Story of A Prostitute (Criterion Collection)

Historically, women have had to find a way to live in the patriarchal societies throughout the world, as their destinies most often involved marriage. Marriage offered safety, social acceptance, and the basic needs for a woman, as the man was the breadwinner. On occasion, some women sought anew destiny, less accepted and much more dangerous, as they had to find a way to make a living by themselves. However, in a world governed by men the women discovered the difficulty of solitude away from the men who did not want to pay for a woman's labor. Thus, many of these adventures women ended up in the world's oldest profession - prostitution. This was a profession frowned upon by married women who perceived these professional women as a threat to their very existence while the men continued to disrespect these women. Seijun Suzuki tells his version of a woman choosing her own path in Story of A Prostitute where the female protagonist, Harumi (Yumiko Nogawa), escapes criminal conviction to a remote province occupied by the Japanese.

The wind is pulling Harumi's hair while she stares into her uncertain future. Aimlessly she begins to wander downhill of a remote desert mountain. Emptiness and loneliness are the first two things that strike the audience when observing Harumi walking straight into the desert. The eerie score enhances the despair and desperate feelings that Harumi must experience. This symbolical opening presents the idea of her isolation within the society and the hopelessness of her situation. However, halfway down the mountain she trips, stands up, and as if she has been reborn, she turns around and walks back into the civilization. Before she returns to civilization, she glances back into her past to what brought her to this point in her life, as the audience will discover that the man she loved is marrying another woman. Vindictively she injured the man and now she must escape the possibility of prison and seek a new opportunity, as a pleasure girl on the Manchurian front.

Regardless of the dangers and lurking death that corner the path of being a prostitute serving the Japanese occupation forces, Harumi walks fearlessly into the mouth of the dragon. Her courage might stem from knowing that she does not have many other choices in life and must make the most of this situation, or maybe, it is the recent heartache that sets off her recklessness. Whatever the reason, Harumi understands that she cannot return to her previous life, as it would most likely end her life the way she knows it. Thus, she enters a war zone where a highly motivated resistance force does anything to defy the Japanese military.

The soldiers quickly discover Harumi's arrival in the provincial village where the military has its headquarters. It obvious that the brothel in which she is to work serves the function of a sanitarium that helps to heal broken minds and spirits for yearning soldiers. Being a newcomer to the brothel serves like a fresh wind in a hot and humid summer day, when a simple breeze delivers a refreshing moment. The men are many while there are only a few women present to provide a quick moment of emotional relief. The women are the only source for a brief moment of humanity while the merciless Japanese war machine indoctrinates inhumanity to the soldiers. Like dogs, the soldiers obey their superiors, as fear controls the lot of them. However, there are a few outsiders who question the leadership's philosophy while a handful obedient serve their masters. Harumi serves no one, but herself. However, she discovers that she cannot escape the long arm of males even in this desolate village in the far Manchuria.

The soldiers lives becomes an analogy for a woman's existence, as the officers command the soldiers the way men tend to command the women. Through Lieutenant Narita (Isao Tamagawa) the oppression becomes very real, as he breaks whatever resistance he might encounter with his utter control and overwhelming brutality. Harumi finds herself being in the path of Narita who in their first encounter begins to command her existence after having legally raped her. The sadistic Narita cleary seeks to destroy her spirit and make her his own finger-puppet. Harumi's hatred for him begins to simmer to boiling point, but helplessly she discovers that she cannot touch Narita without harming herself.

In time of desperation, Harumi meets Private Mikami (Tamio Kawachi) who turns into her knight in shining armor. First, it seems like she attempts to plot a deceitful plan where Mikami would turn on Lieutenant Narita. However, it is a fruitless plan, as Mikami honorably does anything to regain his lost position within the officers. In the process, Harumi finds herself falling in love with Mikami who desires nothing else than fit into the Japanese military machine. Like a lapdog, Mikami, obeys every move and word of Narita, as he is put to the most demeaning tasks. Soon the audience realizes that the relationship between Harumi and Mikami is doomed from the first moment. A quagmire of emotional and social predicaments worsens the situation, but still Harumi tries to convince him to escape elsewhere for a new beginning.

The socioeconomic, political, and emotional complexity within the film stirs a heavy dose of visual artistry into the cinematic blend. Cinematographer Kazue Nagatsuka's keen eye for visual symbolism enhances the scenes together with Seijun Suzuki's brilliant direction. Not to forget, the editing of Story of a Prostitute is nothing short of perfection, as Akira Suzuki applies his final touch of cinematic magic that will help deliver an amazing tale of a woman's struggle. The social issues intelligently weave together into a personal and communal narrative that slowly generates a life of their own. This is a life that provides a powerful awakening, as it nourishes introspective contemplation and a profound examination of the patriarchal society. The intricacies between man and woman emerge, as the state forcefully oppresses its barriers on those who resist. The oppression within the story leaves the viewer with an unforgettable cinematic experience in an economical, political, historical, social, and psychological perspective.

This review is for the Criterion Collection DVD edition of the film.

"Story of a Prostitute" known in japan as "Shunpu den" is about a comfort woman serving Japanese soldiers in Manchuria. She eventually falls in love with one of her clients. The film is known for its criticism of the way soldiers work and was popular.

The special features on the DVD are a theatrical trailer and interviews with the Director Seijun Suzuki, production designer Takeo Kimura, and Japanese film critic Tadao Sato.

This film is recommended for any fan of Japanese cinema

If ever any additional proof was needed to cast Seijun Suzuki an absurdist beyond the brilliance of Tokyo Drifter and Branded to Kill, Story of A Prostitute would be the title to look for. A main effect of Suzuki's work here is that the absurdity is like a joke not necessarily leading to a conclusive or intriguing ending. The actions of his protagonists are inexplicably unpredictable considering the countless of reasonable options they have before them.

Pitting a philosophical and silent soldier, Mikami, against superiors who demand obedience and conformity, Suzuki guarantees a disaster around the unfair view of Japanese loyalty. Whether part of a samurai clan or a conventional army, the issue of loyalty as a way to instill an artificial sense of honor has been experimented by many directors. Suzuki introduces a welcome change in this theme by introducing a prostitute as a source of ill-will between Mikami, and his superior, the adjutant Narita. Unexpectedly, instead of fueling jealousy between the two military men, the culprit is prostitute, Harumi, who falls in love with Mikami despite being forced to please Narita every night. Angered by the little attention that Mikami often pays to her, she grants Narita ample suspicion that Mikami is fooling around with his prostitute during his "time" with her.

In its mere 90 minute run-time, the film tries to engage us in a romance, a debate on loyalty, and the nature of prostitution and of the "comfort woman." Suzuki is just not interested in spending time developing any of these aspects as that would make this work like any other drama. He goes for the unexpected and he delivers. Yet, his ending has a comical absurdity that is just not in tune with all the emotions that have been developed prior to the climax. For a film that often takes such a heavy handed approach in addressing certain topics, the light-hearted ending is more than a little disappointing. It is also a little inappropriate as we have a vested interest for the prostitute while Suzuki doesn't with his unsavory ending.

This is not among Suzuki's best work as his conclusion too gratuitous, and lacks the intrigue of his most famous works. Also, for a film that includes the "prostitute" in the title there is surprisingly little nudity involved. However, the sex scene involving the two lovers is the only time the male protagonist shakes off his surely personality. But unlike him, Suzuki is laughing himself silly to the credits.

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