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4.0 out of 5 stars
Bigger is not always better... but also not always worse, May 2 2004
This review is from: How To Succeed In Business Without Really Trying (Audio CD)
The transformation of HTSIBWRT (the acronym by which the original was known) to H2$ (the acronym for this major revival) was not a simple one, even though (surprisingly) the show proved so timely when revived its book didn't need to be greatly rewritten. Its orchestrations, however, were enormously revamped and expanded, sometimes to the show's detriment (the reworking of the big finale, "the Brotherhood of Man," doesn't have the same kind of impact the original did, for example). And despite the fineness of Matthew Broderick in the lead role, he doesn't project the kind of ingratiating sexiness that made such a star out of Robert Morse. But everyone else in this re-do is superb, from Ronn Carroll as Mr. Biggley to Megan Mullaly playing the ingenue very charmingly years before she would stumble across the TV studio set as Karen Walker. (She's very charming in the great "Paris Original" number.) Best of all is Victoria Clark as Smitty, the heroine's best friend: her singing and speaking voice are so perfectly clear and memorable that you may never be able to get her pronunciation of the name "Rosemary" in the beginning of the show's second act completely out of your head.
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5.0 out of 5 stars
Loesser's most adventurous score in a first-rate revival, Feb 28 2004
This review is from: How To Succeed In Business Without Really Trying (Audio CD)
Every song in HOW TO SUCCEED is a winner, even though there's hardly a standard in the whole show. How many musicals can you say that about? Asked to do the show, Frank Loesser truned it down and finally reconsidered: he came through with what is probably the most ambitious score of his career. How do you explain a song like "Coffee Break" or "A Secretary is Not a Toy"?--and yet both songs work beautifully, and are hilarious and still timely send-ups of office caffeine addiction and sexual politcs (respectively). Although Matthew Broderick (while still quite fine) may not be as ingratiating or sexy as Finch as Robert Morse was, the rest of the cast is just about ideal. The real standout, as someone mentioned before, is the marvelous Victoria Clark as Smitty, but almost the whole cast shines. Before "Will and Grace" was a hit Megan Mullaly made me listen very carefully to her terrific renditions of "Happy to Keep his Dinner Warm" and (especially) "Paris Original," and Luba Mason is VERY funny as Hedy LaRue.
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5.0 out of 5 stars
Wonderful energy in this recording!, Feb 22 2003
By A Customer
This review is from: How To Succeed In Business Without Really Trying (Audio CD)
I recently purchased this recording to fill out my Broadway collection even more and I absolutely fell in love with the performances. When this cast recording first came out, I was skeptical-thinking that it could never supercede the 1961 original. I was intrigued when The New York Times had Broderick on its front page with an in depth article on how an actor can infuse a popular song into something meaningful and how the current crop of opera singers could learn a thing or two from listening to MB's way with a lyric. Well...that article provoked quite a reaction from opera fans. Listening to this recording years later, I cannot help but agree with The New York Times. Broderick sings each song in a lilting voice, delivering the lyrics with intent. He sings the characterization and presents a guileful, cunning rogue. Megan Mullally is a wonderful Rosemary who sings with just the right touch of irony to keep one from gagging on the sexist perception of women. Love Walter Cronkite's contributions and the additional dialogue added to the intro. and exit of songs aids the the characterizations as well. The sound production is top-notch and the whole cast performs on high octane. Recommended highly.
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