Story of Qiu Ju

Qiu Ju's husband has been kicked ("where it counts") by the village chief. The only bit of justice Qiu Ju wants is an apology. It seems to be a simple enough request, but her search for the apology proves to be elusive as she encounters a legal system more interested in its own red tape than in the needs of ordinary people.

But this is not "Erin Brockovich" where the sides of "good" and "bad" are easily defined. The people in the legal system Qiu Ju encounters are genuinely decent folks. They are also, unfortunately, a bit clueless. And Qiu Ju is not beyond reproach herself. At the conclusion of the film even she is realizing that she has pushed the matter too far.

Just how far should one go to seek justice in this world? Even if you are totally in the right, does there come a time when you must let the matter rest for your own sake as well as everybody else's? There are no easy answers.

This is another great performance by Gong Li in the title role. She may be one of the most beautiful women in the world, but here she is not above playing "dowdy." And as usual, Zhang Yimou is nearly flawless in his direction. He gives a wonderful tip of the hat to the late French director Francois Truffaut in the end, echoing that famous final shot of Truffaut's "The 400 Blows."

But this is a film that will stick with you well past that last shot.

I lived in Hong Kong for twenty years ('66 - '86) and experienced only the farcical soap operas etc of the Hong Kong film industry. This production was an eye opener for me of the high quality that exists in Chinese films. It set me on a trail of discovery that has resulted in a substantial number of Chinese films on DVD gracing my bookshelf (some produced by Hong Kong companies - Shaw Brothers (HK))

Gong Li plays the role of the relentless, stubborn housewife superbly and is an actress who has built herself a solid reputation for excellence for her roles in many films. For a contrasting role by this brilliant star, I recommend Shanghai Triad.

The film is also expertly crafted and shows how much can be done with a simple story in the hands of skilled film makers. This is also true of Shanghai Triad which I also remember for its music and photography.

Some of the other Chinese films I admire are The Road Home, The King of Masks and Farewell My Concubine (which paved the way for me to the Peking opera The Peony Pavillion).

I eagerly await the release of The Story of Qiu Ju for the North American market so it too can take its rightful place on the shelf among my other Chinese DVDs.