CDN$ 67.32 + CDN$ 3.49 shipping
In Stock. Sold by M and N Media Canada

Have one to sell? Sell on Amazon

Image Unavailable

Image not available for
Colour:
  • Sorry, this item is not available in
      

The Stranger (MGM Film Noir) (Bilingual) [Import]


Price: CDN$ 67.32
Only 1 left in stock.
Ships from and sold by M and N Media Canada.
2 new from CDN$ 19.99 3 used from CDN$ 11.98

Today Only: "Prime Suspect: The Complete Collection" for $36.49
Today only: Prime Suspect: The Complete Collection is at a one day special price. Offer valid on December 20, 2014, applies only to purchases of products sold by Amazon.ca, and does not apply to products sold by third-party merchants and other sellers through the Amazon.ca site. Learn more

Frequently Bought Together

The Stranger (MGM Film Noir) (Bilingual) [Import] + The Trial
Price For Both: CDN$ 77.27

These items are shipped from and sold by different sellers.


What Other Items Do Customers Buy After Viewing This Item?


Product Details

  • Actors: Orson Welles, Edward G. Robinson, Loretta Young, Philip Merivale, Richard Long
  • Directors: Orson Welles
  • Writers: Orson Welles, Anthony Veiller, Decla Dunning, John Huston, Victor Trivas
  • Producers: Sam Spiegel
  • Format: Black & White, Color, Dubbed, DVD-Video, Full Screen, Subtitled, NTSC, Import
  • Language: English
  • Subtitles: English, Spanish
  • Dubbed: French, Spanish
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • MPAA Rating: NR
  • Studio: MGM (Video & DVD)
  • Release Date: July 10 2007
  • Run Time: 115 minutes
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (12 customer reviews)
  • ASIN: B000PMFRVU

Product Description

Product Description

Viewed once. New condition. Next day shipping.

Amazon.ca

The legendary story that hovers over Orson Welles's The Stranger is that he wanted Agnes Moorehead to star as the dogged Nazi hunter who trails a war criminal to a sleepy New England town. The part went to E.G. Robinson, who is marvelous, but it points out how many compromises Welles made on the film in an attempt to show Hollywood he could make a film on time, on budget, and on their own terms. He accomplished all three, turning out a stylish if unambitious film noir thriller, his only Hollywood film to turn a profit on its original release. Welles stars as unreformed fascist Franz Kindler, hiding as a schoolteacher in a New England prep school for boys and newly married to the headmaster's lovely if naive daughter (Loretta Young). Welles the director is in fine form for the opening sequences, casting a moody tension as agents shadow a twitchy low-level Nazi official skulking through South American ports and building up to dramatic crescendo as Kindler murders this little man, the lovely woods becoming a maelstrom of swirling leaves that expose the body he furiously tries to bury. The rest of film is a well-designed but conventional cat-and-mouse game featuring an eye-rolling performance by Welles and a thrilling conclusion played out in the dark clock tower that looms over the little village. --Sean Axmaker --This text refers to an out of print or unavailable edition of this title.

Customers Who Bought This Item Also Bought

Customer Reviews

3.9 out of 5 stars
Share your thoughts with other customers

Most helpful customer reviews

4 of 4 people found the following review helpful By Steven Hellerstedt on April 19 2004
Format: DVD
"You can threaten me with the bottom pits of hell," Edgar G. Robinson as War Crimes Commissioner Mr. Wilson exhorts a roomful of tired old Europeans, "this obscenity must be destroyed."
The "obscenity" is former Nazi Franz Kindler (Orson Welles), a death camp mastermind who disappeared shortly after the war. Wilson wins his argument and Konrad Meinike, one of Kindler's Nazi subalterns, is allowed to escape, hoping that he'll lead Wilson to Kindler.
Like the best film noirs, this is a handsome movie of shadows and sunlight. Meinike does make a shadowy escape, and Wilson follows him to the bucolic town of Harper, Connecticut. The stakes are implied but clear - Kindler and his ilk are malignant cancers, and Harper is pure and uncorrupt. Evil can't be allowed to sink its rotted tendrils into Harper. Harper with its ivied walls and paper chases, with the boys whistling at pretty blondes and new brides hanging new curtains.
Meinike does find Kindler, now Dr. Charles Rankin, early on in the movie. Evil needs shadows and dark places to grow. "We must stay hidden 'til the day we strike again." Kindler/Rankin is hunted, he knows it, and Meinike is an unwelcome intrusion. The last thing he needs is an old army buddy with the thick German accent hanging around.
Kindler makes and shallow plants the first corpse of the film, and so we're off.
THE STRANGER is a slick little suspense movie that really shouldn't be subjected to intense scrutiny. For instance, it's probably better we believe that Kindler was able to "disappear" into Smalltown, USA so smoothly. It's best we ignore the nagging question of how Rankin was able to woo and win the heart and hand of the beautiful daughter of a liberal Supreme Court Justice so quickly.
Read more ›
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again.
1 of 1 people found the following review helpful By Eddie Konczal on Oct. 18 2003
Format: DVD
The quality of this DVD is adequate: more watchable than the other Welles "Laserlight Classics," but nowhere near as sharp as, say, the recent DVD releases of "Citizen Kane" or "The Third Man." The bizarro Tony Curtis introduction is perhaps worth the price of admission alone! The bonus documentary is fairly perfunctory, but does contain some interesting and rarely seen trailers of Welles films.
On to the movie itself: In a scenario reminiscient of (but far less effective than) Hitchcock's "Shadow of a Doubt," Edward G. Robinson pursues the title character (Welles), who may or may not be an escaped Nazi, through a sleepy Connecticut town. Although "The Stranger" illustrates Welles' concerns that World War II did not spell the end of fascism, the film is by his own admission more of an attempt at profitable Hollywood product than an artistic statement. Despite this and the film's failure to live up to the inevitable comparison's with "Shadow of a Doubt," "The Stranger" remains a well-paced thriller, more enjoyable when considered apart from the rest of Welles' oeuvre. The trademark Welles style is evident in the South American prologue and the drugstore scenes, and the film achieves genuine suspense during the "paper chase" scene and the grand finale.
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again.
1 of 1 people found the following review helpful By Rimbaud on Sept. 17 2003
Format: DVD
As with all the releases from laserlight, gotham, or alpha you can expect horrible picture and sound quality and a low,low price. So once again if you've never seen this film before orsimply just want a version for real cheapit is quite worth it to pick this up. If however, you're anal about sound and picture fidelity just do yourself a favor and wait until someone releases a cleaned up, remastered version of this fine film.
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again.
Format: DVD
First of all, concerning the DVD edition of THE STRANGER -- the version I own and am reviewing is the Hollywood Classics release. This is the one that comes with the 30-minute documentary on Orson Welles and the (rather frightening) introduction by Tony Curtis. The picture and sound looked quite adequate to me though there is an annoying "Delta" logo that appears occasionally in the bottom right-hand corner. I had never seen the film before and purchased this DVD in a 3-pack of Orson Welles films. For the low price, the value is excellent and the video quality is quite good, though I'm sure it isn't as clear as the more expensive version. The customer will have to decide if they want to pay three times the price to get a cleaner version or get a serviceable copy for the lower cost.
Now moving on to the film. This movie is much more straightforward than the other Orson Welles films that I've seen. We have a standard good guy and a standard bad guy, and each character is set up in his role almost immediately. Edward G. Robinson plays the Nazi-hunter who has been tracking Orson Welles' character since the end of the Second World War. Welles' plays a Nazi who has gone into hiding and is now living in small town America as a schoolteacher. The acting from the two leads is spellbinding -- as good as any of their best work, with Welles in particular stealing the show. Welles triumphs in the difficult task of playing a man who has successfully integrated himself in a community, yet allowing the audience to see him as the villain that he is. The viewer never questions why the outlaw has been able to fool his friends and neighbors for months but can also pick up on the same clues that Robinson's character does.
Read more ›
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again.

Most recent customer reviews



Feedback