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Strawberry Fields: A Novel
 
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Strawberry Fields: A Novel [Hardcover]

Marina Lewycka
4.5 out of 5 stars  See all reviews (2 customer reviews)

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4.5 out of 5 stars (2 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful
4.0 out of 5 stars "We are all God's creatures", Aug 28 2007
By 
Michael Leonard "MikeonAlpha" (Silver Lake, Los Angeles, USA) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
This review is from: Strawberry Fields (Hardcover)
Weaving a Pandora's box of themes and ideas into her novel, Marina Lewycka's Strawberry Fields begins in a field in rural England where a group of immigrant seasonal agricultural workers spend their days picking ripening strawberries on a ramshackle farm. Run by the officious Farmer Leapish, the farm has workers that have come from all corners of the world, including Poland Ukraine, Africa and China.

Supervised by the bossy Yola, whose main aim is to ensure that this community lives in sexual harmony, the farm is a hardscrabble world where the women always earn less than the men and where Leapish is more concerned with working with the grain of human nature to maximize both productivity and yield, than to look after the well-being of his employees.

Apart from the officious Yola the collection of workers is varied and eclectic. There's Yola's big nosed niece Marta, and two Chinese girls, and also Irina who has just arrived from Kiev, tired and disheveled, "with a faint whiff of chip fat about her." Meanwhile, the poor forty-something Thomasz, with hair to his shoulders and stringy beard, feels as though his life is just slipping away, even as Emanuel an African catholic lyrically sings his religious songs.

Orbiting all of them is Andriy, a miner's son from Donbas still haunted by the mine disaster in which he survived but where his beloved father died. What at first seems like a mild infatuation with the pure and rather snobbish Irina soon develops into a full blown romance as all of the workers are forced to flee after an accident leaves Leapish injured and Yola worrying about the police.

What develops is a type of road story, part of a clever plot that twists and turns as this group of characters travel all over the United Kingdom working in nursing homes and restaurant kitchens and getting themselves involved in all sorts of misadventures, especially when they reconnect with fellow strawberry picker Vitaly who has dissolved into a new smoothly confident businessman who now slips effortlessly between Polish and English.

A shady "recruitment consultant," Vitaly offers up "dynamic employment solutions," convincing his colleagues that working in such places as a chicken processing plant will finally give them all the opportunity to earn plenty of "good English money." Things, however, fall apart, and the delicate balance of the group is upset when Irina is separated from Andriy and she goes on the run and outside of everything in a world where nobody wants her.

Meanwhile, the poor Andriy accompanied by his pet dog, is constantly consumed by the memories his dead dad and the fact that all his dreams and ideals are dead with him, the solidarity, humanity, and the self-respect in this new world that is now run by entrepreneurial "mobilfonmen."

When they finally goes their separate ways, we get to see their true resourcefulness as they eat what they can and sleep where they lay, and what ensues is a complicated brew of exploitation as the new arrivals, the confused, the desperate, and the greedy are taken advantage by all of these self-made middle men who tap into other people's labor, and get rich on harvesting the efforts these innocent fragments of globalized labor.

The novel is intricately structured as Lewycka weaves in her characters' Ukrainian past with their lives on the run. She also constantly introduces new characters like the disgusting farm owner Boris, who tries to seduce Irina in exchange for work, covering her with slimy kisses, and Neil, who works at the chicken processing plant, laughing and joking in front of Thomasz as he slaughters the animals that submit meekly to the daily horror while packed in a small stinking room.

Others are like Vulk, who wears a horrible black fake-leather jacket like a comic-strip gangster, and who makes a living exploiting his own kind. As many of these characters spin off into the ether, some meet a nasty end and others help these workers along in their search across the country as they wait for their luck to change or for their time to run out.

The journey of these workers is certainly defined with momentary triumphs and false steps and the book emerges as a type of guide for new immigrants who are intent to do battle in this newly formed global economy where the West seems intent on abuse and exploitation. Obviously, there are no easy answers to the questions posed in this novel, but the issues give Lewycka a chance to explore, in the sardonic exchanges between the characters, many of the issues that interest her.

If Strawberry Fields sometimes lacks the tightly plotted precision of Lewycka's previous novel, it certainly makes up for it with its ambitious structure. The novel is indeed a complex study of the globalized world and the current labor market in developed counties, and its examination of the many migrant workers and asylum seekers who come from every strife-torn corner makes for a compelling, and at times, absolutely heart-rendering case. Mike Leonard August 07.
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4 of 5 people found the following review helpful
5.0 out of 5 stars Loved it!, Sep 15 2007
By 
Marsha Skrypuch (Brantford, Ontario Canada) - See all my reviews
(TOP 1000 REVIEWER)    (REAL NAME)   
This review is from: Strawberry Fields (Hardcover)
This highly entertaining novel is like a modern Canterbury Tales. Very funny and original. I loved the ever evolving points of view, especially Dog. Reminded me of the Poisonwood Bible -- each character's voice was instantly recognizable.
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Amazon.com: 4.1 out of 5 stars (14 customer reviews)

19 of 19 people found the following review helpful
4.0 out of 5 stars It's getting hard to be someone but it all works out, Aug 22 2007
By Leonard Fleisig "Len" - Published on Amazon.com
This review is from: Strawberry Fields: A Novel (Hardcover)
it doesn't matter much to me
Let me take you down, 'cos I'm going to Strawberry Fields

I approached Marina Lewycka's "Strawberry Fields" with a mixture of excitement and apprehension. Lewycka's first novel, A Short History of Tractors in Ukranian, was a first-rate farce, a brilliant book. Second novels are challenging, both for the author and for the reader. The author is challenged to live up to the promise of her first work. The reader is challenged by virtue of his own heightened expectation and anticipation that the second work will match the qualities of the first novel. Happily, Lewycka was up to the task and "Strawberry Fields" was a funny, satisfying book to read.

The title refers to the strawberry fields found in Kent, England which during the summer are populated by migrant agricultural workers from Eastern Europe, Africa, and Asia. The story opens with the arrival of a new worker, Irina, in a strawberry field in Kent, England. Irina is a young girl straight off the bus from Kiev. She is teamed up with a motley group of workers from Poland (Yola, Tomasz, and Marta), Ukraine (Andriy), Malawi (Emanuel), and China (known to the crew only as Chinese Girls One and Two). The field has two trailers for the crew to sleep in - one for the women and one for the men. (The book's title in the UK is "Two Caravans).

Life for migrant agricultural workers in England is no picnic but Irina and her fellow workers form a familial bond - one that is quirky and dysfunctional but very touching and well-drawn. A minor dispute with the field's farmer evolves into something close to a full-blown riot and the next thing you know Irina and her gang flee their trailers and embark on an adventure that takes them from Kent to a horrid chicken processing plant to London and Sheffield and points north. It isn't hard to think of Strawberry Fields as a contemporary Canterbury Tales - as played with an Eastern European accent and influenced by the comic sensibility of Monty Python. This is not to compare Lewycka to Chaucer by any means. But each character has a tale to tell (including a mongrel dog they pick up along the way - and Lewycka does a great job translating dog talk into English!) and their tales are funny and moving.

I cannot say that Strawberry Fields is a better book than Tractors in Ukrainian. They are both excellent but they are different in many respects though. Where Tractors focused on one family, specifically two sisters, Strawberry Fields has a much bigger cast. There were a couple of instances where the book lost some of its narrative power because it was diffused among too many characters. That said, Strawberry Fields manages to combine humor and whimsy in telling a story that could easily pass for tragedy. That is not an easy line to walk but Lewycka does so with skill and grace. The book's dedication "[t]o the Morecambe Bay Cockle-pickers" an accident where 21 migrant workers from China were drowned in the north of England indicates that Lewycka is well aware of the plight of Britain's invisible laborers.

All in all, I was very happy with Strawberry Fields. It was tragedy played as farce and when that is done well, as it was here, it can have a very powerful effect. Highly recommended. L. Fleisig

12 of 12 people found the following review helpful
5.0 out of 5 stars Strawberry Fields, another great novel by Lewycka, Aug 22 2007
By Pen ID "reviewer" - Published on Amazon.com
This review is from: Strawberry Fields: A Novel (Hardcover)
Following her success after the first novel, A Short History of Tractors in Ukrainian, Lewycka treats her readers to yet another delightful story - this time about Eastern European immigrants picking strawberries, and then some. The plot draws you in, and the reader is kept continuously engaged as each of the characters - Andriy, Irina, Yola, Tomasz, Emanuel, Dog and others - narrates the story from their personal point of view.

The novel's strengths are numerous. Take for example its characters who are very diverse and at times completely incompatible. Thus Yola (from Zdroj, Lonely Planet Poland) cannot stand Tomasz who is trying his best to impress her through his off-key singing; stealing the underwear does not help poor "Tomek" either. Irina, a history professor's daughter from Kiev (Kyiv), Ukraine dismisses the attention of Andriy, the hard-working son of a miner from Donetsk, in eastern Ukraine. That she's from the "Orange" camp and he's from the "Blue and White" ( Ukraine's Orange Revolution) makes the relationship even more charged. The characters' nationalities range from Ukrainians and Poles to Malawians and Chinese, from Romanians and Slovaks to Bulgarians and Moldovans, and others.

Another strength of Lewycka's writing is her unique style. Those who read "A Short History of Tractors in Ukrainian" will immediately recognize the wide usage of accents and cultural humor (e.g. "little flovver", "beetroot-brain"). An occasional foreign word such as "mzungu" and "smetana" may send the reader in the arms of a search engine or a dictionary, but these are rare enough to make the novel a pleasure to read, and not a guide on foreign languages.

Yet, using a fun and "fictional" although informed by reality setting, Lewycka is able to touch on broader issues such as modern immigration, animal treatment, economic hardship ("...one day they were all comrades, next day some were millionaires..." - Andriy, pg. 96), commodization of women, first love and the loss of innocence ("I wanted it to be perfect, like Natasha and Pierre..." - Irina, pg. 287), and the human desire to seek solace and reconciliation. These make "Strawberry Fields" relevant to audiences beyond the U.K.

The few criticisms I have are minor, and certainly arguable. When Irina is speaking of "Maidan Square" (pg. 16), she is referring to the Independence Square, a focal point of the 2004 Orange Revolution. Since "Maidan" in Ukrainian means "Square," Irina in effect says "Square Square," but then perhaps this is done on purpose, as Irina's English is not perfect. "Ujjas!" (pg. 93) may have been made more pronounceable as "Uzhas!" Lastly, after consulting a couple of native speakers, "robot" does not mean "work" in Russian (pg. 199); instead, "rabota" seems to be the proper word.

Overall, "Strawberry Fields" by Marina Lewycka is a splendid second novel, which will make you laugh, empathize, detest, and root for your favorites. Relish the journey.

7 of 8 people found the following review helpful
4.0 out of 5 stars A good story but not a funny story, Oct 16 2007
By Inga Bra Rardttir "ibț" - Published on Amazon.com
This review is from: Strawberry Fields: A Novel (Hardcover)
Before I read this book I was told it was "very funny". That is not true according to my understanding of fun. However it changes something fundamental within you and changes your outlook on humanity, as pertaining to the large picture of life, and illegal immigrants regarding to a narrower view. The book gives good insight into the lives of people who look for a better life in the west with a naive belief in its riches and benevolence while being not so terrifying, depressing and violent that one is depressed for a week after reading.
 Go to Amazon.com to see all 14 reviews  4.1 out of 5 stars 
 
 
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