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Sticky Fingers [Import]

Rolling Stones Audio CD
4.8 out of 5 stars  See all reviews (142 customer reviews)
Price: CDN$ 12.99
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Sticky Fingers Sticky Fingers 4.8 out of 5 stars (142)
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Sticky Fingers + Exile on Main Street + Let It Bleed
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Customers Who Bought This Item Also Bought


Product Details


1. Brown Sugar
2. Sway
3. Wild Horses
4. Can't You Hear Me Knocking
5. You Gotta Move
6. Bitch
7. I Got The Blues
8. Sister Morphine
9. Dead Flowers
10. Moonlight Mile

Product Description

Amazon.ca

"Sister Morphine", the heart of guitarist Mick Taylor's first full studio album with the Stones, doesn't get brought up as often as "Brown Sugar" or "Wild Horses". But it's one of the most vivid, horrifying songs about drug abuse ever recorded--as Mick Jagger sings "from my hospital bed," the ringing guitars of Taylor and Keith Richards build to full catharsis behind him. On that and lighter songs like the countryish "Dead Flowers" and the rocker "Bitch", Charlie Watts establishes himself as rock's prototypical drummer. He's creative and propulsive and knows how to swing, but he never overwhelms the song or the other Stones. --Steve Knopper

Product Description

Rolling Stones ~ Sticky Fingers

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Customer Reviews

Most helpful customer reviews
3 of 3 people found the following review helpful
5.0 out of 5 stars Head Full Of Snow July 14 2004
Format:Audio CD
Sticky Fingers is no more a drug album than the world is a heavy place, or so Keith Richards once said. One of the handful of greatest albums of any genre, Sticky Fingers defies criticism. From the opening suspended chord of Brown Sugar to the final strings of Moonlight Mile, on Mick Taylor's first Stones album proper (he played a few notes on Let It Bleed) everything is right. The funk break in Can't You Hear Me Knocking, the mean woman blues of You Gotta Move, the Otis Redding copy I Got The Blues, Paul Buckmaster's strings on Moonlight Mile, the Gram Parsons's "influenced" Dead Flowers and Wild Horses (Keith recently admitted that he can't recall the extent of Parsons's writing those songs due to the drug haze surrounding the sessions), the harrowing heroin horror-show of Sister Morphine, and the violent R&B/Rock that the Stones had perfected and were more than happy to flaunt on Sway (my personal favorite), Bitch, and Brown Sugar offer an encyclopaedic masterful display of music. The fact that this baby opens with greatest single ever only seals its fate and every serious (or even joking) record collection should reserve an important place for Sticky Fingers. If you don't own it, you don't enjoy rock music.
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1 of 1 people found the following review helpful
4.0 out of 5 stars The Last In a Trilogy Aug. 15 1999
By A Customer
Format:Audio CD
When you hear of great Stones albums, usually 3 are mentioned: Beggars Banquet, Let It Bleed, and Sticky Fingers. Although the Stones put out other albums as good, the 3 mentioned all feature the Stones at their "nastiest".
"Brown Sugar" starts it out with a tasty sax solo by Bobby Keyes. "Wild Horses" is one of the greatest bittersweet ballads. "Knockin'" is awesome with some guitar duelling between Keith and Mick Taylor. "Sway" is underrated and "You Gotta Move" continues the blues/country/folk style the Stones were known for. I'd like to dedicate "Sister Morphine" to a former fair weather friend, who wanted to be a Sister, was just as addictive, and left me strung out after her demise. I'll dedicate "Dead Flowers" in her honour now, since I'm over her! Ry Cooder played on "Morphine", which was written while Brian Jones was still alive. On a Spanish version of SF, "Morphine" is replaced by a very rare live track called "Let It Rock". "Moonlight Mile" features ironically beautiful Eastern-inspired melodies which belie lyrics of despair and addiction.
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4 of 5 people found the following review helpful
5.0 out of 5 stars MADE THE SUMMER OF 1971 A GREAT TIME TO BE ALIVE June 2 2004
Format:Audio CD
Sticky Fingers finds the Stones riding at their peek and white-hot. It is also the first time the Stones were out from under the shadow of the Beatles. Somehow, when they were no longer competing with the Beatles they were able to come into their own. Freedom was good for them.
The Stones were also free from the sixties and all that "revolution" nonsense. The Stones could be their own kind of "cool" and millions ate it up.
Production values also changed. As a close listen to this record will show, stereophonic sound now had a presence in which the listener seemed to find himself in the midst of the instruments and musicians. This was exciting at the time and gave the listener a new sense of realism in the playing. Later in the seventies, this approach was driven so far that many records felt claustrophobic. The sound was so up close and precise that it became unreal. In the Stones' hands, however, the sound was tight but the feeling was loose and free.
The album opens with "Brown Sugar" and "Sway". Wonderful lyrics, good solos, rocking rhythm. Definitely forbidden subject matter. But this was all a part of the new era of freedom and frankness of the time. It was all about being "past all those hang ups".
"Wild Horses" is a touching, tender ballad that somehow manages to drip with masculinity. "Can't You Here Me Knocking" is perhaps the greatest lost Stones song. Perhaps it is all the drug references or because the instrumental section reminds many of Santana, but it is smart and tough and all cool. It is unjustly ignored.
"You Gotta Move" is a slide guitar blues song that seems inconsequential but you find yourself playing it in your head weeks later.
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5.0 out of 5 stars Classic album antjology June 21 2014
Format:Audio CD|Verified Purchase
Very good classic songs , with wild horses and can't you hear me knocking , plus Sister Morphine and may others
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5.0 out of 5 stars Best of 1970s Jan. 11 2014
Format:Audio CD|Verified Purchase
Sticky Fingers is possibly the best Rolling Stones album of the 1970s, although it does have competition from the same band. It is hard to choose a best album from the 1960s for the Stones because at that point the band was primarily concert and single oriented, and they had not yet formed their own label. However, I would probably go with Their Satanic Majesty's Request as an album for the 1960s. Sticky Fingers features album cover artwork by Andy Warhol, and four particularly good songs. These are Brown Sugar, Wild Horses, Sister Morphine, and Moonlight Mile. Those four should make the band fantastic. Wild Horses compares well with Sonnet number 28 by Shakespeare.
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5.0 out of 5 stars good classic rock CD! Jan. 9 2014
Format:Audio CD|Verified Purchase
I love all of the songs on this CD. Proves that they were the greatest band in the world for their time...:)
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5.0 out of 5 stars Choice April 25 2013
By eeyoore
Format:Audio CD
Possibly the best Stones album. The lyrics, the rocking music, the excellent cover art, and the over all "attitude" of the piece reflect the time of release and the magic of the era.
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Most recent customer reviews
5.0 out of 5 stars Great album. Very good quality digital remix.
I think this is my favorite Stones album. My vinyl copy was badly worn and needed replacing. However, new vinyl is so expensive for this album. Read more
Published 14 months ago by Kerry Kaminski
4.0 out of 5 stars timeless classic
Sticky fingers is one of the best albums of it's decade and arguably one of the best of all time. The Rolling Stones lost steam over time as any long time fan will attest. Read more
Published on April 6 2012 by real rock fan
5.0 out of 5 stars Really expensive but totally worth it!
This is hands down my favorit Stones album. I mean Brown Sugar, Swaty, Dead Flowers, wild horses, can't you hear me knocking, well you get it lots of great songs. Read more
Published on Oct. 7 2011 by Stephen Bieth
5.0 out of 5 stars An Essential Album In Any Collection of 1970s Music
There seems to be a renewed interest in 1970s music, particularly among today's 15-25 years olds.

For those discovering (or re-discovering) the music of that decade,... Read more
Published on July 15 2011 by Mark Anderson
5.0 out of 5 stars incontournable
Évaluer un album comme "Sticky Fingers" demande de la prétention personnelle. Cet album ne s'évalue pas: IL S'APPRÉCIE! Read more
Published on March 27 2011 by qcgoldwinger
1.0 out of 5 stars What a rip-off!!
Unlike Mr. Mortimer I noticed NO discernable difference between this CD and the one I already had. Going on what he had to say - and past experience - I sprung for this and Goat's... Read more
Published on June 12 2009 by Elvis Bowmont
4.0 out of 5 stars improved sound quality
I was pleasantly surprised to find quite a noticable sound quality difference between the 'new' mix and my older CD.The overall depth and clarity was wonderful. Read more
Published on May 25 2009 by N. Bruce Mortimer
5.0 out of 5 stars Buoyant rock & brooding ballads
The theme of this somber 1971 album is drugs and the aural administration thereof takes place mostly via slow, soulful songs. Read more
Published on July 18 2007 by Pieter Uys
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