The Stone Woman is an exquisite microcosm of life in a decayed empire. Tariq Ali's most recent segment of his Islamic Quartet is the best so far. The novel reads like an epic poem, but with all the drama and intrigue you would expect from a Latin American soap opera. The rich tapestry of one wealthy Ottoman family's story unravels through the clandestine reports made to a pagan statue near the summer residence of an exiled forbearer. The interconnecting details are told through a headstrong daughter who has returned home after a long absence. Ali's gifts are especially evident as he slowly unpeels the layers of this family's compelling and often-cursed history. Meanwhile, Ali wraps in the politics surrounding the collapse of the Ottoman Empire, the so-called "Sick Man of Europe," on the eve of the Great War. The sometimes tedious subplot about the proto-revolutionary movement in the Empire is the novel's only weak point. As a student of Ottoman history, I found it interesting, but it takes away from the true brilliance of the novel. For fans of Ali's other two works on the often violent but always spellbinding confrontation between Christianity and Islam, this book will be a godsend. It is quite similar to Ali's first book in the series, Shadows of the Pomegranate Tree, in that it focuses on the life and times of patrician family. But this work deepens the focus on family and creates a vast array of memorable and believable characters where Pomegranate had only a few broadly drawn archetypes.