| ||||||||||||||||||||
Product Details
Would you like to update product info or give feedback on images?
|
The Faerie Folk have come to Elizabethan London, bringing problems in their wake, especially for Christopher Marlowe and for Alice, whose son turns out to be a changeling.
I found the language use here to be a bit mundane, meaning that a mood was never really developed. Plot events jolted from one to the next, without a sense of flow. Characters, especially secondary characters, seemed faceless and lacking in personality.
I was bored, therefore, and cannot recommend the book.
In the book, one is presented with a picture of Elizabethan London. Court intrigue, meetings in pubs, bookselling rights, and the scare of the plague all are part of the basic setting. The author has done her homework and seems at times to almost go out of her way to include some interesting tidbits of history. Real figures from history, such as Christopher Marlowe and Thomas Kyd, make their way into the story. (But fear not, while the author does take liberties with these personalities, they are not subject to the same brutal misrepresentation as befell Chaucer in A Knight's Tale!) Amidst this historical cast, one encounters Alice Wood - a widow who is struggling to keep her husband's business of bookselling running. It is her missing son, Arthur, that draws the fairy folk to London and involves her and her friends in the battle between the light and dark fairy.
It took me awhile to really become involved in this story. There are so many subplots at the beginning that one doesn't know which to follow or become attached to. Nevertheless, they all are witty and entertaining and eventually one sees how they all fit together. I enjoyed the story as it developed and appreciated the rich description and philosophical musings as well. This book is not for everyone, but for those who find Elizabethian London and the fairy realm fasinating, I would highly recommend it.
In the book, one is presented with a picture of Elizabethan London. Court intrigue, meetings in pubs, bookselling rights, and the scare of the plague all are part of the basic setting. The author has done her homework and seems at times to almost go out of her way to include some interesting tidbits of history. Real figures from history, such as Christopher Marlowe and Thomas Kyd, make their way into the story. (But fear not, while the author does take liberties with these personalities, they are not subject to the same brutal misrepresentation as befell Chaucer in A Knight's Tale!) Amidst this historical cast, one encounters Alice Wood - a widow who is struggling to keep her husband's business of bookselling running. It is her missing son, Arthur, that draws the fairy folk to London and involves her and her friends in the battle between the light and dark fairy.
It took me awhile to really become involved in this story. There are so many subplots at the beginning that one doesn't know which to follow or become attached to. Nevertheless, they all are witty and entertaining and eventually one sees how they all fit together. I enjoyed the story as it developed and appreciated the rich description and philosophical musings as well. This book is not for everyone, but for those who find Elizabethian London and the fairy realm fasinating, I would highly recommend it.
The Faerie Folk have come to Elizabethan London, bringing problems in their wake, especially for Christopher Marlowe and for Alice, whose son turns out to be a changeling.
I found the language use here to be a bit mundane, meaning that a mood was never really developed. Plot events jolted from one to the next, without a sense of flow. Characters, especially secondary characters, seemed faceless and lacking in personality.
I was bored, therefore, and cannot recommend the book.