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Steppenwolf Mass Market Paperback – 1969

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Mass Market Paperback, 1969
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Product Details

  • Mass Market Paperback
  • Publisher: Bantam Book (1969)
  • ASIN: B000H01VP6
  • Product Dimensions: 17.8 x 10.4 x 1.8 cm
  • Shipping Weight: 136 g
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (67 customer reviews)

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Customer Reviews

4.4 out of 5 stars

Most helpful customer reviews

Format: Paperback
I've read reviews where the reviewer has castigated this novel as "the perfect specimen of the Nietzschean overman who renounces the world." Others have said this book is blatantly anti-bourgeoisie as well. Such comments only reveal the misunderstanding of what Hesse was attempting to convey in this novel.
First I should point out that Nietzsche did not renounce the world at all. In some sense Hesse was heavily influenced by Nietzsche and so in order to understand something of this book it might be helpful to have read a little bit of Nietzsche himself. Unlike his predecessor Schopenhauer (another great philosopher), Nietzsche did not condemn the world. What Nietzsche really condemned was the current state of things (rampant nationalism, anti-semitism, Bolshevism, and materialism etc.) and the mentalities that produced them (racism, narrow-mindedness, complacency, and absolute religious convictions) when he scathingly criticized the 'majority', insofar as the majority embraced these doctrines. Hesse, like Nietzsche, is a 'Yes-Saying' man (Yes-saying to the world that is) and that is manifested in this novel. Obviously Hesse believed in progress and had much hope for humanity. Perhaps those who have charged the author with such nihilistic sentiments have not read further than the first half of the book and have only read the despair that Harry later transcends. This book isn't going to root out and remove suffering altogether but enough so that it isn't so overwelming that one gives up on life. As Hesse wrote, "But I would be happy if many of them were to realize that the story of the Steppenwolf pictures a disease and crisis-but not one leading to death and destruction, on the contrary: to healing.
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Format: Paperback
Harry Haller is a medium for Hesse to address some of the rather extremely intense issues. This is a story of a middle aged man who over the years becomes disillusioned with life. He cannot relate with the norm (bourgeois) yet continues to live within their system. Buried in his books and writings he confines himself to his own personal hell. Unable to find a way out he decides upon taking the "emergency exit" if life continues to disagree with him. On the decided night he comes across Hermine, a complete opposite of Harry who does not allow her intellect to limit her. She teaches Harry to look at life from different perspectives besides his own among many other life's lessons.
The ending of the book is like an answer key to all the questions that inflict Haller throughout. He makes some wrong choices only to end up with the right lessons in life.
Hesse maintains the level of intensity throughout as he continues to bring forth his opinions on war (keeping with the times it was first written), commentary on suicide ("it must be said that to call suicides only those who actually destroy themselves is false."), his attitude towards the bourgeois, music, poetry, etc.
Hesse stated in his note written in 1961 (many years after this book's first publication in 1927) that he found readers either completely misunderstanding it or partially understanding it. One must go beyond the main character's personal problems and study it in totality to understand what the author really intended to do with this story.
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Format: Paperback
Hesse is a genius -- go read his stuff! His writing is by no means light reading. Very deep and mysterious. This book, in particular -- magical and supernatural and profound. It was slow getting through the first third of the book, but after that I flew right threw it. The first part is a little boring -- but that's because the protagonist is boring at the beginning, and that's part of the point. (Don't give up!) The book then blossoms into a beautiful, vivid exploration of the senses and a visit to the strange and mysterious "magical theater" -- which contains some of the most beautiful and poignant scenes i've read in all of literature. Hesse has incredible insight into the complexity of mankind and has an amazing, profound wisdom of life and truth.
The book is basically about a man who is trapped in the personality he has created for himself, in the small, confined, grey world he has created, and how he learns to break free from those, to free himself from the restriction of the illusion of a singular soul, as each person is comprised of many souls. ("Man is an onion made up of a hundred integuments, a texture made up of many threads").
Harry experiences many strange encounters, including his visit to the "magial theater" in which he relives all the possibilities of love, engages in war, and meets Mozart, who, laughing ridiculously (I wouldn't have him depicted any other way), shares with Harry some of his Immortal wisdom, teaches him to laugh instead of taking himself so seriously.
Anyhow... go read this. You will never see the life the same way again.
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By Malli on April 18 2002
Format: Paperback
The idea of the divided man is Steppenwolf. If one is to understand what Hesse tries to potray through this character, some basic tenets of Buddhism help..
a) The fundamental problem with man is avidya-ignorance. Because of this he identifies with everything. That which is relative he takes for the absolute. Through grasping and ignorance he identifies with the 'I' and 'Mine'. Thus he creates the ego. He assumes that he is an unity but actually its the ego or 'not self' that gives him this false sense of integrity.
This is the state of Harry Haller before he became Steppenwolf. His being cultured, well-read, scholarly gave him this false sense of the ego. In Mahayanist principles, he is looking at the world with his 'eye of flesh' only.
b) The first step towards enlightenment is to realise the duality of the ego, the I, the mine.
Harry Haller as Steppenwolf - Here Harry realises that infact he is not one. That which is not him he calls as Wolf. He sees in him both man and wolf, kindness and cruelty, love and hate, passion and compassion. But his classifying and categorising mind again divides all these emotions into 'man like' characteristics and 'wolf-like' characteristics.
Though steppenwolf's state of existence cannot be envied, it must be realised that its still better than his false sense of oneness. Here, Hesse is using the concept of the 'Deva eye' - the vision that helps one discern the dualistic aspect of the world because of identification with the ego.
c) Then Harry meets Hermine and Maria, that seedy musician and a gallery of characters. He is thrown into a vortex of sex, debauchery, mundanities. These experiences of Harry are completely different from what he thought of himself as - Man and Wolf.
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