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Stein On Writing: A Master Editor of Some of the Most Successful Writers of Our Century Shares His Craft Techniques and Strategies
 
 

Stein On Writing: A Master Editor of Some of the Most Successful Writers of Our Century Shares His Craft Techniques and Strategies [Paperback]

Sol Stein
4.6 out of 5 stars  See all reviews (34 customer reviews)
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"The best reading experiences," says Sol Stein, "defy interruption." With Stein's assistance, you can grab your reader on page 1 and not let go until "The End." Stein--author of nine novels (including the bestselling The Magician) and editor to James Baldwin, W.H. Auden, and Lionel Trilling--offers "usable solutions" for any writing problem you may encounter. He is authoritative and commanding--neither cheerleader nor naysayer. Instead, he rails against mediocrity and demands that you expunge it from your work. Perhaps the concept of scrutinizing every modifier, every metaphor, every character trait sounds like drudgery. But with Stein's lively guidance, it is a pleasure. Stein recommends that you brew conflict in your prose by giving your characters different "scripts." He challenges you, in an exercise concerning voice, to write the sentence you want the world to remember you by. He uses an excerpt from E.L. Doctorow to demonstrate poorly written monologue and a series of Taster's Choice commercials as an example of dialogue that works. Stein's bottom line is that good writing must be suspenseful. Your job, says Stein, "is to give readers stress, strain, and pressure. The fact is that readers who hate those things in life love them in fiction." --Jane Steinberg

From Publishers Weekly

In this stimulating guide, a veteran novelist (The Magician), editor (Stein & Day) and teacher offers a banquet of savvy advice. Unlike Anne Lamott et al., Stein aims not to help his readers wrestle with writerly anguish; rather, he gets on the page, citing examples from writers famous and fledgling, closely analyzing first sentences, creation of character, plotting and dialogue (use "speech markers" to differentiate among characters). Stein concentrates more on fiction?point of view and the creation of love scenes?but his advice on such issues as self-editing and choosing a title applies also to nonfiction. A section on nonfiction contains worthy remarks about adapting fictional techniques (suspense, visual particularity, etc.) but is too brief to be a full guide to journalistic writing or producing an account of a historic event.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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This is not a book of theory. Read the first page
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Customer Reviews

34 Reviews
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 (28)
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 (3)
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Average Customer Review
4.6 out of 5 stars (34 customer reviews)
 
 
 
 
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3 of 3 people found the following review helpful
4.0 out of 5 stars Very solid but incomplete, April 17 2004
By 
Monkey Deathcar (Philadelphia, PA United States) - See all my reviews
This review is from: Stein On Writing: A Master Editor of Some of the Most Successful Writers of Our Century Shares His Craft Techniques and Strategies (Paperback)
There are hundreds if not thousands of books on writing, and having read more than a few of them I can tell you that you'd do a lot worse than to start with "Stein on Writing." The book is fast-paced, clearly written, and offers some very practical tools to improve your fiction.

Most of the brass tacks of this book are in Part II, Fiction. This section includes 16 different chapters on all of the basics -- characterization, plotting, dialogue, point of view, etc. -- with some subchapters that include techniques or exercises that this reader didn't expect. For example, Stein's section on plotting includes two chapters on the Crucible and the Actors Studio method for developing plots. Personally I found his chapters on characterization most useful. Stein briskly walks the reader through quick ways to help shape a character, such as markers, dialogue and in some cases a little exaggeration. Throughout the book Stein sprinkles some very effective examples from what seems like hundreds of authors. I found his writing to be clear and very fast, without any time wasted on "the writer's life" and other such new age nonsense I've seen in a lot of this kind of book. At 300 pages you're getting a very quick, pragmatic read.

I've only got one big criticism of this book: Sol Stein admits from the get-go that his primary interest is in character-driven literary fiction, and that's the entire focus of his book. I didn't expect him to cover genre fiction; honestly if you're going to write mysteries or sci-fi you'd be much better served by purchasing a book that focuses on that market. But I found it frustrating that at least according to Stein, the entire universe of "literary fiction" is driven by character. For the most part he's probably right, but I've also read literary fiction that's driven by theme, plot, and the author's style. I got the sense that most of the authors Stein has worked with were doing their best work 30+ years ago, and that he's a little uninformed on newer literature and authors. Stein also writes in a very diffinitive style that comes off a little arrogant at points and could be offputting, but so many literature teachers are like that anyway.

Overall, this is a great start but not the Holy Bible on good fiction writing his devotees might have you believe.

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2 of 2 people found the following review helpful
5.0 out of 5 stars Stein on Writing - the final word?, Feb 16 2006
By 
Steven H. Lee "steveleenow" (Vancouver, BC, Canada) - See all my reviews
(REAL NAME)   
This review is from: Stein On Writing: A Master Editor of Some of the Most Successful Writers of Our Century Shares His Craft Techniques and Strategies (Paperback)
Sol Stein's book "On Writing" is a resourceful compilation of advice for writers of both fiction and nonfiction. In his preface, Stein explains how "On Writing" is "not... a book of theory" (Stein 3) but rather "a book of usable solutions" that show authors "how to fix writing that is flawed, how to improve writing that is good (and) how to create interesting writing in the first place" (3).

"On Writing" is separated into seven distinct parts, with each part divided into distinct chapters that cover specific aspects of the craft. This allows writers to either read the work as a whole or to simply concentrate on the topics that interest them. Stein illustrates his concepts and suggestions with many examples from not only his own work but also the works of others, from Chaucer to Joan Didion and many more. Stein's style is colloquial and accessible and writers at any level should be able to take away something from this elder statesman of writing, Sol Stein.

Grade: A-

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2 of 2 people found the following review helpful
3.0 out of 5 stars Not great, but not bad either, April 14 2004
By 
"willemb" (The Netherlands) - See all my reviews
This review is from: Stein On Writing: A Master Editor of Some of the Most Successful Writers of Our Century Shares His Craft Techniques and Strategies (Paperback)
I bought this book because it came highly recommended. Perhaps my expectations were very high, I don't know. They weren't met anyway.

Granted, I did pick up a few tips along the way, but overall I found Stein's book to be really basic. Perhaps it's best usage is to re-read your work to look for easy fixes. Or, to get the basics upfront, before you start your writing career. If your skills, say creating characters, needs some work, then reading this book won't help you at all, you'd need specialized books. In other words: it's great to fix dumb mistakes but it won't help you in the skills department.

One curious thing I noticed is that Stein quotes from his own work, nothing wrong with that of course. But is it just me or do those examples just not work in the specificed context? They didn't illustrate his point anyway. Some of the other examples he uses don't come across to me as good writing either, it is all so clinical.

If you are a bad writer, this book might help you turn into a mediocre writer. If you are a mediocre writer, this book might still teach you a few tricks and it might point you in the way of more specialized books. On it's own it's just not really interesting.

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