From Amazon
David Macfarlane's
Summer Gone is the story of Bay Newling, overweight and divorced, and his almost-teenaged son, Caz, and the memories that persist through the generations. It is also the story of those incredibly ephemeral summers in Canadian cottage country, which arrive and disappear with the brilliance of a struck wooden match. Ontario is speckled with 250,000 lakes, and summer at the lakeside cottage or camp is as Canadian as mournful-sounding loons or maple syrup. But summers are not all canoes and clear waters--they are also a time of healthy bodies panting amid mirages of heat and light. With evocative language and elaborate time-play, Macfarlane draws out the passions hidden in this landscape and in Bay's heart: "through the blue heat, the slip of bangles, the open folds and the shadows of creased white cotton, his time was slipping out of him and into the unordered cold."
Bay Newling, an urban man of strong habits and emotions, is blinded by his own desire one brilliant summer day, and he and his son both pay the price of temptation and its aftermath. In the end, Summer Gone, which won the Chapters/Books in Canada First Novel Award, is a tragedy but one so exquisitely rendered, with an ending so startling, that, like a dive into icy water, it leaves the reader breathless. --Mark Frutkin
--This text refers to the
Hardcover
edition.
From Library Journal
Macfarlane, a columnist for the Toronto Globe & Mail, earned a measure of admiration for Come from Away, which won the Canadian Authors' Association Award for nonfiction in 1992. This is his first venture into fiction. The gist of the tale is a bit hard to summarize, but it has to do with the editor of a Canadian monthly magazine recalling past summers and winters as he and his young son canoe through Ontario's northern lakes. Macfarlane skillfully evokes an atmosphere at once somber and slightly ominous, but the drama, instead of flowing smoothly, jerks and snaps from past to present, scene to scene, and person to person so that even an earnest attendant finds it difficult at times to follow. Setting and mores are described with an expert hand, but many readers are likely to be puzzled by the often irritatingly abrupt transitions, the curious mixture of present and past, and the intertwining of reality, dreaming, and the twilight in between. Of limited appeal; for collections of Canadian fiction.
-A.J. Anderson, GSLIS, Simmons Coll., Boston Copyright 2000 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.