Gripping, realistic account of the lives of the inhabitants of New York tenements, during the Depression years, based upon the Pulitzer Prize winning play by Elmer Rice.
Long before the Neorrealistic Movement began in Italy, Samuel Goldwyn produced this great picture which depicts the miseries and hardships of a group of working class characters, directed with skill, intelligence and in a very "naturalistic" way, by master director King Vidor, who excelled in this kind of films, dealing with social issues ("The Big Parade" (1925), "The Crowd" (1928), "Hallelujah" (1929) and "Our Daily Bread" (1934)).
Sylvia Sidney is magnificent and displays great acting skill in the role of a working girl; she looks pretty, charming, "petite", naive, conveying all the frailty and helplessness her character requires. William Collier Jr. portrays convincingly an idealistic young jewish College-educated lad, who is in love with Sidney's character.
Beulah Bondi is great as well, as a gossipy, mean, bitter woman who's married to a drunken, no-good man. Estelle Taylor is efficient as the basically nice, doomed, adulterous mother of Sylvia Sidney's character. Also in a cast full of stage actors, character player John Qualen, interprets very well a Scandinavian immigrant who works as the janitor of the building in which the events take place.
Great landmark score by legendary composer Alfred Newman, which is reminiscent of George Gershwin's "Rhapsody in Blue". Great camerawork for a movie that was filmed during the first years of Sound Pictures, when films were usually stagey and static.
The transfer is far from perfect but, in my opinion, is decent, considering the age of the film.