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Star Trek #03 the Search Fo
 
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Star Trek #03 the Search Fo

William Shatner , Leonard Nimoy , Leonard Nimoy    DVD
3.9 out of 5 stars  See all reviews (49 customer reviews)

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You didn't think Mr. Spock was really dead, did you? When Spock's casket landed on the surface of the Genesis planet at the end of Star Trek II, we had already been told that Genesis had the power to bring "life from lifelessness." So it's no surprise that this energetic but somewhat hokey sequel gives Spock a new lease on life, beginning with his rebirth and rapid growth as the Genesis planet literally shakes itself apart in a series of tumultuous geological spasms. As Kirk is getting to know his estranged son (Merritt Butrick), he must also do battle with the fiendish Klingon Kruge (Christopher Lloyd), who is determined to seize the power of Genesis from the Federation. Meanwhile, the regenerated Spock returns to his home planet, and Star Trek III gains considerable interest by exploring the ceremonial (and, of course, highly logical) traditions of Vulcan society. The movie's a minor disappointment compared to Star Trek II, but it's a--well, logical--sequel that successfully restores Spock (and first-time film director Leonard Nimoy) to the phenomenal Trek franchise...as if he were ever really gone. With Kirk's willful destruction of the U.S.S. Enterprise and Robin Curtis replacing the departing Kirstie Alley as Vulcan Lt. Saavik, this was clearly a transitional film in the series, clearing the way for the highly popular Star Trek IV. --Jeff Shannon

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Customer Reviews

49 Reviews
5 star:
 (12)
4 star:
 (27)
3 star:
 (5)
2 star:
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1 star:
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Average Customer Review
3.9 out of 5 stars (49 customer reviews)
 
 
 
 
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4.0 out of 5 stars Kirk and Co. have the balls that no one else in ST ever had, July 18 2004
This review is from: Star Trek #03 the Search Fo (DVD)
Another classic trek movie, this one taking place directly after the famous Spock death scene in Wrath of Khan. But Spock was just so hip and cool in his stiff, emotionless, Spock-ish(??) way that they had to bring him back. And Kirk and the boys do it in style.

The story is basically this: Ambassador Sarek (Spock's father) comes up to Kirk and makes it known to him that his essence may be living within a crew member of the Enterprise. They discover it is McCoy (which is hilarious, considering Spock and McCoy's quirky friendship), which explains why many in StarFleet thought he had been driven insane, and locked him up for it. Kirk and the boys spring McCoy out of the cell, steal the Enterprise, and head into space on "personal matters."

Even if this movie lacked in action, which is does not at all, it would have plenty in hilarious dialogue. There are many examples, such as when McCoy tries to hire a mercenary at a bar (very reminiscent of the Star Wars cantina, clientele et al). McCoy tells him, "Place I name, money I go." And the perterbed alien (eerily reminiscent of George C. Scott and Dr. Evil) fires back, "Place you name, money I name or else bargainnnnnnno." It hilarious the way he says it. Another funny part comes when Sulu jokingly prods a bored Federation security guard, "Keeping you busy?", the guard slowly, menacingly stands up from his chair, towering over the short Sulu and says, "Don't get smart, tiny." It isn't so much what they say that's funny, it's the body language and the intonations, brought out in full by first-rate directing by Leonard Nimoy.

There are tons of great action scenes, and even a stabbing death which is implied, but not shown, making it action-packed but still accessible for the whole family. A memorable performance by Christopher LLloyd as a Klingon renegade is also within this fine film. It's not as good as The Undiscovered Country, but it stands firm not only as a great Trek movie, but just as a great movie overall.

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3.0 out of 5 stars I thought this was pretty good., July 7 2003
By 
Helena Troi (Midland, MI United States) - See all my reviews
I'm not a Kirstie Alley fan, but I thought that 'Search for Spock' was a decent follow up to 'Wrath of Khan' (Which had me in tears the first time I watched it - I was eleven). A few of the parts were sort of slow (like when the planet is breaking up), but overall I thought that 'Search for Spock' was an acceptable film, if only to find out what exactly happened to Spock after 'Wrath of Khan'. Worth a rent.
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4.0 out of 5 stars Spock Returns in Third Trek Film, Jun 12 2003
By 
Alex Diaz-Granados "fardreaming writer" (Miami, FL United States) - See all my reviews
(REAL NAME)   
After the success of Nicholas Meyer's Star Trek II: The Wrath of Khan, it soon became apparent that the Trek franchise could continue, with or without Spock. Despite rumors to the contrary, Leonard Nimoy had never stipulated in his contract for Star Trek II that Spock be killed off. According to Nimoy (as revealed in a "the making of" featurette), the actor really did think that the second film would be the finale of the Star Trek movies, so why not have Spock go out in a blaze of glory?

However, even before production ended on The Wrath of Khan, Nimoy and producer Harve Bennett decided that "there were always possibilities" for the future, both for the franchise and Spock.

Thus it came to pass that Star Trek III: The Search for Spock had its, pun intended, genesis. With a subtle scene here and a more upbeat ending there, several plot strands were left unresolved....what did Spock mean when he gave Dr. McCoy a mind meld with the word "Remember?" Why was he left on the Genesis Planet? Those two scenes, coupled with Nimoy reciting "Space: The Final Frontier" at the end of the second movie practically screamed "Sequel Ahead!"

As it happened, Star Trek III would also mark Nimoy's feature-film directorial debut. Although he was given a modest budget - which does, unfortunately, become obvious in many scenes - Nimoy fared fairly well his first time out as a director.

As in the movie that follows (The Voyage Home), Bennett and Nimoy give us a mix of adventure, suspense and even moments of comedy in the continuation of a three-movie story arc.

The setup is simple. After the events depicted in Star Trek II, the USS Enterprise has been ordered back to Earth. Spock is dead, the Enterprise's trainee crew has been reassigned, and Starfleet has quarantined the Genesis planet. Only a science vessel, USS Grissom, has been assigned to survey the forbidden world.

Little does the Federation know, however, that the Klingons have found out about the Genesis device. Fearing that the Federation has plans to destroy the Klingon Empire, Commander Kruge (Christopher Lloyd) is determined to obtain its secrets.

At the same time, upon his return to Earth Admiral Kirk (William Shatner) discovers that Spock has somehow placed his "katra" in Dr. McCoy's (the late DeForest Kelley) body. Kirk is urged by Sarek, Spock's father (the late Mark Lenard) to retrieve Spock's remains from the Genesis planet. After that, Kirk is to go to Vulcan with McCoy and Spock's body, where both of his friends will "find peace."

When Kirk requests permission to take the soon-to-be retired Enterprise back to Genesis to retrieve Spock's body, Starfleet Command refuses, saying that the science ship (where Lt. Saavik and Kirk's son David Marcus are now serving) is the only ship allowed by the Federation to investigate. As usual, Kirk takes matters into his own hands and, assembling most of his bridge crew, steals the Enterprise and warps off to Genesis, setting up a sequence of events that Kirk will find to be more costly than he bargained for.

The Collector's Edition DVD set, unlike the previous two Director's Editions, has no added scenes or director's cut version. The theatrical version of the film (with a running time shy of two hours) is featured here with director's audio commentary by Nimoy and text commentary by Michael Okuda. The movie will delight some Trek fans, satisfy most fans, and disappoint others. (This being an odd-numbered film, it seems to prove the theory that even numbered Treks are great, while odd-numbered ones are either just okay or just plain bad!) The extra features disc includes the usual mix of "making of" documentaries, interviews, and the theatrical trailer (which, unfortunately, gave away a crucial plot device).

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