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Str Qrts [Import]

Zehetmair Qrt Audio CD

Price: CDN$ 16.23
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Product Details


1. Str Qt No.1 'Carillon': Langsam - Sehr Lebhaft
2. Str Qt No.1 'Carillon': Con Sordino
3. Str Qt No.1 'Carillon': Con Tutta Forza
4. Str Qt No.4: Allegro
5. Str Qt No.4: Prestissimo, Con Sordino
6. Str Qt No.4: Non Troppo Lento
7. Str Qt No.4: Allegretto Pizzicato
8. Str Qt No.4: Allegro Molto

Product Description

Amazon.ca

The Zehetmair Quartett transfixes the listener with a truly exhilarating performance of Bartók's String Quartet No.4 of 1928 on this ECM disc. You can imagine the gypsies dancing as the group's steely sound grips the air and refuses to let go. The microphones are close enough to hear the players sweat: the dramatic exhalation in the last bar of the first movement betrays their driving intensity. Their sul ponticello playing in the whirlwind second has an eerie metallic magic. The slow kernel shows off Françoise Groben's lachrymose cello. The wonderfully articulate pizzicato fourth spits with angry eastern inflection and the hard, pounding finale stamps home in wild delirium. The companion work is the German composer Karl Amadeus Hartmann's String Quartet No.1 op.1, "Carillon", which won Geneva's Carillon competition in 1936. Hartmann later withdrew the work as he pursued an anti-Nazi policy of inner exile. This was perhaps just as well. A muted viola opens with a melodic dirge which stings into a furious charge bolstered by chords of icy crispness. The middle movement con sordino is a tense drama of whistling-kettle harmonics and low, fearful shiverings. The irate finale has chords like leather fists and a driving, accelerating passion which certainly would not have endeared him to his country's murderous politicians. --Rick Jones

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Amazon.com: 4.0 out of 5 stars  1 review
2 of 2 people found the following review helpful
4.0 out of 5 stars 5-star performances, but short playing time Oct 1 2011
By G.C. - Published on Amazon.com
Format:Audio CD
First, the good part: this is an absolutely terrific recording of these two string quartets from the years between the two World Wars. The Bartok is certainly the more well known of the two, but the Hartmann can easily hold pride of place with the Bartok in terms of its musical quality. Its language is in tune with the expressionist chromaticism of the times, and its inspiration never flags. It should enjoy more renown and popularity than it does, and one hopes that recordings like this will give the Hartmann quartet wider recognition. The Zehetmair Quartet is in top form, wonderfully expressive and intense.

So why only 4 stars for this recording, which has 5-star performances? The answer is the short running time of this CD, only 43 minutes for the two quartets. There was easily room for either Hartmann's second quartet, which times at just a few minutes short of half an hour, or another quartet by another composer from that inter-war era. Recordings of the Hartmann quartets are quite rare, while sets of the Bartok quartets are comparatively thick on the ground. I can't help feeling that there was a missed opportunity to spread word of both Hartmann quartets to a wider audience. If you find this CD, you won't go wrong with it. But it could have had more.

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