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Stoned Immaculate: The Music of the Doors
 
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Stoned Immaculate: The Music of the Doors [Import, Compilation, Enhanced]

Various Artists Audio CD
3.6 out of 5 stars  See all reviews (49 customer reviews)

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Product Details


1. Break On Through - Stone Temple Pilots
2. Riders On The Storm - Creed
3. Light My Fire - Train
4. Peace Frog - Smash Mouth
5. L.A. Woman - Days Of The New
6. Love Me Two Times - Aerosmith
7. Under Waterfall - The Doors
8. Wild Child - The Cult
9. Roadhouse Rap - Jim Morrison
10. Roadhouse Blues - John Lee Hooker/Jim Morrison
11. Is Everybody In? - William S. Burroughs
12. Hello I Love You - Oleander
13. Touch Me - Ian Astbury
14. Children Of Night - Perry Farrell/Exene
15. Love Her Madly - Bo Diddley
16. The Cosmic Movie - The Doors
17. The End - Days Of The New

Product Description

From Amazon.com

More fun than any tribute album has a right to be, Stoned Immaculate is clearly a labor of love that manages to embrace the spirit of the Doors without regressing into parading a line of Jim Morrison impersonators through the studio. Much credit goes to producer Ralph Sall, who--in addition to setting up collaborations between the surviving Doors and an array of artists from John Lee Hooker to Days of the New--also breaks out the beats and samples to create a few "new" Doors tracks. While Sall is no Fatboy Slim (despite the winking nod to "Bird of Prey" during the fadeout of "Under Waterfall"), his reconstructions add texture and variety, especially when the late William Burroughs steps up to the mic. But the true highlights here are the more organic collaborations: the three remaining Doors backing Bo Diddley and Ian Astbury; an unexpectedly great "Love Me Two Times" from Aerosmith; and Stone Temple Pilots helping Kreiger and Manzarek "Break on Through" even harder on a track that threatens to transcend the original. Hell, even the weaker contributions beat out Jose Feliciano. Come to think of it, if the Doors are still auditioning Morrison replacements (Kevin Coyne and Howard Werth no longer being available), STP's Weiland, Creed's Stapp, or the Cult's Astbury all acquit themselves well enough here to warrant an offer. -- Bill Forman

Chronique amazon.fr

Concocté par trois membres des Doors (Ray Manzarek, Robbie Krieger et John Densmore), cet hommage va droit au but grâce à des reprises d'anthologie. Jugez plutôt : côté valeurs sûres, The Cult reprend "Wild Child", Aerosmith, "Love Me Two Times", et Bo Diddley, "Love Her Madly" ; côté révélations, on notera les contributions de Exene de X, Perry Farrell de Jane's Addiction et, surtout, la rarissime apparition de l'écrivain beat William S. Burroughs qu'on avait déjà pu entendre en compagnie de Kurt Cobain, Sonic Youth, REM, John Cale ou Disposable Heroes Of Hiphoprisy. Incontournable. --Hervé Comte

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Customer Reviews

49 Reviews
5 star:
 (7)
4 star:
 (25)
3 star:
 (10)
2 star:
 (3)
1 star:
 (4)
 
 
 
 
 
Average Customer Review
3.6 out of 5 stars (49 customer reviews)
 
 
 
 
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Most helpful customer reviews

4.0 out of 5 stars Re-Enter The Doors, Aug 11 2005
This review is from: Stoned Immaculate: The Music of the Doors (Audio CD)
Hey, this isn't The Doors, but as a Doors fan since I was a teen...and speaking for my friends as well...great cd. A little twisted, but remixed and recovered nicely. If this doesn't spark your interest in the band...nothing will. Scot Weiland's "Break On Though" and Marilyn Manson's "Five To One" make it worth the listen.
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4.0 out of 5 stars Good Tribute, Could Have Been Better., Mar 3 2003
By 
Michael Kropotkin "Kropotkin" (Orange County, California United States) - See all my reviews
This review is from: Stoned Immaculate: The Music of the Doors (Audio CD)
The Doors remain one of the most influential bands of all time and so it seems fitting that big names like Creed, Stone Temple Pilots and Aerosmith would pay them tribute, and they do it with flare and gusto. The album is a great exhibit of the theater, poetry and sound The Doors brought to rock music. Yet, this album could have been much more. First let's look at the performances. Stone Temple Pilots open the album with a stylish, energetic "Break On Through" that serves as great modernization of the song but also a loving homage to the original. One of the band's stellar tracks (especially when you look at their recent material). Creed follows with another masterful cut, their "Riders On The Storm" pulses and builds, it is a perfect hybrid of the Creed sound and Doors spirit. Robby Krieger here adds a great slide guitar solo. Train kills the mood with a horrible "Light My Fire" that totally loses the timeless essence of the original and makes the lame assumption it is nothing more than a hippie tune. Smash Mouth delivers a fun "Peace Frog" that keeps the spirit of the original with a little modern fusion of what one can see as hip-hop and semi-Punk feels. Days Of The New also delivers with an exhilarating, edgy "L.A. Woman" (eventhough I would have preferred Iggy Pop here considering he was the original rumored name for this song). Aerosmith burns and grinds with an awesome "Love Me Two Times" that stands as the best cover of this song ever performed. The Cult proves to be a metal band of great magnitude with "Wild Child," a burning cover that retains the tribal feel of the original. Ian Astbury delivers one of the best vocals on the record. Some have given a bad look towards the combination of John Lee Hooker's vocals with Jim Morrison's for "Roadhouse Blues," this is not a bad track though. It's a great blues jam with the Red Hot Chili Peppers' Flea on bass. William S. Burroughs delivers his last recording here, the grandfather of Punk reads a loving homage to Morrison in the form of his poetry. Oleander (whatever happened to them?) gives a not so-great "Hello I Love You" (U2 would have been perfect here). Ian Astbury of The Cult performes an unwanted "Touch Me" while Perry Farrell of Jane's Addiction and Exene Cervenka of X read some more Morrison poetry (why not sing a duet?) while Bo Diddley presents a rather boring "Love Her Madly." Days Of The New finish with a rather fresh, alsmost hypnotic "The End." It seems that the first half of the album works while the second feels lazier. Oh, the Burroughs track is great and "The End" rocks, but do we honestly want "Touch Me?" Why not "People Are Strange," "The Crystal Ship" or "When The Music's Over?" Even a Blondie "Moonlight Drive" would be welcome. "Five To One" was recorded by Marilyn Manson but was kept to be used a B-side for his "Holy Wood" album (great track too). "Under Waterfall" and "The Cosmic Movie," remixes of Doors samples are interesting, but not as interesting as it would have been to see maybe U2 or Pearl Jam deliver a track. If one looks at the current Ramones tribute album, one sees what this one was missing: More bands performing. Hell, where's Jim Carroll? Iggy Pop is sorely missed as well as all of X and Jane's Addiction, or the Red Hot Chili Peppers. Garbage could've done a track. The plain truth is, a fanatic Doors fan like myself expects more from people who supposedly want to keep Jim Morrison's legacy alive (is Bo Diddley really the best way to introduce "Love Her Madly" to a new audience?). I say a re-make is needed, Danny Sugerman and Ray Manazarek, the most feverent keepers of the flame, should've thought of more to add. Reportedly, a new Doors album is in the works, let's hope some of the mentioned abscentees can make it.
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4.0 out of 5 stars When the Stoning's Over, Sep 18 2002
By 
The Llama King (Strawberry Fields) - See all my reviews
This review is from: Stoned Immaculate: The Music of the Doors (Audio CD)
Okay, now whats with all this dissing of Tarin's cover of Light my Fire? I'll admit, it doesn't compare with the original, but it's a hundred times better than Jose Feliciano's wretched mangling! I mean, at least Train seems to understand the lyrics! And everyone here is bashing STP, Stappy, and The Cult for trying to imitate Jim, but Train just makes the song all new and different! Enjoy it for Mojo's sake! (Although I dearly miss the Organ intro)
Now the others...
STP's Break on Through blew my socks off! It's possibly better than the original! Wild Child is better than the original, and vies with Break on Thru for #1 song on the album! Riders on the Storm is excellent, as is Smashmouth's Peace Frog. Exene and Farrel give an interesting spin on Celebration of the Lizard, but it is lacking in Jim's trademark screams, moan, whines, and wails that made me jump in my seat the first time I heard it.
Love Her Madly is excellent, Touch Me is a good cover of a so-so song. Hooker's Roadhouse Blues is uninsired. the band sounds top notch, but all he does is repeat what Jim says, and not very interestingly.
LA Woman and The End are also excellent, and Love me Two Times is AWESOME!
In all, an excellent album, but misiing some of my favorite. It needs a cover of the Crystal Ship (Tori Amos! She could have handlesd the piano solo beautifully!), Soul Kitchen (PAUL MCARTNEY(!) or U2) and Five to One (Yes, we all know Manson did a cover, but how about getting Eric Clapton to give it a whirl!)

All in all, a worthy buy.

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