- Hardcover: 256 pages
- Publisher: Scarecrow Press (January 1999)
- Language: English
- ISBN-10: 0810835630
- ISBN-13: 978-0810835634
- Product Dimensions: 22.4 x 14.6 x 2 cm
- Shipping Weight: 458 g
- Average Customer Review: 3.0 out of 5 stars See all reviews (1 customer review)
- Amazon Bestsellers Rank: #2,358,269 in Books (See Top 100 in Books)
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Product Details |
Product Description
Review
...both instructive and entertaining...absorbing, previously unpublished interviews...a fine book... (Crescendo & Jazz Music )
Stride! contains a lot of valuable and interesting information about the creation of the exhuberant piano wtyle which was given that name...this is a very important book... (Mississippi Rag )
What a delight this book is! It's not an introduction to the subject but a feast four gourmets who already have a taste for the cooking of James P., Fats, the Lion and many of the other pianists along the road from ragtime to swing...This would be a great book even without its overall cohesiveness. (Jazztimes )
The brief biographies of the book constitute its greatest strength...Especially valuable are the chapters on neglected, minor, or obscure players, several of which feature previously unpublished interviews. (Notes )
Traces the devlopment of the stride piano style from its roots in minstrel show and ragtime through the contirbutions in itinerant entertainers...personal interviews and biographies, portrays the players, the music, and the scene through the generationsssss (Reference And Research Book News )
Traces the devlopment of the stride piano style from its roots in minstrel show and ragtime through the contirbutions in itinerant entertainers...personal interviews and biographies, portrays the players, the music, and the scene through the generations (Reference And Research Book News )
Stride! contains a lot of valuable and interesting information about the creation of the exhuberant piano wtyle which was given that name...this is a very important book... (Mississippi Rag )
What a delight this book is! It's not an introduction to the subject but a feast four gourmets who already have a taste for the cooking of James P., Fats, the Lion and many of the other pianists along the road from ragtime to swing...This would be a great book even without its overall cohesiveness. (Jazztimes )
The brief biographies of the book constitute its greatest strength...Especially valuable are the chapters on neglected, minor, or obscure players, several of which feature previously unpublished interviews. (Notes )
Traces the devlopment of the stride piano style from its roots in minstrel show and ragtime through the contirbutions in itinerant entertainers...personal interviews and biographies, portrays the players, the music, and the scene through the generationsssss (Reference And Research Book News )
Traces the devlopment of the stride piano style from its roots in minstrel show and ragtime through the contirbutions in itinerant entertainers...personal interviews and biographies, portrays the players, the music, and the scene through the generations (Reference And Research Book News )
Book Description
Stride! traces the stride piano style from its roots in minstrel shows and ragtime, through the contributions of itinerant entertainers, to its joyful birth in Harlem, where it became known as Harlem Piano. Stride developed over a period spanning World War I to the depression years, though younger players maintain its traditions today. It is a musical style marked by friendly rivalry and shared pleasures. Drawing on the authors' personal interviews and biographies, the book traces stride from generation to generation, from the originators Eubie Blake, Luckey Roberts, and James P. Johnson, through a succession of pianists like Willie the Lion Smith. Fell and Vinding also examine its influence on Duke Ellington, Fats Waller, Joe Sullivan, and Johnny Guarnieri, concluding with third and fourth generations that include Ralph Sutton, Dick Hyman, and Dick Wellstood. The authors describe the exceptional Donald Lambert from personal experience. Throughout, influences are traced and documented by way of CD and LP citations. "Stride!" finishes the tune with appendixes that itemize the compositions of Luckey Roberts, Fats Waller and Willie the Lion Smith.
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Most helpful customer reviews
3.0 out of 5 stars
Could Be Better,
By
This review is from: Stride!: Fats, Jimmy, Lion, Lamb, and All the Other Ticklers (Hardcover)
Harlem stride piano is one of the most joyous of all jazz styles, and there has long been a need for a good book on the subject. The book offers a number of historical and contextualising chapters before a series of profiles of the major players. It is the profiles that are the real problem. Firstly, Earl Hines, great as he was, was not a stride player. Second, the profiles offer very little new information or analysis. Many of them are largely given over to identifying out-of-print LPs by the artists concerned, information that would be better presented in a table. Some of the profiles make use of interesting original interview material, and some, such as the profiles of Luckey Roberts and the great Donald Lambert, usefully add to the body of knowledge about the player. Others are little more than digests of well known information. Th book contains a number of transcriptions, including solos or choruses by James P. Johnson, Donald Lambert, Hank Duncan and Fats Waller. This book is rather a missed opportunity. It is well worth reading for those interested in the area, but it is by no means a serious academic study of the stride style and its practitioners.This book is a useful addition to the literature, but we still await a definitive work.
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
3.0 out of 5 stars (1 customer review) 5 of 5 people found the following review helpful
3.0 out of 5 stars
Could Be Better,
By B. D. Tutt - Published on Amazon.com
This review is from: Stride!: Fats, Jimmy, Lion, Lamb, and All the Other Ticklers (Hardcover)
Harlem stride piano is one of the most joyous of all jazz styles, and there has long been a need for a good book on the subject. The book offers a number of historical and contextualising chapters before a series of profiles of the major players. It is the profiles that are the real problem. Firstly, Earl Hines, great as he was, was not a stride player. Second, the profiles offer very little new information or analysis. Many of them are largely given over to identifying out-of-print LPs by the artists concerned, information that would be better presented in a table. Some of the profiles make use of interesting original interview material, and some, such as the profiles of Luckey Roberts and the great Donald Lambert, usefully add to the body of knowledge about the player. Others are little more than digests of well known information. Th book contains a number of transcriptions, including solos or choruses by James P. Johnson, Donald Lambert, Hank Duncan and Fats Waller. This book is rather a missed opportunity. It is well worth reading for those interested in the area, but it is by no means a serious academic study of the stride style and its practitioners.This book is a useful addition to the literature, but we still await a definitive work. |
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