From Publishers Weekly
Like mother, like daughter, like granddaughter-the notion of history repeating itself functions as both plot frame and theme in Collins's latest novel, a multigenerational saga that spans a century of family triumphs and tragedies set against the backdrop of the ever-changing entertainment industry. Millie McClancey is just a nave Irish lass when, having been compromised by a roguish nobleman, she takes to England's music hall stages, wowing London and New York. In the 1940s, Millie's illegitimate and far more sophisticated daughter, Vickie, becomes a Hollywood sensation. And Vickie's wild child, Lulu, becomes a supermodel in the '80s before turning to the soaps. Through it all, most of their misfortunes may be attributed to Patsy, an enemy Millie made in her youth, and Patsy's grudge-carrying descendants. Like overteased hairstyles and television programs about oil barons, this benign offering has a pass feel. Derivative of just about everything-Moll Flanders, The Godfather, Funny Girl, Valley of the Dolls-it even has Bugs Bunny gangsters ("Yeah, boss, yeah, good idea"). For readers who make it to the closing curtain of this sprawling camp extravaganza, the ultimate message-while years and fashions may be different, "nothing changes"-will come as no surprise.
Copyright 2002 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Booklist
Millie McClancey, a feisty, redheaded maid in an English manor house during World War I, knows that her future will be onstage after seeing her first revue in the gritty music halls of London. With the support of young master Toby, who encouraged her budding skills as a singer, Millie makes a name for herself in small London clubs, and soon becomes the quintessential flapper, the fantasy of every male, the idol of every female. But Toby is the only man she loves. When he promises to marry her, she sleeps with him and becomes pregnant--only to learn that he wants nothing to do with her. Millie's daughter, Vickie, becomes the second generation to make it big, lighting up the 1940s silver screen. Both women are seen as fast and loose, but their exploits usher in a new age of female independence, and the third generation--Vickie's daughter, Lulu, rising to fame during the drug-crazed 1980s--is no exception. Collins' depiction of the mood of each era is on point, and she embroiders the starlets' cliched stories with intriguing characters and revenge-seeking enemies. A delicious romp sure to charm fans of easy and even sleazy reading.
Mary Frances WilkensCopyright © American Library Association. All rights reserved
--This text refers to an out of print or unavailable edition of this title.