hearing it at all.