From Publishers Weekly
"Uproariously funny" doesn't seem a likely description for a book on cadavers. However, Roach, a Salon and Reader's Digest columnist, has done the nearly impossible and written a book as informative and respectful as it is irreverent and witty. From her opening lines ("The way I see it, being dead is not terribly far off from being on a cruise ship. Most of your time is spent lying on your back"), it is clear that she's taking a unique approach to issues surrounding death. Roach delves into the many productive uses to which cadavers have been put, from medical experimentation to applications in transportation safety research (in a chapter archly called "Dead Man Driving") to work by forensic scientists quantifying rates of decay under a wide array of bizarre circumstances. There are also chapters on cannibalism, including an aside on dumplings allegedly filled with human remains from a Chinese crematorium, methods of disposal (burial, cremation, composting) and "beating-heart" cadavers used in organ transplants. Roach has a fabulous eye and a wonderful voice as she describes such macabre situations as a plastic surgery seminar with doctors practicing face-lifts on decapitated human heads and her trip to China in search of the cannibalistic dumpling makers. Even Roach's digressions and footnotes are captivating, helping to make the book impossible to put down.
Copyright 2003 Reed Business Information, Inc.
Copyright 2003 Reed Business Information, Inc.
From School Library Journal
Adult/High School-Those curious or brave enough to find out what really happens to a body that is donated to the scientific community can do so with this book. Dissection in medical anatomy classes is about the least bizarre of the purposes that science has devised. Mostly dealing with such contemporary uses such as stand-ins for crash-test dummies, Roach also pulls together considerable historical and background information. Bodies are divided into types, including "beating-heart" cadavers for organ transplants, and individual parts-leg and foot segments, for example, are used to test footwear for the effects of exploding land mines. Just as the nonemotional, fact-by-fact descriptions may be getting to be a bit too much, Roach swings into macabre humor. In some cases, it is needed to restore perspective or aid in understanding both what the procedures are accomplishing and what it is hoped will be learned. In all cases, the comic relief welcomes readers back to the world of the living. For those who are interested in the fields of medicine or forensics and are aware of some of the procedures, this book makes excellent reading.
Pam Johnson, Fairfax County Public Library, VA
Copyright 2003 Reed Business Information, Inc.
Pam Johnson, Fairfax County Public Library, VA
Copyright 2003 Reed Business Information, Inc.
From Library Journal
Not grisly but inspiring, this work considers the many valuable scientific uses of the body after death. Drawn from the author's popular Salon column.
Copyright 2002 Reed Business Information, Inc.
Copyright 2002 Reed Business Information, Inc.
From Booklist
Donating one's body to science sounds like an altruistic farewell for the betterment of humanity. Noble it may be, but most would prefer not to know what happens to a corpse in the name of research. Not our intrepid author. Some donors arrive at the expected places, such as anatomy classrooms, but would a person willingly assent to her postmortem decapitation so plastic surgeons could practice on her head unencumbered by the torso? Better not to wonder--yet Roach cheerily does as she attends to doings at medical schools, crash research labs, and mortuary schools. Her lab-coated guides seem delighted to see her come calling, which she reciprocates by praising the good that cadavers do (revealing the kinematics of car and plane crashes), along with (gulp) their appearance and olfactory condition. Roach writes in an insouciant style and displays her metier in tangents about bizarre incidents in pathological history. Death may have the last laugh, but, in the meantime, Roach finds merriment in the macabre. Gilbert Taylor
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
Review
The numerous tidbits of information derived from the author's travels and interviews make [this book] uniquely appealing.--Joseph H Davis, MD (07/16/2003)
--This text refers to the
Paperback
edition.
Book Description
An oddly compelling, often hilarious exploration of the strange lives of our bodies postmortem. For 2,000 years, cadavers-some willingly, some unwittingly-have been involved in science's boldest strides and weirdest undertakings. They've tested France's first guillotines, ridden the NASA Space Shuttle, been crucified in a Parisian laboratory to test the authenticity of the Shroud of Turin, and helped solve the mystery of TWA Flight 800. For every new surgical procedure-from heart transplants to gender reassignment surgery-cadavers have been there alongside surgeons, making history in their quiet way.In this fascinating, ennobling account, Mary Roach visits the good deeds of cadavers over the centuries-from the anatomy labs and human-sourced pharmacies of medieval and nineteenth-century Europe to a human decay research facility in Tennessee, to a plastic surgery practice lab, to a Scandinavian funeral directors' conference on human composting. In her droll, inimitable voice, Roach tells the engrossing story of our bodies when we are no longer with them.
--This text refers to the
MP3 CD
edition.
About the Author
Journalist and former Salon.com columnist Mary Roach has written for Outside, GQ, Vogue, and The New York Times Magazine. She writes the humor column "My Planet" in Reader's Digest and is a contributing editor for the science magazine Discover. She lives in San Francisco with her husband, Ed. In addition to narrating audiobooks, Shelly Frasier has appeared in many independent film and theater projects in Arizona and southern California and has developed character voices for animation projects and voiceover work for commercials. She trained at the Groundlings Improv School in Hollywood and South Coast Reperatory's Professional Conservatory in Costa Mesa, California. She has performed at theaters throughout North Hollywood and Orange County. Recent performances include Blue Window, The Battle of Bull Run Always Makes Me Cry, The Haunting of Hill House, and a British farcical version of A Christmas Carol. She resides in Hollywood.
--This text refers to the
MP3 CD
edition.
From AudioFile
In case you were wondering, some human cadavers do lead active lives after death. For centuries, many have served medicine, magicians, and cannibals in various noble and grossly ignoble ways. Reader Shelly Frasier captures the trenchant wit of Roach's text, which at times is hilariously funny and always appropriately sardonic. Whether we're attending a gruesome autopsy or wandering down a memory lane of corpses, we find ghastly factoids and the people responsible for them around every corner. Not recommended for dinnertime listening, but a must for the curious living, who will find a jocular companion in narrator Frasier. D.J.B. © AudioFile 2004, Portland, Maine-- Copyright © AudioFile, Portland, Maine
--This text refers to the
Audio CD
edition.