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Strawberry & Chocolate
 
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Strawberry & Chocolate

Jorge Perugorría , Vladimir Cruz , Tomás Gutiérrez Alea , Juan Carlos Tabío    DVD
4.3 out of 5 stars  See all reviews (10 customer reviews)

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This charming Cuban film details the unusual relationship between the flamboyant, educated Diego (Jorge Perugorría) and the young, homophobic, pro-Revolution David (Vladimir Cruz). Miserable at being dumped by his girlfriend, David at first spurns the attentions of Diego; however, at the prompting of his Communist roommate, Miguel (Francisco Gattorno), he cultivates an acquaintanceship with Diego in order to investigate his liberal leanings. Of course, Diego's cultured ways prove fascinating to the younger man and a true friendship grows. Add the slightly crazy neighbor Nancy (Mirta Ibarra), who frequently attempts suicide, as romantic fodder for David, and this playful drama becomes a heartwarming film. Disputed in its own country, this film was the first Cuban picture to be nominated for best foreign picture at the Academy Awards. --Jenny Brown

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10 Reviews
5 star:
 (6)
4 star:
 (2)
3 star:
 (1)
2 star:
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1 star:    (0)
 
 
 
 
 
Average Customer Review
4.3 out of 5 stars (10 customer reviews)
 
 
 
 
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2.0 out of 5 stars Four stars for the movie, two for the DVD, Feb 27 2004
This review is from: Strawberry & Chocolate (DVD)
STRAWBERRY AND CHOCOLATE [Fresa y Chocolate] (Cuba/Mexico/Spain 1992): Used as an unwitting pawn by his pro-revolutionary colleagues, naive student David (Vladmir Cruz) is encouraged to develop a platonic relationship with flamboyant gay artist Diego (Jorge Perugorria), whose political allegiances have fallen under suspicion. But as their friendship deepens, David is transformed by Diego's resistance to the Cuban regime, even as the forces of oppression begin to close around them.

Though based on a short story ('El Lobo, el Bosque y el Hombre Nuevo') by screenwriter Senel Paz which explores opposite ends of a political ideology, knowledge of recent Cuban history isn't a prerequisite for viewers of STRAWBERRY AND CHOCOLATE, a small gem from co-directors Tomas Gutierrez Alea and Juan Carlos Tabio. Far from a mere political tract, this is a joyous celebration of life and non-conformity, distinguished by Perugorria's extraordinary performance as the camp but dignified Diego, who rejects his friend's unquestioning loyalty to the Cuban political system that is stifling their beloved homeland. Their budding relationship is complicated by Diego's unrequited love for David, depicted here with remarkable honesty and compassion, particularly for a mainstream film. But it's their political differences which ultimately unite the two characters, even as Diego is forced to reap the whirlwind of his public defiance. Much of the narrative unfolds within Diego's crumbling apartment building, where David enjoys a liaison with flaky neighbor Nancy (Mirta Ibarra), who introduces the inexperienced student to the joys of sexual liberation! It isn't a terribly cinematic film, but production values are solid, and the characters are so vivid, and played with such integrity, it hardly matters; this is a movie in which ideas take precedence over action, and the emotional payoff is quite powerful indeed. Beautiful music score by Jose Maria Vitier, too.

Now the bad news: Buena Vista's DVD version is incomplete, missing approximately six minutes of footage. Absent material includes a brief conversation about racism during David's first visit to Diego's apartment, and a sad little sequence in which the two characters pretend not to notice each other after meeting by accident in a bookstore. These revisions were perpetrated before the film's North American theatrical release by Buena Vista's 'art-house' subsidiary Miramax, a company which is notorious for the cavalier manner in which it treats its foreign acquisitions (their version of THE HORSEMAN ON THE ROOF is similarly incomplete). The alterations imposed on STRAWBERRY AND CHOCOLATE seem completely arbitrary, and demonstrate little more than contempt for American audiences. For the record, the UK video version runs 105m 51s at 25fps in the PAL format, which corresponds to 110m 15s at the original 24fps.

There are no extras, not even a trailer (there's a puff-piece which trumpets Miramax's involvement in a 'golden age' of cinema, which is ironic given the way they treat their movies). So, four stars for the movie, two for the DVD, and only because the sound and picture quality are so good, despite a worrying amount of grain in the film's opening sequence. The running time quoted below doesn't include the Miramax/Robert Redford logos which open the US DVD print and weren't part of the original film.

103m 53s
1.85:1 / Anamorphically enhanced
Dolby Surround 2.0
Ultra Stereo [theatrical]
Spanish soundtrack
Optional English subtitles
Region 1

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3.0 out of 5 stars Not a Bad Berry...., April 27 2003
By 
Patrick A. Martin Jr. "Patrick Martin Jr" (Austin, Texas United States) - See all my reviews
(REAL NAME)   
It's a good movie, but not what I expected. From the amount of foreign films I've seen, there have been some outstanding ones like Central Station, City Of Lost Children, Crouching Tiger Hidden Dragon, Like Water for Chocolate and Amelie. I guess I hold all foreign (subtitled) films to this high standard. The actor who played Diego, Jorge Perrugoria was wonderful though. He's one of those few actors that uses his eyes to convey so much internal action. Over all, I'm not saying the film was bad, but it wasn't one I'd watch again and again. First film from Cuba nominated for an Oscar.. *** stars
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5.0 out of 5 stars Wonderful film that transcends stereotypes, Mar 6 2003
By 
The Cuban film, "Fresa y Chocolate," is the story of friendship between a young student (a loyal member of the Communist Party), and a gay political activist, who is critical of the government's censorship. It is an amazing film for a number of reasons. First, it presents a balanced and somewhat critical view of the Cuban political system. This is surprising since it was co-produced by ICAIC, essentially the official Cuban film production company. Second, though the main characters start out as stereotypes, they develop into very real people who go beyond what the audience would expect.

Considered by many to have been a major catalyst in improving the treatment of gays in Cuba; this film presents a rich and interesting view of Cuban society.

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