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Star Trek The Original Series: Season 2
 
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Star Trek The Original Series: Season 2

William Shatner , Leonard Nimoy , Gene Nelson , James Komack    DVD
3.9 out of 5 stars  See all reviews (10 customer reviews)

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The most famous episode in franchise history, "The Trouble with Tribbles," is one of the highlights of the second season of Star Trek: The Original Series. A deserved classic, the humorous story centers on an ever-expanding mass of furry creatures that memorably rain themselves down on top of Captain Kirk (William Shatner) and into the middle of a Federation-Klingon showdown. It inspired one of the most memorable episodes in the spin-off series Deep Space Nine, "Trial and Tribble-ations." Also in the second season, the Vulcan culture of Mr. Spock (Leonard Nimoy) is fleshed out in "Amok Time" (in which Spock is faced with the possibility of killing his captain and friend) and "Journey to Babel" (introducing Spock's father, played by Mark Sarek, in what would turn out to be a long-recurring role). A new character, navigator Pavel Chekov (Walter Koenig), was introduced; his Monkees haircut was intended to appeal to the younger audience, but he was also a Russian, which at the height of the cold war reflected Gene Roddenberry's optimistic vision of a more enlightened future. Other social-commentary opportunities presented themselves in "The Omega Glory," "The Doomsday Machine," and "Assignment: Earth," the last also one of those periodic opportunities to scrimp on the budget by time-traveling to an earlier version of Earth. Another example was "A Private Little War," a comic episode set in the Roaring Twenties and memorable for, among other things, Kirk's teaching a made-up card game called Fizzbin. In other significant episodes, "I, Mudd" saw the return of the bounder from season 1, "The Changeling" was the original inspiration for the first Trek feature film a decade later, "Wolf in the Fold" (penned by the author of Psycho) provides an example of the series' great writing, and "Mirror, Mirror" introduced the concept of the parallel universe inhabited by vicious, amoral counterparts of the regular crew, another theme later borrowed (more than once, and to good emotional effect) by DS9.

Special features are a bit lighter than on the season 1 set, but they do feature such contributors as Shatner, Nimoy, George Takei (Sulu), Koenig, Nichelle Nichols (Uhura), and editor-writer D.C. Fontana. Of chief interest are "To Boldly Go," a 20-minute season recap; " Kirk, Spock & Bones: The Great Trio," discussing the interplay among Kirk, Spock, and Dr. McCoy (DeForest Kelley); "Star Trek's Divine Diva," shining the spotlight on the development of Nichols's character (she was originally considered to play Spock); and "Writer's Notebook: D.C. Fontana," discussing her various roles in the series (she used her initials to avoid the anti-female bias in science fiction at the time). --David Horiuchi

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Season Two is a 7-disc set that includes all 26 first run episodes and exclusive retrospective featurettes that are out of this world! Finally, and for the first time ever, the complete landmark, epic sci-fi television series, Star Trek is available in a complete set on DVD. In these definitive collector's boxed sets with completely remastered sound, fans of the landmark series can finally own and enjoy the entire first season, featuring hours of new and never-before-seen bonus features.

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10 Reviews
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4 star:
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3.9 out of 5 stars (10 customer reviews)
 
 
 
 
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4.0 out of 5 stars Two above average, if bizarre, episodes, Sep 8 2003
By 
Shore Leave-I find this episode, in which anything that pops into one's mind is almost immediately realized, to be funny, entertaining, and original. Certainly much of the material is very hoaky, but it's never good to watch Trek with too critical an eye. This episode's premise also introduced a flexibility which helped flesh out some of the characters. Examples include the look at Kirk's academy days and McCoy's waggish ways with the ladies here. Overall, an off-beat and upbeat tone prevails, despite the episode's substantial (if temporary) negative twist. (4 stars)

The Squire of Gothos-Another bizarre and campy episode, this one features a spoiled child who has designed himself a baroque castle. Like the former episode, this one presents us with a phantasmagoria of seemingly random, if stereotypical, scenarios. The tone is more ominous here, however, thanks in large part to some well-conceived shots (such as the shadow of the noose during Kirk's trial). The castle's blend of gilded glitz with incomplete realization increase the sense of unreality.

Unlike later shows (most notably 3rd season ones), the unreality here is not dreamlike however. There is a sharpness about this episode; the dialogue is literal and more crisp than in most 3rd season shows, which often felt more detached non-commital and ambivalent, while being softer-edged and more atmospheric.

Campbell, who later returned for The Trouble With Tribbles also gives a strong performance. After a while the gags start to lose their novelty though, and the episode seems to struggle to fill time. Another possible critique (although it doesn't really bother me) is that the episode ultimately doesn't have a lot to say. Still most of us, at some point in our lives, have had the experience of having to jump through hoops at another's whim; there isn't always a lot of meaning behind that either. (3 stars)

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4.0 out of 5 stars Appealing episodes, Jun 15 2003
By 
McHenry John (McHenry, Illinois United States) - See all my reviews
"Shore Leave" The crew visits a planet in which your very thoughts become reality...no matter how deadly they are.

"Squire of Gothos" Kirk confronts Trelane, an alien who thinks that the crew of the Enterprise are his toys to play with.

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4.0 out of 5 stars Toodle-Pip, and TallyHo!, Sep 24 2002
By 
Zagnorch (Terra, Sol System) - See all my reviews
REVIEWED ITEM: Star Trek® Original Series DVD Volume 9: Shore Leave© / The Squire of Gothos©...

Moral, Ethical, and/or Philosophical Subject(s) Driven Into The Ground: "The more complex the mind, the greater the need for the simplicity of play" -Captain Kirk

Historical Milestone: The first temporary death of a primary Star Trek cast member (Dr. McCoy)

Notable Gaffe / Special Defect: During one of the planet-bound scenes, a couple crewmates notice a WWII fighter plane up in the sky. The first few shots of the plane shows it to be a US Marines Corsair, the same plane the Black Sheep Squadron flew during the Pacific campaign. But when the plane dives to strafe the two officers, it magically changes into a Japanese Zero!

Expendable Enterprise Crewmember ('Red Shirt') Confirmed Casualty List: 1 temporarily dead (not McCoy)

REVIEW/COMMENTARY: If you're lookin' for a good hunk 'o' the kinda cheesiness that only a classic Trek eppie can provide, this is one of the better ones to check out. I especially enjoy the goofiness of Sulu being chased by a samurai whose swordsmanship and martial arts skills aren't even worthy of a clear belt! Kirk manages to beat a few of Star Trek's hackneyed gimmicks further into the ground when he "meets up" with an old flame, and gets his uniform top ripped up during his fight with an old nemesis from his academy days!

Also amusing is seeing McCoy killed by gettin' run through with a lance, then is brought back to life near the end to explain how the planet manufactures anything one can quite literally imagine! Which due to the show's limited budget would be as close as the viewer would ever get to seeing the process first-hand...

THE SQUIRE OF GOTHOS© PRELIMINARY BRIEFS:

Moral, Ethical, and/or Philosophical Subject(s) Driven Into The Ground: The dangers of intellect without discipline and power without constructive purpose

Expendable Enterprise Crewmember ('Red Shirt') Confirmed Casualty List: None

REVIEW/COMMENTARY: Probably more than any other classic Trek episode, The Squire of Gothos© has been a major stumbling block towards rapprochement between the old-school Trekkies and their NextGen counterparts. Is the all-powerful Q of NextGen fame really a blatant ripoff of Trelane as the classic Trekkies claim, or merely an affectionate tribute to the squire as the NextGen crowd states? Not to be outdone, Shatner pulls out all the stops with his infamous staccato, halting dialogue (affectionately known as his "Kirkian method acting") during his back-and-forth verbal spars with the seemingly all-powerful pest. There's more overacting between these two than you'll ever see in any overachieving Shakespearean tragedy!

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