A compelling collection of compositions by innovative composer and keyboardist Paul Schwartz. The mood of the album varies, but minor keys predominate and a mysterious, brooding reflectiveness pervades many of the selection to good effect. Christian lyrics in both Latin and English are sung by a soloist, accompanied by programmed groove beats and a lush orchestra of synthesized sound. Clear-voiced Lisbeth Scott does a nice job of emulating a boy soprano for the Latin numbers, the Joyful Company of Singers provides a full, if muted, choral sound in "Misere", and violinist Gavin Wright offers soaring descants and sweet leads on several numbers. But it is composer Schwartz who gives distinctive voice to this music with his multilayered programming. He is at his best in sweeping tracks like "Veni Redemptor Gentium", the choral "Misere", the symphonic "Auguries of Innocence, Part 2" and the delicately brooding "Angelica". Songs I could have done without, however, are "Amazing Grace" and "Simple Gifts", tunes that do not lend themselves to the groove beat phenomenon. While that seems to work well for plainchant and some symphonic and operatic selections, these already-metered folk songs would have been better off left in their traditional state. Nonetheless, "State of Grace" is a good listen--evocative, stirring, and generally well-matched in its fusions. If you like religious plainchant fused with modern musical elements, you might also enjoy "Vision: The Music of Hildegard of Bingen" by Richard Souther, Libera's self-titled debut album, and anything by Enigma.