Phil Joanou had an incredible palette of talent to work with in creating this dark and troublesome work of art. Even the lesser parts are filled with personalities such as John Turturro, Robin Wright (then without the Penn), RD Call, John C. Reilly and Burgess Meredith. The score composed by Ennio Morricone has a haunting, eerie saunter, infected with an obvious full note that jerks you out of its hypnotic trance. Watching this film in 2005 takes one back to a number of other great and powerful films of the early 90's that used the noir anti-heroes as their central character. Comparing State of Grace to Abel Ferrara pieces such as Bad Lieutenant and King of New York would not be far-fetched.
Penn's performance as Terry is wrought with inner turmoil, culminating in his bedside confession to Wright's Kathleen. While explaining Hell's Kitchen and it's irk to Turturro he wanes "we're Irish, all we know how to do is drink," a telling testimony that typifies the culture soon to be taken over by the newly christened Clinton inner-city development. His inward reflection is mirrored by the exuberance of Jackie, played with perfection by Oldman. With his cavalier swagger he seems to lack the part of the genetic code that relays fear. Jackie takes risk to new levels while seriously jeopardizing older brother Frankie's (Harris) plans to form an alliance with elements of the Italian mob. Harris's taught composure throughout the film is a fine study in character definition; a true Jeckyl and Hyde persona, playing the suburban family man by day, and slitting the throats of childhood friends by night.
We've seen little in the form of feature offerings from Joanou, aside from U2's Rattle and Hum and Heaven's Prisoners. It is interesting to note his continuing contribution to U2's music video collection, as well as a number of TV commercials. His close association with the mega band lent a big break in acquiring music rights for his 2000 production Entropy.