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Stranger in a Strange Land Audio Cassette – Apr 1 1996


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Product Details

  • Audio Cassette
  • Publisher: Blackstone Audiobooks (April 1 1996)
  • Language: English
  • ISBN-10: 0786109521
  • ISBN-13: 978-0786109524
  • Product Dimensions: 6.4 x 17.1 x 24.1 cm
  • Shipping Weight: 762 g
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (455 customer reviews)

Product Description

From Library Journal

In 1939 Heinlein published his first sf short story and became one of the most prolific and influential authors in the genre. Stranger in a Strange Land (1961) is an international best seller and a landmark in more ways than one: it opened the trade best sellers lists to sf writers, breaking down longstanding barriers that will never be seen again. At the same time Stranger became an emblem of the 1960s generation in its iconoclasm and free-love themes. Telling the story of an Earth baby raised by an existing, ancient Martian civilization, the novel often reads as if it were the "Playboy Philosophy" in dialog form. The man/ Martian comes to Earth and broadcasts his ideas by forming his own Church. Heinlein has been rightly criticized for presenting as facts his opinions, which state that organized religion is a sham, authority is generally stupid, young women are all the same, and the common individual is alternately an independent, Ayn Randian-producing genius and the dull-witted part of an ignorant and will-less mob. Yet the book is hard to put down; in its early pages it is a truly masterful sf story. Every library with a fiction collection should have it. Christopher Hurt reads with authority, nicely drawing the characters via barely perceptible changes in intonation, harshness, and pacing. Highly recommended.?Don Wismer, Office of the Secretary of State, Augusta, Me.
Copyright 1996 Reed Business Information, Inc.

From AudioFile

Heinlein's cult classic about a man raised by Martians who teaches humanity to make love, not war, doesn't read aloud very well. The narrative is heavy, the dialogue contrived and unnatural. The tone is dated. Competent, but no miracle worker, Christopher Hurt tries gamely to keep things moving and believable. His performance will satisfy the nostalgic and uncritical but won't win new converts. J.N. (c)AudioFile, Portland, Maine

Customer Reviews

4.1 out of 5 stars

Most helpful customer reviews

3 of 3 people found the following review helpful By Peter D. Tillman on Dec 28 2003
Format: Mass Market Paperback
-----------------------------------------------------------
Heinlein conceived STRANGER in 1948, but didn't finish it until
1960. His editor asked him to cut it from 220,000 to 150,000 words; as
published it was 160,087. It was reissued from the original
manuscript in 1991, and I just got around to reading this "uncut"
edition. I first read STRANGER in the early sixties -- it's the only
"major" Heinlein I'd never reread (unless you count _To Sail the
Sunset Sea_ as major).
STRANGER hasn't aged well. Ostensibly set in the 21st century, it
reads like the 1950's. News commentators are "winchells" and
"lippmans" -- I recognize the names, but remember nothing else
about the originals; do you? The bad guys and minor characters are
purest cardboard. Women ("bims") have the "liberty permitted cats
and favorite children"; homosexuals are "poor in-betweeners". The
world beyond the USA is almost invisible.
Jubal Harshaw, the writer, patriarch and "father of all", is a self-
indulgent know-it-all given to long, hectoring speeches. The
women are quick to shed clothing and inhibitions, and couple with
any water-brother. They grow younger, more beautiful -- and more
exhibitionist -- as they learn Martian mind-control. Feh.
And yet, and yet .... STRANGER still works as a novel -- I reread it
pretty much at one go. The idea of a child raised from infancy by an
alien race ... Valentine Michael Smith's journey from innocence to
full humanity to New Messiah ... the cheerfully crass
commercialism of the Church of Foster ... the silly-but-serious
mysticism ... Heinlein, whatever his flaws, was a master story-
teller.
Read more ›
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2 of 2 people found the following review helpful By Ritesh Laud on Nov. 20 2003
Format: Mass Market Paperback
Heinlein's "masterpiece" Stranger in a Strange Land starts off brilliantly. The first 100 pages or so comprise a well-paced absorbing thriller, and even up through the 200-page mark the story remains strong. And then the protagonist Valentine Michael Smith grows up and takes charge of his own life. And the whole novel falls flat on its face and remains thus for the remaining 250 pages.
You see, in the beginning Michael is innocent and somewhat helpless. So he's powerless against his enemies and I naturally rooted for him. Then he slowly began to use his superhuman powers and I became even more absorbed and thrilled, watching him shake off his foes and emerge unscathed. Then he took asylum in a large secured residence with the evil government of the U.S. bent on capturing him and using him for their own ends. Could it get any better, I asked? This was five-star material.
Unfortunately, that's the climax of the story and it comes less than halfway through. The rest is supremely mediocre. Mike becomes a god on earth due to his invulnerability and wealth. What does he do with this status? He basically uses his powers to establish a large harem and teaches others how to do the same thing. The only interesting character in this whole charade is Jubal Harshaw, who probably represents Heinlein himself and his opinions on various matters of philosophy, sex, religion, etc. Two stars here.
Average: three and a half stars but I'm knocking it down to an even three due to the unsatisfying ending.
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1 of 1 people found the following review helpful By J. Vuren on Dec 23 2003
Format: Mass Market Paperback
This book is too light-weight too be a classic. I admire Heinlein for being daring enough to say things in 1961 that are obvious to many of us now, e.g. most people are easily fooled, religion is ridiculous, the Bible has parts which are bizarre, all governments place preserving their power above serving their citizens, there is no absolute moral basis for monogamy, homosexuality is fine, etc. I think Heinlein understood the world fairly well. For the most part he was properly critical about it, without being universally cynical. However his statement, "Nine times out of ten, if a girl gets raped, it's partly her fault." is impossible to overlook. You can say, "Well, he was just being cynical about men and saying that any intelligent woman should be able to see how dangerous they can be and plan accordingly.", but I think that's a stretch. The Occam's Razor answer is that Heinlein was something of a misogynist. As we all know, misogynists see things in overly simple terms. This book is light-weight because it makes simplistic observations. For instance, I just don't think sexual jealousy is a major contributor to the troubles of the world. Heinlein makes shallow, impractical, utopian recommendations for how to fix things. Sure we could do without sexual jealousy but Heinlein fails to see that it can't be eradicated because it's genetic(babies get jealous). Did Heinlein really think that having us all sleep with each other would eliminate war? This reminds me of people who say that if we all smoke pot there will be no crime, war, etc. I think Heinlein was impractical about religion too.Read more ›
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