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Start & Run Your Own Record Label Paperback – 1998


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Product Details

  • Paperback: 304 pages
  • Publisher: Watson-Guptill Publications; 1 edition (1998)
  • Language: English
  • ISBN-10: 0823079244
  • ISBN-13: 978-0823079247
  • Product Dimensions: 1.9 x 15.2 x 23.5 cm
  • Shipping Weight: 522 g
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (24 customer reviews)
  • Amazon Bestsellers Rank: #968,864 in Books (See Top 100 in Books)

Product Description

About the Author

DAYLLE DEANNA SCHWARTZ is a music industry consultant, self-empowerment counselor, and successful author of many books including I Don’t Need a Record Deal and The Real Deal: How to Get Signed to a Record Label. She has appeared on more than 300 television and radio shows, including Oprah and Howard Stern, and has been quoted in many publications, such as the New York Times and Billboard. Schwartz lives in New York City. --This text refers to an alternate Paperback edition.

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Customer Reviews

3.4 out of 5 stars

Most helpful customer reviews

1 of 1 people found the following review helpful By Belinda Bloom on Aug. 5 2001
Format: Paperback
I'm about to put out my first CD and found this book extremely enlightening. It's made me think of my music as a business and I'm working hard to form a marketing strategy as Daylle suggests. I've read other books but this one is the clearest and most useful for me as a beginning label. While it doesn't offer false expectations, it does provide hope. Daylle's encouragement made me feel that I had a shot at being successful, however small. I highlighted many of the promotional strategies and will keep this book with me through it all. Anyone thinking about starting their own label should read this!
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Format: Paperback
Daylle Deanna Schwartz wrote an excellent survey book on how to start and run a record label. It is a book for people who are interested in starting their own music label, managers, artist, etc. I would truly recommend this book to anybody who is tossing the idea around in their head about entrepeneurship in music, college students(like me), or an artist and personal manager who is sick of waiting to get signed by a major label! Her topics ranges from Distributions, copyrights, Marketing and promotion, Radio airplay, and internatinal market, among others.
Schwartz also includes tips from other indpendent label owners, distributers, publicist, journalist, and Program and music directors at college and commercial radios. She emphasizes HARDWORK, PROFESSIONALISM, PERSISTENCE, MARKETING and PROMOTING your artist. Also make sure you have a great lawyer and search for the money trail (government grants, investors, loans, etc) to start up your label.
After reading this book the next step you need to do if you are truly serious and ready to work HARD and SMART is research each individual topics ranging from starting a small business, to business plans, Distribution and copyrighting,MARKETING AND PROMOTION, etc!!! There is also books on internet promotion that are more up to date. The key here is to RESEARCH and not just use this one book for all the answers. Invest in going to music seminars, people. People aren't going to you, you have to go to them and get in THEIR face!!!
I can't wait to read her other music book. One more thing: she was a high school teacher, but she had the faith, motivation and drive to start her own label in this shark infested and diseased industry. Schwartz REASEARCHED and worked HARD and SMART. YOU have to start somewhere!!!
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Format: Paperback
If you're serious, buy "This Business of Music" and pass on this tripe.
This book gives one a lot of expensive advice on the subject of promoting, financing, and distributing and independent record, the problem is that this advice clearly does not work. The author of the book, known as "The Rappin' Teach" of all things, offers words of wisdom as if she were a music business success story... when it is clear from reading between the lines this is not the case. My advice is that if you want to make it big in the record business, you should work on developing contacts and making important friends before you ever record a song. Become a music lawyer or something, don't waste $25,000 or more trying to shop your music around unless you absolutely don't need the money back and you can afford a lottery ticket at that price. Your success depends on who you know and your perceived coolness in your market - coolness can only be bought by those with access to mass media, again leading us back to who you know. So save yourself some money and think about who your friends are: if you know 100 or more opinion leaders within your community and they all agree your band is the coolest thing ever, you will make it; if your dad is the VP of A&M, you will make it. Either way you don't need the book. Sweeney's book sucks too, because reading a book has never improved anyone's perceived coolness among 10-15 year olds, aka the music buying public. Spend your money on hair gel and stay away from the Rappin Teach; get a serious reference with sample contracts on CD-ROM if you are really going to run a label.
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Format: Paperback
The follow-up to her popular Billboard book, THE REAL DEAL: HOW TO GET SIGNED TO A RECORD LABEL FROM A TO Z, seminar entrepreneur Daylle Deanna Schwartz turns another popular seminar topic into a Billboard Books title: START AND RUN YOUR OWN RECORD LABEL. While most new artists dream of signing with a major label, others, such as fellow New Yorker Ani di Franco (Righteous Babe Records), opt to take the entrepreneurial path. Author Schwartz speaks on this subject with experience, reporting with devilish enthusiasm how she-as an artist-found no majors interested in signing a white woman artist who boasted rapping as her stock in trade. Revenge, she says, was sweet, and Revenge was also the logical name for Schwartz' start-up record label, which enjoyed success during the five years she kept it going. The book-like the seminar-covers the obvious but necessary topics: setting up a business, working with contracts, signing your artists, marketing and promoting your products,
touring your artists, doing business in the international arena, and aspects of Internet marketing. Ron Simpson, School of Music, Brigham Young University. Author of MASTERING THE MUSIC BUSINESS.
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