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History informs, but rarely touches. Its language is that of actualities--of numbers and places and names--not of the heart. Story of a Nation is an attempt to make historical facts more real through the use of fiction, with 12 pieces, some by heavy-hitters like Margaret Atwood and Timothy Findley, and some by young mavericks like Hal Niedzviecki and Michael Turner. Four of the most compelling stories reduce--or elevate--a period of history to a love story. Roch Carriers "Gold and Sawdust," a tale set during the Klondike gold rush of two brothers and the woman both love, ends in horribly ironic tragedy. David McFarlane's "The First of July" shares with its protagonist the revelation of history being, in the end, about real people: a series of love letters proves that the old, scary woman down the road was once a young Newfoundland woman in love with a soldier who met a brutal end in the First World War. American expat Michelle Berry's attempts to come to terms with her adopted country's national obsession results in "Henderson Has Scored for Canada!", a story in which she folds the historic Canada/Russia hockey games of 1972 into a tense domestic drama. Dionne Brand's "One Down" reveals how a single act of racism, in this instance in New Glasgow, Nova Scotia, in 1946, can come between two people. "Jack is not with you now, he is not in that photograph at the Hi-Hat Club on Columbus Avenue in Boston," writes Brand, who has pieced together the story of Viola Desmond and her battle with the racist Roseland Theatre using photographs and newspaper accounts. "Good as he was, a distance opened up between you that Friday in November 1946 when the Dodge broke down. Not right away, but little by little."
There are other fine tales in Story of a Nation that dont touch on love at allNiedzviecki's "Very Nice, Very Nice" combines two of the author's obsessions, filmmaker Arthur Lipsett and Toronto commune Rochdale. And Thomas King's "Where the Borg Are" tells of a young Native boy's attempts to understand government aboriginal policy in terms of Star Trek. Not all of the stories are as successful as these are, but more often than not this beautifully designed, heavily illustrated book finds the perfect pitch between the cold facts of history and the yearnings of the human heart. --Shawn Conner
“The highly selective snapshots are sharply focused, the writing as careful and classy as the longer fiction for which most of the authors are celebrated. Certainly the short-story form is alive and well in this polished collection.” -- Victoria Times-Colonist
“Story of a Nation gives the ‘Canadian history is boring’ chorus a nice kick in the butt.” -- Chatelaine
“The writing is without exception excellent. . . . This is such a good idea.” -- The Globe and Mail
From the Trade Paperback edition.