From Publishers Weekly
This comic novel about a black Atlanta family is narrated by Annie Eliza, the clan's matriarch. Shrewd, earthy, full of street smarts, Annie Eliza provides a running commentary not only on her own brood but also on behind-the-scenes city politicking. Her son Jeremiah is a respected minister, her daughter-in-law Renee is preparing to run for the state senate, and Annie Eliza knows everybody. The narrative deftly intertwines two story lines: in the first, Juneboy, a successful physician, returns to Atlanta to deliver a scholarly paper and in the process discover his roots; the second concerns Renee's disastrous candidacy, torpedoed when her vow to stamp out corruption unwittingly discloses scandal in her own back yard. Annie Eliza is an endearing character whose voice rings true. Major, who won the Western States Book Award for My Amputations, presents his narrative with wit and style.
Copyright 1987 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
The title of this novel comes from "November Cotton Flower," a poem by Jean Toomer about a time filled with strange happenings. Similarly, Major focuses on one trouble-filled week in the lives of a black family in Atlanta. Annie Eliza, family matriarch and narrator, finds the happenings around her as fantastic as those on the television soaps she watches religiously. Her memories of black aspirations and suffering in earlier days are moving, but the present goings-on (e.g., a feminist political campaign, a melodramatic illness, a conspiracy to rig tomato prices) are sometimes silly and unconvincing. Annie Eliza displays strength and humor, but many characters and tedious details in the book appear superfluous. Albert E. Wilhelm, English Dept., Tennessee Technological Univ., Cookeville
Copyright 1987 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.